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SCHOOL OF ARCHITECTURE AND THE BUILT ENVIRONMENT

KTH Lighting Laboratory I Architectural Lighting Design I Course Code AF270X

Raluca DASCALITA Isabel DOMINGUEZ

Raluca DASCALITA

raluca.dascalita@gmail.com

Student:

Tutor:

Out of the many spaces of light that triggered positive human response, can we isolate an intimate, concrete essence that justifies the meaning identified by people in their illuminated surroundings ?

METHODOLOGY

Aage Brandt Umberto Eco J.B. Peterson Amos Rapoport

THAT MEANINGFUL LIGHT

A PHENOMENOLOGICAL APPROACH TO MEANING IN LIGHTING DESIGN

ABSTRACT

As lighting design matures into a stand-alone profession recognized globally, lighting designers find themselves compelled to reach beyond the functional aspects of lighting and join other design fields in a conscious intent to shape spaces which audiences assimilate as meaningful.

Responding to this challenge, the present study correlates the psychological processes that lead to the cognitive attribution of meaning with the perceptual aspects of light, aiming to outline a phenomenology of lighting, as means of enhancing the human experience within illuminated environments. Following an investigation of the available literature on the phenomenology of both meaning and perception, the thesis proposes a comprehensive structure of meaning accessible through lighting design, organized into three interrelated layers.

Thus, light gains meaning as survival factor catering to basic needs, as choreographer for sensual experiences triggering affects and as storyteller portraying our existential values.

The study expands on how these three layers of meaning can be reached by designers who shape spaces with light, offering a perspective on the ability of lighting to impact human consciousness, which is the ultimate commander of meaning.

STRUCTURE OF MEANING ACCESSED THROUGH LIGHTING DESIGN

...CONSECRATES MEANING

...AWAKES CONSCIOUSNESS

...LOWERS SURVIVAL ANXIETY

Gaston Bachelard Alain de Botton Henry Lefebvre William Lam Juhani Pallasmaa M. Merleau-Ponty C. Norberg Schulz

Literature Review:

Psychology Semiotics

Literature Review:

Phenomenology Perception

MEANING IN LIGHTING

DESIGN

Perceptual elements of light involved in the attribution of meaning

Psychological processes that lead to the attribution of meaning

THE QUESTION

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(2)

SCHOOL OF ARCHITECTURE AND THE BUILT ENVIRONMENT

KTH Lighting Laboratory I Architectural Lighting Design I Course Code AF270X

Raluca DASCALITA raluca.dascalita@gmail.com

Raluca DASCALITA Isabel DOMINGUEZ Student:

Tutor:

THAT MEANINGFUL LIGHT

A PHENOMENOLOGICAL APPROACH TO MEANING IN LIGHTING DESIGN

MEANING ACCESSED THROUGH

BASIC HUMAN NEEDS

MEANING ACCESSED THROUGH

TRIGGERED AFFECTS

MEANING ACCESSED THROUGH

EXISTENTIAL VALUES

Light for Sight Light for Orientation Light for Safety

LOWER SURVIVAL ANXIETY

Humans access a first layer of meaning through lighting when light supports survival and helps us see, orientate or feel safe. The positive response at this stage implies that we feel less anxious about survival and more open to other layers of meaning encoded in space.

A second layer of meaning is accessed when light arouses affects. The perception of light is joined by affective responses when light becomes a multi-sensorial stimulus and choreographs sensual experiences of space. Changes in emotional states awake consciousness, triggering a positive response by making people aware of the surroundings.

The third layer of meaning is accessed through existential values. When light tells a story about the coordinates of our existence, it in fact targets our deepest values, mirroring our identity, beliefs or ideals, strengthening our relationship with the illuminated surroundings and enhancing our feeling of existence. The positive response here is the permanent imprint of meaning of space into human consciousness.

RESPONSE

Identify stimuli for immediate needs Set expectations in relation to the space Legibility of space

Light for Orientation Light for Sight

Re-sensualized Vision Music of Light Touch of Light

Taste of Light Smell of Light

Light for Safety

Affects Mediator Light as multi-sensorial stimulus

Light as sensual stimulus

AWOKEN CONSCIOUSNESS RESPONSE

Moods + Emotions

The body, through the 5 senses Light becomes a stimulus for:

hearing and touch, by recalling perceptual elements primarily used by these senses taste and smell, by triggering the memory of stimuli perceived through these senses

Light becomes a sensual stimulus by rejuvenating the senses and reinforcing them with a joy of perception

Existential Values Mediator Light as Story-teller

Coordinates of Existence

Space ContextTime Community

PERMANENT IMPRINT OF MEANING RESPONSE

Identity, Beliefs, Aspirations, etc.

Consciousness

Lighting expresses existential values by telling a story about one or more coordinates of our existence

Extrinsic dimensions that humans internalize and that shape our existence

Centrality, Path, Rhythm, Hierarchy Past, Present, Future

Nature, Culture

Interaction, Integration

Light as Axis Mundi:

connection with a higher entity

Light expressing SPACE:

path: learning through experience

Light expressing NATURE:

considers light rhythms Light expressing CULTURE:

reflects identity

Light for COMMUNITY:

enforces a feeling of belonging Light expressing TIME:

invokes memory, intimacy or creativity

References

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