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► Enskilda körledare och pedagoger I NDIVIDUAL

CHOIRMASTERS AND EDUCATORS Knight, Gerald R. (2006). The music philosophies, choral concepts, and rehearsal practices of two African American choral conductors. Ph.D. The Florida State University.

Lebrecht, Norman (1991). The maestro myth. Great conductors in pursuit of power.

London: Simon & Schuster.

Ruthardt, Adolf (1890). Chormeister-Büchlein: Eine Sammlung 41 kurzgefasster Biographien. Leipzig: Verlag von Gebrüder Hug.

Tobin, Henrik (2007). “Sing until you die!”. Kyrkomusikernas tidning 73:9.

Whittemore, Joan (2009). “Biographies of selected American women choral conductors”. In: Conlon, Joan Catoni (Ed.). Wisdom, wit and will. Women choral conductors on their art. Chicago: GIA Publications.

♦ A

Boberg, Georg (2002). “Carl-Bertil Agnestig: Musikpedagog-körledare”.

Årsskrift/Byarums hembygdsförening.

Jenwald, Arne (2001).

“Musikpedagogen, körledaren och kompositören Carl-Bertil Agnestig”.

Nackaboken 37.

Källgård-Samuelsson, Marie (1994).

Barnklangen är så vacker: man måste vara rädd om den: en porträttstudie av Carl-Bertil Agnestigs körpedagogik för och med barn- och ungdomskörer. C-uppsats. Stockholm:

Kungl. Musikhögskolan.

O’Neal, Melinda (2009). “Passion and authenticity: A conversation with Marin Alsop”. In: Conlon, Joan Catoni (Ed.).

Wisdom, wit and will. Women choral conductors on their art. Chicago: GIA Publications.

van Smits Waesberghe, Joseph (1954).

“Guido von Arezzo als Musikerzieher und Musiktheoretiker”. In: Brennecke, Wilfried; Kahl, Willi; Steglich, Rudolf (Eds.). Bericht über den Internationalen musikwissenschaftlichen Kongress. Kassel:

Bärenreiter.

Wilson, Carl-Johan (2003). “Anita Andersson, Tomelilla gosskör: Små

gruppen enda sättet att få relation till varje sångare”. Kyrkomusikernas tidning 69:1.

♦ B

Bocev, Bonco (1970). “Working with the children‟s voices of the Bodra Smjana Chorus”. Hudezestvena Samodejnost 19:9.

Joiner, James Richard; Battaille, Charles Amable (1998). Charles Amable Battaille. Pioneer in vocal science and the teaching of singing. Lanham, Md.:

Scarecrow Press.

Patterson, G. (2007). George W. Bragg and his techniques for training the preadolescent boy‟s voice as demonstrated through the Texas Boys Choir: 1946–1975. D.M.A. Urbana-Champaign: University of Illinois.

Zamer, Craig (2007). Gene Brooks and his contributions to the American Choral Directors Association. Ph.D. The Florida State University.

♦ C

King, Deborah Simpkin (1981). Caro Carapetyan: His choral beliefs and practices.

M.M. University of North Texas.

♦ D

Gilbert, Nina (1995). “Choral advocacy, 1926: Advice from Archibald T.

Davison”. The choral journal 36:4.

Latimer, Marvin E. (2007). Harold A.

Decker (1914–2003): American choral music educator. Ph.D. University of Kansas.

Räisänen, Juhani (1997). “Suomen kuorolaulun laiskanläksy: Thérese Decker”. [More homework for the enthusiasts of Finnish choir singing:

Thérese Decker]. Synkooppi 19:1–2.

♦ E

Åhlén, Carl-Gunnar (1996). “Eric Ericson and the Swedish choral

tradition”. The classical music of the Nordic and Baltic countries.

Con, Adam Jonathan (2002). The life and philosophy of choral conductor Rodney

Eichenberger, including a detailed analysis and application of his conductor-singer gestures.

Ph.D. The Florida State University.

Hedlund, Oscar (1988). Körkarlen Eric Ericson. Höganäs: Bra böcker.

Neiman, Torbjörn (1990). Eric Ericson:

pedagogen, interpreten, kormästaren.

Examensarbete. Stockholms universitet.

Osterfinke, Ingrun; Stockhecke, Kerstin (1999). Mit Posaune, Chor und Taktstock: Wilhelm Ehmann (1904–1989) und die Kirchenmusik. Bielefeld: Verlag für Regionalgeschichte (Schriften des Landeskirchlichen Archivs der

Evangelischen Kirche von Westfalen).

Peterson, Hans-Gunnar (1997). “Eric Ericson 50 år med Kammarkören: en intervju”. The Art bin 12.

Robinson, Ray (1984). “Wilhelm Ehmann: His contribution to the choral art”. Choral journal 25:3.

