• No results found

Alexandra Lake: capstone

N/A
N/A
Protected

Academic year: 2021

Share "Alexandra Lake: capstone"

Copied!
15
0
0

Loading.... (view fulltext now)

Full text

(1)
(2)

Artist Statement

Alexandra Lake

I am inspired by natural forms that possess an indefinable attraction. I only pursue the exploration of a structure if I cannot pin down exactly what is appealing about it and, therefore, feel obligated to give it a sense of autonomy in my production of it. My general sense of isolation and vulnerability both for myself and the existence of other living things also influence what figures I am drawn towards. I treat my work as an investigation into the false sense of security that comes from our biological existence. I find that the contradiction of nests is a great platform to explore this fragility. While proposing safety and comfort, nests are themselves delicate structures that provide no assured protection. Lately, I have been extending this metaphor to bodies. In my work, life forms become nested 'selves'; perpetuating their existence by relying on their biological structures to let them continue. These forms embody the anxious empathy I find when realizing that our greatest bond to our surroundings is our shared quality of impermanence.

The process of printmaking allows me to explore my interests through repetition and layers. Without personally understanding their motivations, I work with images through different compositions and additions of printed layers until I believe that they are represented authentically. Through the intentional use of different printmaking techniques, I maintain some control over the appearance of my forms. However, I enjoy exploiting the unpredictable nature of some techniques as well as the ‘black box’ nature of the press to allow the forms to emerge with a life of their own.

(3)

Title Media Original Format

Figure 1: Nested Selves Printmaking Collagraph, 23.5 in x 38 in

Figure 2: Nests Printmaking Collagraph and Conte Crayon, 32.5 in x 45 in

Figure 3: Six Nests Printmaking Collagraph, 15.5 in x 22.5 in

Figure 4: Selves I Printmaking Lithograph and Collagraph, 16.5 in x 23 in

Figure 5: Selves II Printmaking Lithograph and Collagraph, 16.5 in x 23 in

Figure 6: Growth Printmaking Collagraph and Conte Crayon, 21.5 in x 26.5 in

Figure 7: To have someone else’s Liver Printmaking Collagraph, 8 in x 10.5 in

Figure 8: Hermitages Printmaking Lithograph, 8 in x 11 in

Figure 9: Untitled Printmaking Lithograph, 10 in x 11 in

Figure 10: Untitled Printmaking Collagraph, 27 in x 40 in

Figure 11: Entrance Printmaking Lithograph, 16 in x 19 in

(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)

References

Related documents

Där kan samtida memento mori inom smycken vara ett sätt att ta upp frågor om människans förvridna relation till naturen – som en påminnelse, varning, protest eller kanske en

improvisers/ jazz musicians- Jan-Gunnar Hoff and Audun Kleive and myself- together with world-leading recording engineer and recording innovator Morten Lindberg of 2l, set out to

Thus, to investigate how audit firms adapt and change their auditing processes in this time of digital transformation, and consequently how they address the

46 Konkreta exempel skulle kunna vara främjandeinsatser för affärsänglar/affärsängelnätverk, skapa arenor där aktörer från utbuds- och efterfrågesidan kan mötas eller

The increasing availability of data and attention to services has increased the understanding of the contribution of services to innovation and productivity in

Av tabellen framgår att det behövs utförlig information om de projekt som genomförs vid instituten. Då Tillväxtanalys ska föreslå en metod som kan visa hur institutens verksamhet

Aspects of the TMT process that have been studied are communication, debate, decision making, problem solving, conflicts, social integration, behavioural integration,

In order to understand what the role of aesthetics in the road environment and especially along approach roads is, a literature study was conducted. Th e literature study yielded