Depatment of Conservation LITTERATURLISTA MASTER, SPECIALTERMIN 1 MÅLERI 15 HP

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Depatment of Conservation

LITTERATURLISTA MASTER, SPECIALTERMIN 1 MÅLERI 15 HP

2020-09-01

Pigments

MAIN LITERATURE

Feller, Robert L. ed (1986) Artists’ Pigments: A Handbook of Their History and Characteristics, Volume 1

Roy, Ashok. ed (1993) Artists’ Pigments: A Handbook of Their History and Characteristics, Volume 2 FitzHugh, Elisabeth West. ed (1997) Artists’ Pigments: A Handbook of Their History and

Characteristics, Volume 3

IN-DEPTH LITERATURE

Jensen, Ole Ingolf (1996) Optical Identification of Pigments : Microscopical Determination of Pigments in Conservation. Theory and Method. Institute of Conservation, Göteborg University, Göteborg.

Mactaggart, Peter and Ann (1998) A pigment microscopist's notebook. 7:e upplagan.

Eastaugh, Nocholas; Valentine Walsh & Tracey Chaplin (2008) Pigment Compendium - A Dictionary and Optical Microscopy of Historic Pigments. Butterworth-Heinemann Ltd.

Polymers/adhesives and binders

MAIN LITERATURE

Horie, C V (1996) Materials for Conservation (s 135 – 144 + 150 – 153)

Mills J S och White (1994) The Organic Chemistry of Museum Objects: Kap 3;Oils and fats: 3.1 - 3.2 (s 31 – 34), samt Drying oils and drying 3.4 fram till 3.4.1 (s 35-36) Kap 6; Carbohydrates; sugars

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and polysaccharides: 6.5 tom 6.6.6 (s 75 – 78)._Kap 7: Proteins; 7.1.1 tom 7.2 (s 86 – 89).

“Triterpenoid resins” s.105-109, “Polyacrylates”, s.132, ”Cyclohexanone resins”, s.137-138, “Other synthetic varnish resins” s. 138, I: The Organic Chemistry of Museum Objects. 2nd ed.,

Butterworth-Heinemann, Oxford

IN-DEPTH LITERATURE / REFERENCE LITERATURE

Anter Fridell, K. och Wannfors H. (1989) Så målade man: Svenskt byggnadsmåleri från senmedeltid till nutid.

Bristow, Ian (1996) Interior House Painting Colours and Technology 1615 – 1810.

Cennio Cennini (1471) Boken om Målarkonsten.

Kumlien, A (1991) Oljemåleriet

Lyckman, K. (2005) Historiska oljefärger Kap 4: Linoljans utvinning och bearbetning (s 75 – 93).

Leufenmark, Jac. D. (1870) Alla slags lim; anvisningar till de i handeln varande, simplare och finare sorternas bedömande och användande; beredning af oblater, klister, butelj- och sigillack samt bryggeriharts. Stockholm

Masschelein-Kleiner (1995) Ancient Binding Media, Varnishes and Adhesives.

Painting Materials, a Short Encyclopaedia (1966) Gettens R.J. och Stout G.L. (s 3 – 88).

Paulsson, G (1937) Hantverkets bok, Måleri.

Bristow, Ian (1996) Interior House-Painting Colours and Technology 1615-1840. London Fridell Anter, Karin & Wannfors, Henrik (1997). Så målade man: svenskt byggnadsmåleri från

senmedeltid till nutid. 2. [uppdaterade och utök.] utg. Stockholm: Svensk byggtjänst

Grundhus, Grete (1999), Fascinating fragments from Medieval Norway: the study of a distemper wall- painting in a 14th century farmhouse, In: Zeitschrift für Kunsttechnologie und Konservierung, vol 13, no 2, 1999, pp. 211-222

Skans, Bengt (1990) Tillverkning och analys av gamla limmer I: Meddelelser om konservering, nr 4, 1990, IIC Nordic Group

Solstad, J & Muniz, I. P. (2001) Störlim og konservering I: Strategisk instituttprogram 1996 2001, Konservering: strategi og metodeutvikling, NIKU 104, red. Grete Swensen, utg. NINA-NIKU, Oslo, s. 57-64

Medieval painting techniques

MAIN LITERATURE

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Bomford, D, Dunkerton, J, Gordon, D & Roy, A (1989) Art in the making. Italian Painting Before 1400. National Gallery Publication Ltd. London.