Segeren, Ellen (2007). “„Ik ben een echt koorbeest‟: Richard Egarr en de

Matthäus”. Tijdschrift oude muziek 22:1.

Tobin, Henrik (1995). “Möte en face med körprofil”. Kyrkomusikernas tidning 61:1.

♦ G

Gates, J. Terry (1988). “Samuel Gerrish, publisher to the Regular Singing

Movement in 1720s New England”.

Notes: Quarterly journal of the Music Library Association 45:1.

Shields, Ronald Eugene (1983). Marjorie Gullan: Speech teacher, Lecturer, Public Reader, and Pioneer in Choral Speaking.

Ph.D. Louisiana State University and Agricultural & Mechanical College.

Stephenson, J.C. (2004). Portrait of a life‟s work: George Howell Guest and the choir of Saint John‟s College, Cambridge University, 1951–1991. Ph.D. Greensboro: The University of North Carolina.

♦ F

Bockstiegel, Heiko (2000). Ein Oberpfälzer als Botschafter Berliner Geistes und Musiklebens. Karl Forster (1904–1963) und der Chor der St.-Hedwigs-Kathedrale Berlin. Quakenbrück: Thoben.

♦ H

Nilsson, Tomas (1995). “Grabbarna tar sig ton”. Fotnoten 1.

Pierce, Edward Eugene (1988). Julius Herford: His life, teaching, and influence on the choral art in the United States. D.A.

University of Northern Colorado.

Tylöskog, Åke (1997). Daniel Helldén:

tonsättare, pedagog, körledare.

Magisteruppsats. Stockholm:

Stockholms universitet.

♦ I

Pitman, Walter (2008). Elmer Iseler:

Choral visionary. Toronto: Dundurn Press.

♦ K

Chandler, Deborah Lynn (2004). Colleen Jean Kirk (1918–2004): Her life, career and her influence on American choral music education. Ph.D. The Florida State University.

Fontaine, Susanne; Mahlert, Ulrich;

Schenk, Dietmar, et al. (Eds.) (2008).

Leo Kestenberg: Musikpädagoge und

Musikpolitiker in Berlin, Prag und Tel Aviv.

Freiburg im Breisgau: Rombach (Rombach-Wissenschaften: Reihe Litterae).

Meindl, W. (1983). “Chorleiter Komzák”. Chor aktuell 2.

Mihkelson, Immo (1993). “Koor maa ja taeva vahel”. [A choir between heaven and earth]. Teater. Muusika. Kino 6.

Połczyński, Romuald (1986).

“[Koszewski] Traktuje chór jako orkiestre glosów ludzkich”. [I treat the choir like an orchestra of human voices].

Ruch muzyczny 30:8.

Ruuth, Gustaf (1997). “Farbror Karlberg i Ljungarum: en vän av barn och sång”. Gudmundsgillets årsbok 53.

♦ J

Schneider, Reinhard (1988). “Jödes musikphilosophische Anschauungen”.

In: Krützfeldt-Junker, Hildegard (Ed.).

Fritz Jöde – ein Beitrag zur Geschichte der Musikpädagogik des 20. Jahrhunderts.

Kassel.

Wilson, Doris Louise Jones (1989). Eva Jessye: Afro-American choral director. Ed.D.

Missouri: Washington University.

♦ L

Carter, Julie Lane (1993). Norman Luboff:

His life, career, and professional choir.

D.M.A. Arizona State University.

♦ M

Hawn, C. Michael (2005).

“Congregational singing from down under: An interview with Australian Robin Mann”. The hymn: A journal of congregational song 56:4.

Jankowitz, Hendrika Johanna (1990).

Philip McLachlan en die Universiteitskoor

Stellenbosch. M.M. University of Stellenbosch.

Leyman Hofsten, Kerstin (2005). “En sökande konstnär: porträttet: Ingemar Månsson”. Tidningen Körsång 1.

Nylén, Conny (2006). “Ingemar

Månsson: Sveriges snabbaste körledare”.

Kyrkokörjournalen 4.

Samuel, Christopher Bagby (1998). A biography of Warren Martin: Westminster Choir College‟s professor of music. D.M.A.

Arizona State University.

♦ N

Hunziger, R. (1938). Hans Georg Nägeli.

Zürich.

Tobin, Henrik (2006). “Gospel och tulpanlökar: möt Maria Nordenback”.

Kyrkomusikernas tidning 72:3.

♦ O

Lesle, Lutz (2006). “Zeitgenössisch und überkonfessionell Māris Ošlejs,

Chordirektor und Festivalmanager aus Riga”. Musik und Kirche 76:3.

Singer, Kurt (1933). Siegfried Ochs, der Begründer des Philharmonischen Chors.

