UUB 20:13 – A Contextual Analysis of a Lute Manuscript : Tablature, Transcription, Concordances

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UUB Imhs 20:13

A Contextual Study of a Lute Manuscript

Tablature

Transcri ption

Concordances

60/80 points paper Stockholm University Departement of Musicology

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CONTENTS

Editorial Remarks ... 5

UUB Imhs 20: 13 - Facsimile (85 % reduction) ... 7

Transcription ofUUB Imhs 20:13 ... 21

[Suite in] Dis mol ... 21

Prelude ... 21 Allemande ... 24 Courante ... 2:9 Siciliana ... ~ Menuet ... 44 Gavotte ... ,48 Gigue ... 5()

[Suite in] Gis dur ... 57

Preludio ... 57 Allemande ... 59 Courante ... 66 Sarabanda ... 70 M enuet ... 71 Giga ... 73

Affettuoso del Sigre Chelleri ... 79

UUB Imhs 20:8 -Affettuoso I del Sig: Kelleri ... 83

UUB Imhs 134:12 ... 89

UUB Imhs 134:24 -Afectuoso del Sign: Kellery ... 93

MAB P-R Anon. Rejouissance -Afectuoso del Singr: Kelleri ... 94

MAB ClB/Sv.-R Mullers notbok -Affectuoso del Singr Kelleri ... 99

MAB T/Sv.-R Herdespel - Pantomime (Afettuoso) ... 103

KB-S 177 - Affetuoso del Sr. Kelleri._ ... 109

LUB Engelhardt 488 - Affettuoso ... 113

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EDITORIAL REMARKS

The original ornament signs have been retained in the transcription, with the sole exception of the trill sign, which in the D# minor suite is written

tr.

due to the original sign's similarity to the double sharp sign; the use of

both signs could cause eon.fusion.

I - denotes a trill (tr.).

*x

J -

appoggiatura from below.

-I - appoggiatura from above.

*)

J

f -

separee sign.

r,. -

indicates that the two strings of a course are to be played one after

the other; thus:

=

w

~

r

..

Measures 44/45 of the D# minor Menuet are to be performed with a trill on each separate note, unlike the continuous trill in measure 28 of the Gigue in the same suite.

For further information regarding the ornaments and their execution, see paragraphs 2.5 - 2.6.6.

The slur in lute playing indicates that all notes hut the first are to be played with the left hand alone. This changes the tone colour drastically and cannot be reproduced on a keyboard. Moreover, descending slurs sound different from ascending slurs.

In

measures 49/50 of the Sl Gigue the same note is played on different

courses. The sound produced by an open course is quite different from the

sound produced by a stopped course. This means that the repeated e'

sharps in the aforementioned mss. are articulated in a way which is impossible to reproduce on a piano, although a similar effect can be

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In the unbarred preludes accidentals apply only to the · notes they accompany, except when two subsequent notes are tied together, in which case the accidental applies to both notes.

Redundant and cautionary accidentals in the sources have been omitted. Occasionally the same note is played simultaneously on two courses,

which is the case in the first measure of the Jute version of the Affettuoso,

where the initial ris played in this manner. These notes are included in

the transcription thus:

I

*

_I

An appoggiatura undemeath one of the two is to be performed:

The various versions of the Aff ettuoso sometimes differ in detail, and in

editing these the aim has been to achieve a readily playable result.

Consequently the least corrupt versions have been chosen.

All editorial material is given within square brackets, whereas changed notes, signs, rhythms etc are accompanied by footnotes which are explained after the transcriptions.

-

= editorial slur/tie.

An asterisk(•) accompanying a note denotes an obscured note or tablature

letter in the MS.

Since different fingerings give different voice-leading, the transcription does not incorporate the optimum sustain of voices; this being left to the performer's discretion, irrespective of the instrument employed.

Octave leaps in the bass line of Jute pieces are often due to the diatonic stringing of the bass courses, whereby all accidentals have to be played on the fretboard, within reach of the left hand, i. e. one octave higher.

Keyboard players who wish to keep the bass line 'intact' may feel free to do

so.

The occasional fingering in the MSS is omitted.

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