IN-DEPTH LITERATURE

Cennino Cennini Libro dell’arte, o trattato della pittura. (Boken om målarkonsten)

Hansen, F (1987) Oljemaleri. Teknik og paletter. Det konglige Danske Kunstakademi. Köpenhamn.

Nyström Larsson, I (2000) Måleriteknikens utveckling: Medeltida måleri. Kompendium. Göteborgs universitet

Thompson, D V (1962) The practice of tempera painting. Dover. New York

Preservation of painting on wood

MAIN LITERATURE

Medieval Painting in Northern Europe. Technique, Analaysis, Art history. Studies in Commemoration of the 70th Birthday of Unn Plather , J. Nadolny (ed.) with K. Kollandsrud, M. L. Sauerberg and T.

Frøysaker, Archetype Publications Ltd, London 2006.

Hedlund H.P. Johansson, M. (2005) “Prototypes of Lascaux’s medium for consolidation - Development of a new costum made polymer dispersion for use in conservation”

I: RESTAURO no.6, 2005

Polychrome Sculpture: Tool Marks and Construction Techniques (Maastricht, 2010) Polychrome Sculpture: Artistic Tradition and Construction Techniques (Glasgow, 2012) Polychrome Sculpture: Decorative Practice and Artistic Tradition (Tomar, 2013)

Publication ‘Painting the Flesh’, ICOM-CC Sculpture, Polychromy and Architectural Decorations interim meeting, Madrid, November 2015

(ISBN 978-92-9012-435-1)

The publication ‘Painting the Flesh’, post prints from the conference is available in hard copy and in electronic format since 2018: http://www.icom-cc.org/54/document/flesh-tones-in-

polychromesculpture--

sculpture-polychromy-and-architectural-decorations-interim- 2015/?id=1588#.W6uxzWhKjIU

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IN-DEPTH LITERATURE

Hedlund HP ”Bemålat trä” (1999) I: Tidens Tand, Förebyggande konservering, Riksantikvarieämbetet,. s.208-217

Hedlund H.P. (2003) Restaureringsprinciper i Sverige under 1900 talet och Riksantikvarieämbetets roll. Föredrag Köln. Kompendium.

Hedlund H.P. (1997) Trätekniker 1100-1500. Kompendium.

Hedlund H.P. (1997) Ytbehandlingstekniker 1100-1500. Kompendium.

Hedlund H.P (2005) Syntetiska bindemedel inom skulpturkonserveringen, föredrag München.

Kompendium.

Tångeberg. P. (1995) ”Träskulpturens tekniker”, I:Signums svenska konsthistoria, Den romanska konsten, pp. 281-289.

Tångeberg. P. (1996) ”Träskulpturens tekniker”, Signums svenska konsthistoria, Den gotiska konsten,s. 287-307

Tångeberg. P. (1996) ”Träskulpturens tekniker”, Signums svenska konsthistoria, Renässansens konst, s. 369-377

REFERENCE LITERATURE

Andersson Aron: (1980) Medieval woodenskulpture, vol I-V, Uppsala. Kungl Vitterhetsakademiens handl.

Bunte Götter, , (2004) Die Farbigkeit antike Skulptur Utst. Katalog Glyptothek München (dansk version; Glyptotheket Köpenhamn 2004). Första försöket till rekonstruktion av målningen på antikens skulptur på grundval av avancerade analyser. Consolidants and conservation methods, Nordisk konservatorsförbund XIV Kongress, Oslo 1997

Couleur et la Pierre, Actes du Colloque, Amiens 12-14 octobre 2000. Behandlar målad stenskulpt. och arkitektur under medeltiden, rekommenderas för den som läser franska.