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♦ P

Le Pelletier, Sébastien (2006). Histoire de Sébastien Le Pelletier. Prêtre ligueur et maître de grammaire des enfants de chœur de la cathédrale de Chartres pendant les guerres de la Ligue (1579–1592). Genève: Droz (Travaux d‟humanisme et renaissance).

Næslund, Kella (2002). “Årets körledare: Stefan Parkman: en telefonintervju”. Informationsbladet Körledaren 3/4.

Pabst, Reinhard (1981). Ad multos annos:

Festschrift für Anton-Josef Pabst, zum 25jährigen Chordirigentenjubiläum 1981.

Camberg: R. Pabst (Aufsätze zur Vokalmusik).

Simons, John Edward (1999). Euell Porter, profile of a choral musician: An analysis of his musical philosophies, techniques and leadership style. D.M.A. Greensboro:

The University of North Carolina.

Stevens, Robin S. (2000). “Emily Patton: An Australian pioneer of Tonic sol-fa in Japan”. Research Studies in Music Education 14:1.

Woods, Timothy Erickson (1998).

Leonard de Paur‟s arrangements of spirituals, work songs, and African songs as contributions to choral music: A black choral musician in the mid-twentieth century. D.M.A. The

University of Arizona.

♦ R

Carpenter, Simon (1996). The beat is irrelevant: Barry Rose and the early years of Guildford Cathedral Choir. Guildford:

Guildford Cathedral Old Choristers‟

Association.

Duchez, Marie-Elisabeth (1991). “Jean-Jacques Rousseau, historien de la musique”. In: Fauquet, Joël-Marie;

Dufourt, Hugues (Eds.). La musique du théorique au politique. Paris: Aux Amateurs de Livres (Domaine musicologique, 7).

Everett, Mary Elizabeth (2007). Ray Robinson: An analysis of his contributions to choral music as educator, scholar, and president of Westminster Choir College from 1969 to 1987. D.M.A. The University of Southern Mississippi.

Moulton-Gertig, Suzanne C. LeRoy (2007). The life and works of Emil Nikolaus von Reznicek, 1860–1945. Ph.D. Boulder:

University of Colorado.

Strydom, Frikkie (2008). “Petrus (Pieter) Roos”. Musicus 36:1.

♦ S

Ballweg, David Brent (1987). The choral artistry of Paul Salamunovich: An emphasis on stylistic philosophies and rehearsal techniques regarding the interpretation and performance of renaissance choral music by the mixed choir.

D.M.A. University of Missouri.

Dyer, Joseph (1980). “A thirteenth-century choirmaster: The Scientia artis musicae of Elias Salomon”. The Musical Quarterly 66:1.

Petersén, Gunilla (1998). “„Man måste lita och tro på sina korister‟”. Tidningen Körsång 71:1.

Sagvik, Stellan (2000). “„Endast Sverige svenska körer har!‟”. Tidningen Körsång 732.

Schmidt-Görg, Joseph (1971).

“Aachener Musikleben des Vormärz.

Beethovens Sekretär Anton Schindler, Städtischer Musikdirektor 1835–1840”.

Zeitschrift des Aachener Geschichtsverein 81.

Segarre, Irreneu (1979). “Meine Arbeit mit dem Knabenchor und dem Chor der Mönche des Klosters Montserrat”. Neue Zeitschrift für Musik 140:2.

Stark Hesselgren, Monica (1992).

“Körledaren i Västerås domkyrka: ”Vi ska inte erbjuda jippon i kyrkan!‟”.

Kyrkomusikernas tidning 59:8.

Svensson, Bo (2007). “Bo Svensson minns från sina 35 år som kantor i Lenhovda”. Lenhovdakrönikan.

Tobin, Henrik (1997). “En körsångens konsul”. Kyrkomusikernas tidning 63:8.

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Musketa, Konstanze (2002). “Daniel Gottlob Türk als Direktor des

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Traxdorf, Götz; Ruf, Wolfgang; Türk, Daniel Gottlob (Eds.). Daniel Gottlob Türk. Theoretiker, Komponist, Pädagoge und Musiker. Halle an der Saale:

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Feisst, Sabine (2006). “Varèse und seine New Yorker Chöre”. In: Meyer, Felix (Ed.). Edgard Varèse. Komponist, Klangforscher, Visionär. Mainz: Schott.

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Belan, William (Ed.) (1993). Choral essays: A tribute to Roger Wagner. San Carlos: Thomas House.

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Braunschweig: Stadtbibliothek.

Mountford, Fritz (1992). Fred Waring and American choral singing: His career, philosophy, and techniques. D.M.A. Kansas City: University of Missouri.

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Scarbrough, Michael Lee (1996).

Portrait of a leading choral conductor: The life and work of Roger Wagner, 1914–1992.

D.M.A. Arizona State University.

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