Lindén Nilsson Inga: Medeltida träskulptur i Hallands kyrkor, Länsstyrelsen i Halland, Länsstyrelsens meddelandeserie nr 2007:10. Stilhistorisk genomgång av kyrklig medeltida skulptur.

Safe guarding of medieval altarpieces and woodcarvings in churches and museums. Conference in Stockholm 1980, Kungl. Vitterhetsakademiens handl. (klassiker).

Tångeberg P: Mittelalterliche Holzskulpturen und Altarschreine in Schweden, Studien zu form Material und Technik. Västervik 1986, Kungl. Vitterhetsakademiend Handl. Standardverk inom detta område vid alla utländska konservatorsskolor.

Tångeberg P: Retabel und Altarschreine des 14 Jarhunderts in Schweden, 2005.

Tångeberg P. ”Wahrheit und Mythos-Bernt Notke und die Stockholmer St.–Georgs-Gruppe”

Thorbecke 2009. Sammanf. på svenska. (Särskilt viktig för att den visar på betydelsen av

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konstteknologisk undersökning, som komplement till konstvetenskapliga bedömninga. Realia 2010- 01: St Göran och Draken i nytt ljus. Taubert J: Farbige skulpturen München 1978 (klassiker)

Materials and methods for preserving matte paint

MAIN LITERATURE

Michalski, S & Dignard, C (1997) Ultrasonic Misting. Part 1, Experiments on Appearance Change and Improvement in Bonding. I: Journal of the American Institute of Conservation. 1997:36

http://cool.conservation-us.org/jaic/articles/jaic36-02-002_1.html

Dignard, C, Douglas, R et al.(1997) Ultrasonic Misting. Part 2, Treatment Application I: Journal of the American Institute of Conservation. 1997:36 http://cool.conservation-us.org/jaic/articles/jaic36-02- 003_indx.html

Grimaldi, Nicky, Ebert, Bettina, Singer, Brian (2012). Aquazol as a consolidant for matte paint in Vietnamese paintings. Journal of the Institute of Conservation, 03/2012, Volume 35, Issue 1 Hansen, E.F., Lowinger, R., Sadoff, E. (1990) A Review of Problems Encountered in the

Consolidation of Paint on Ethnographic Wood Objects and Potential Remedies. I: 9^th Triennial Meeting Dresden, German Democratic Republic 26 – 31 August 1990, ICOM

Hansen, E.F., Walston; S., Bishop, M.H. (1993) Matte Paint: It´s History and Technology, Analysis, Properties and Conservation Treatments with Special Emphasis on Ethnographics Objects. A Bibliographic Supplement to Art and Archaeology Technical Abstracts, Volyme 30, 1993 ,

Walston, S., Horton-James, D., Zounis, S. (1987) An Investigation into Methods and Materials for the Adhesion of Flaking Paint on Ethnographic Objects I: 8^th Triennial Meeting Sydney, Australia, 6 – 11 September 1987, ICOM

Lorne, A. (1994) An approach to the problems of consolidation of matte paint layers inethnographic collections In: Het behoud van etnografische collecties. CL Themadag; 23. Amsterdam. Centraal Laboratorium voor Onderzoek van Voorwerpen van Kunst en Wetenschap. p. 33-49. ICCROM, ISBN: 90-72905-38-5

Swider, J.R & Smith, M (2005) Funori:Owerview of a 300-Year-Old Consolidant, JAIC 2005,Vol 44, Numer 2, Article 5, pp. 117-126 http://cool.conservation-us.org/coolaic/jaic/articles/jaic44-02- 005.html

Arslanoglu, Julie (2004) Aquazol as used in conservation practice, In: newsletter (Western Association for Art Conservation), vol 26, no 1, Jan 2004, pp. 10-15, http://cool.conservation-

us.org/waac/wn/wn26/wn26-1/wn26-105.pdf

Michel, Francoise; Wanner, Anita; Tobler, Robert (2006) Funori-Kompressen: Oberflächenreinigung und Reduzierung von Wasserrändern, In: Restauro: Forum für Restauratoren, Konservatoren und Denkmalpfleger, vol 112, no 5, 2006

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Michel, Francoise; Geiger, Thomas; Reichlin, Anita; Teoh-Sapkota, Geneviéve (2002) Funori, ein japanisches Festigungsmittel für matte Malerei, In: Zeitschrift für Kunsttechnologie und

Konservierung, vol 16, no 2, 2002, pp. 257-275

Michel, Francoise (2003). JunFunori: Andwendungsbeispiele auf matter Malerei In: Zeitschrift für Kunsttechnologie und Konservierung, vol 17, no 2, 2003, pp. 251-264

Brückle, Irene; Thornton, Kimberly Nichols; Strickler, Gerri (1999) Cyclododecane: Technical note on some uses in paper and objects conservation, In: JAIC 1999, Volume 38, Number 2, Article 4, pp. 162-175 http://cool.conservation-us.org/jaic/articles/jaic38-02-004.html

Gagné, Stephanie (2007) JanFunori and waterbased media: a comperative investigation into media to inpaint matte surfaces, Master of conservation, Queens University, Canada.

http://cool.conservation-us.org/anagpic/2007pdf/2007ANAGPIC_Gagne.pdf

Tate-Harte, Alice; Thuer, Chantal-Helen; Cross, Helen (2010), Funori: a new medium for consolidation and retouching, In: The picture restorer, no 36, 2010, pp. 13-14

Wosnitza, Franziska (2005) Berührungsfreie Methoden zur Beseitigung von Hochwasserschäden an einer feuchtigkeitsempfindlichen Malerei: die Konservierung und Restaurierung eines Gemäldes von Sascha Scheider, In: Beiträge zur Erhaltung von Kunst- und Kulturgut, nr 1, 2005, pp. 29-35

http://www.restauratoren.de/fileadmin/red/Publikationen/Beitraege_01_2005.pdf

Thuer, Chantal-Helen (2012) Facing adhesives for size-tempera painted wood: results of a research internship for Historic Scotland. I: Adhesives and consolidants in painting conservation. Institute of Conservation. Paintings Group. Conference (2012). London: Archetype, s.68 – 84.

IN-DEPTH LITERATURE

Schreiber, E. (1865) Den nyttige hjelparen vid målning med lim- och oljefärg. Allmännyttigt

handbibliotek No 12. Efter engelskan med tillägg av E. Schreiber. 2:a upplagan. Grunderna i hur en porös, matt färg är uppbyggd och orsakerna till dess konserverings-problematik

Analytical methods for matt paint

MAIN LITERATURE

Braenne, Jon (2000) Non-destructive examination of the distemper part of the decorative paintings in an 18th-century decorated interior, I: Meddelser om konservering, nr 2, 2000, s. 3-11, IIC Nordic Group

Nyström, Ingalill (2012). Bonadsmåleri under lupp: spektroskopiska analyser av färg och teknik i sydsvenska bonadsmålningar 1700-1870. Diss. Göteborg: Institutionen för kulturvård, Göteborgs universitet, 2012: https://gupea.ub.gu.se/handle/2077/3015

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CASE STUDIES

Cronquist, Julia (2013) Ragunda gamla kyrka. Konservering av limfärgsmålat innertak och mindre interiöra putsarbeten. Ragunda kommun, Härnösands stift.

Isaksson, Klara. (2011)Restaurering av marmoreringsmåleri Behov av samsyn och kommunikation.

Kandidatuppsats 15 hp, Konservatorsprogrammat, Institutionen för kulturvård, Göteborgs universitet. https://gupea.ub.gu.se/handle/2077/24998

Conservation of glue paint

MAIN LITERATURE

Matte Paint, Its history and technology, analysis, properties, and treatment, with special emphasis on ethnographic objects. I: Waac newsletter, Volume 18, Number 2 May 1996. Editors: Eric F.

Hansen, Sue Walston, and Mitchell Hearns Bishop,. Getty Conservation Institute, Autumn 1994 http://cool.conservation-us.org/waac/wn/wn18/wn18-2/wn18-207.html

Michalski, S. Dignard, C. Handel, L.van. Arnold, D.(1998)”The ultrasonic mister, applications in the consolidation of powdery paint on wooden artefacts” s.498-513 I: Painted Wood, History and Conservation, Los Angeles, The Getty Institute, 1998, Edited by Valerie Dorge and F. Carey Howlett https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/paintedwood1.

pdf

F. Hansen E.F. & Lowinger, R. Investigations into Techniques for the Consolidation of High Pigment Volume Concentration Paint at the Getty Conservation Institute I: Waac newsletter, Volume 12, Number 3, Sept 1990, pp.13-16.

http://cool.conservation-us.org/waac/wn/wn12/wn12-3/wn12-307.html

IN-DEPTH LITERATURE

Ahlgren, C (1999) Att använda en nebulisator för befuktning och konsolidering av färgskikt, Realia, nr 2, s 40-41, Nordiska konservatorsförbundet

Feller, R. & Kunz, N. (1981) “The effect of pigment volume concentration on the lightness and darkness of porous paint” I. 9:th AIC Preprints, Philadelphia, Pennsylvania. Washington DC.

American Institute of Conservation. s. 66-74.

Ferrer, Jin Strand; et al (2009) Edvard Munchs Menneskeberged, mot lyset 1927-1929: et utfodrende konsolideringsprosjekt i stort format, I: Meddelser om konservering, nr 1, 2009, s. 12-21, IIC Nordic Group

Hansen, E.F. Lowinger, R. & Sadoff, E. “Consolidation of porous paint in a vapour- saturatedatmosphere” I: JAIC 1993, Volume 32, Number 1, Article 1 (pp. 01 to 14) aic.stanford.edu/jaic/articles/jaic32-01-001.html

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Welsh, Elizabeth, C. (1980) ‘A consolidation treatment for powdery matte paint’, TheAmerican Institute for Conservation of Historic and Artistic Works, San Franciscos. http://cool.conservation- us.org/byauth/welsh/welsh1.html

Hansen, E.F. Mitchell, H.B. “Factors affecting the retreatment of previously consolidated matte painted wooden objects”. S.484-497 In: Painted Wood, History and Conservation, Los Angeles, The Getty Institute, 1998, Edited by Valerie Dorge and F. Carey Howlett

https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/paintedwood1.pdf Geiger, Thomas and Michel, Francoise (2005) Studies on the polysaccharide JunFunori used to

consolidate matte paint, In: Studies in Conservation 50, no 3, 2005, pp. 193-204

Olstad, T.M. & Solberg, K. (1994) “Konsolidering av limfargdekor” I: Surface Treatments: Cleaning, Stabilization and Coatings, IIC Nordic Group-Danish Section. XIII. Congress, Köpenhamn. s. 121- 130.

Olstad, T.M. & Solberg, K. (2001) “Limfargedekor på tre – analyser og observasjoner” I: Strategisk instituttprogram 1996-2001, Konservering: strategi og metodeutvikling, NIKU 104, red. Grete Swensen, utg. NINA-NIKU, Oslo, s. 33-42

Wolbers, Richard, C., McGinn, Mary; Duerbeck, Deborah (1998) Poly(2-ethyl-2-oxazoline, A New Conservation Consolidant In: Painted Wood, History and Conservation, Los Angeles, The Getty Institute, 1998, Edited by Valerie Dorge and F. Carey Howlett

https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/paintedwood1.pdf Wedvik, Barbro, (2009) Ikke-destruktiv undersøkelse og fotodokumentasjon av limfargedekor med

hovedfokus på bruk av infrarødt lys ov løsemidler, I: Meddelser om konservering, nr 1, 2009, s. 3- 10, IIC Nordic Group

Ohliw, Alexandra. Tillfällig partiell isolering av limfärgsbemålat trä vid behandling med fuktbaserade metoder - en jämförande studie av cyklododekan och mentol. Kandidatuppsats, 15 hp

Konservatorsprogrammet, Institutionen för kulturvård, Göteborgs universitet, https://gupea.ub.gu.se/bitstream/2077/33062/1/gupea_2077_33062_1.pdf

Retouching

MAIN LITERATURE

Fuster-López, L. (2013) “Filling” s.586-606

Digney-Peer, S. Thomas, K. Perry, R. Townsend, J. Gritt, S. (2013) “The imitative retouching of easel paintings” s.607-634

Nyström, Ingalill (1994) Trattegio – en synlig retusch, Teori och etik inom trattegio och några liknande retuscheringstekniker, Göteborgs universitet

Poulsson, Tina Grette. 2008. Retouching of art on paper. Archetype, London.

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IN-DEPTH LITERATURE

Mary Kempski (2010) "The art of tempera retouching" s. 5-17, Jill Dunkerton (2010) "Retouching with Gamblin Conservation Colors" s. 92-100, Laurent Souzzani (2010) "Pushing the borders of retouching and reconstruction: can enough ever be too much?" s. 125-141, I: Mixing and matching:

approaches to retouching paintings. (red.) Ellison, R., Smithen, P. & Turnbull, R. London:

Archetype publications

Nicolaus, Knut (2001) “Kittning” s.235-256 & “Retuschering” s.257-307, I: Handbok för restaurering av målningar Könemann, Köln

REFERENCE LITERATURE

Leonard, Mark, Jill Whitten, Robert Gamblin & E. René de la Rie (2000) “Development of a new material for retouching” I: IIC Melbourne conference 10-14 October 2000, London s.111-113.

De la Rie, E.R. Quillen Lomax, S. Palmer, M. Deming Glinsman, L. Maines, C.A. (2000) “An Investigation of the Photochemical Stability of Urea-aldehyde Resin Retouching Paints:

Removability Tests and Colour Spectroscopy.” I: Conference proceedings, Tradition and Innovation: Advances in Conservation, IIC 2000 Melbourne Congress. London, 2000, 51–59 Schmitt, Sibylle (1990) “Examination of paintings treated by Pettenkofer’s process” I: Cleaning,

retouching and coatings : technology and practice for easel paintings and polychrome sculpture : preprints of the contributions to the Brussels Congress edited by John S. Mills and Perry Smith, London, s. 81-84

Ciatti, Marco (1990) ”Cleaning and retouching: An analytical review” I: Cleaning, retouching and coatings : technology and practice for easel paintings and polychrome sculpture : preprints of the contributions to the Brussels Congress edited by John S. Mills and Perry Smith, London, s.59-62 Norton, A. Havermark, K. (2004) ”Mastering inpainting” I: Realia, NKF-S no.2:2004 s.21-23 Gritt, Steven (2000) “Different approaches to retouching, the portrait of Sir John Luttrell by Hans

Eworth” I: Retouching Filling Conference 2000, National Gallery, London s.33-38.

Wolbers, Richard (1998) “Matting Agents” I: Painting Conservation Catalog Volume 1, Varnishes and surface coatings, American Institute for Conservation, Paintings Specialty Group, Washington D.C.

s. 221

Staniforth, Sarah (1985) “Retouching and colour matching: the restorer and metamerism” I: Studies in Conservation 30, no.3. s.101-111.

Baldini, Umberto & Casazza, Ornella (1982) “The crucifix by Cimabue” I: Issues in the conservation of paintings. Readings in conservation. Red: David Bomford & Mark Leonard, The Getty

conservation