• No results found

A Four Walls Love Story

N/A
N/A
Protected

Academic year: 2022

Share "A Four Walls Love Story"

Copied!
27
0
0

Loading.... (view fulltext now)

Full text

(1)

A Four Walls Love Story

for Symphony Orchestra

T ransposing Score

(2)

Oboe

English Horn Clarinet in Bb Bass Clarinet in Bb Bassoon

Contrabassoon Horns in F Trumpets in C Trombones Bass Trombone Tuba

Timpani Percussion

Vibraphone Bass Drum Snare Drum Tambourine Glockenspiel Violin I

Violin II Viola Violoncello Contrabass

(3)

GENERALFORALLINSTRUMENTS

nat. = naturale applies only to bowing timbre effects such as sul tasto and sul pont.

ord. = ordinario applies to all other techniques such as col legno etc.

arrow: a gradual transformation

dashed slur: indicates a phrase (not one entire breath or stroke) cross notehead: unspecified pitch

Violin I:

A wavy glissandi movement with increasingly exaggerated vibrato to unspecified pitch.

To appear in bar .

Viola:

A bouncy glissando movement with the wood of the bow, down from Bb to unspecified pitch.

First to appear in bar . Flute:

Whistle tones, also called whisper tones are very soft sounds based on the harmonic series. It is achieved by having a very relaxed embouchure and wider lip opening, playing with very little and controlled airflow, while whistling/whispering into the flute.

To appear in bar .

The "z" over the stem means flatterzunge (or tremolo for strings and percussion). Only notes with this symbol are to be played with flz or tremolo.

In this example (Flute bar ), there is flz. on the first note and ord. on the second.

WOODWIND

Clarinet and Bass Clarinet bar - :

Broken sound: Play with extremly "unfocused" embouchure from a low fundamental so that overtones appear. The sound will a harsh messy noise.

Bass Clarinet:

Broken sound/Harmonic gliss (also called lip glissandi): Glissando performed from a low fundamental by dropping ones jaw and splitting the tone to create a rising/falling pitch with a harsh and messy character.

First to appear in bar .

In this piece, trills are specified in text written above the system.

The trill starts from the notated pitch. So in this example (Vln I bar ), the trill goes between A and Bb:

STRINGSECTION

Generally: All trills are to be played relatively fast.

Overpressure is accomplished by playing with an unnatural heavy pressure with the bow. The sound will be a indistinct, harsh noise.

Overpressure is always notated with a square notehead.

First to appear in bar .

Open harmonics glissando:

To be played slowly, but individually with free movements in speed, pitch and bowing.

Appears in string section with start in bar .

(4)

°

¢

°

¢

°

¢

°

¢

Flute 1

Flute 2, Piccolo

Oboe

English Hor n

Clar inet in Bb

Bass Clar inet in Bb

Bassoon

Contrabassoon

Hor n in F 1, 2.

Hor n in F 3, 4.

Tr umpet in C 1

Tr umpet in C 2

Trombone 1

Trombone 2

Bass Trombone

Tuba

Timpani

Percussion

Violin I

Violin II

Viola

Violoncello

Contrabass

pp

pp

like an echo

like an echo pp

pp

like an echo

pp mp pp p ppp pp

pp mp pp p ppp

pp

pp IV p p p p ppp pp

mp mp mp p mp p p ppp p

pp

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

4 4

4 4

4 4

4 4

4 4

4 4

4 4

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

q = 56

Ylva Fred

&

Flute 2:

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑

solo

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

tr ill: half tone up sul tasto

Ÿ~~~~~~~~~~~~~~ sul pont.

>>>

trem.

>

tr ill: sim.

sul tasto

>

Ÿ~~~~~~~~~~~~~~~~

>

sul pont.

>

sul tasto

>

Ÿ~~~~~~~~~~~~~~~~~~

sul pont.

>

Ÿ~~~~~~~~

>

sul tasto flautando

molto sul pont.

>

q = 56

&

tr ill: half tone down sul tasto

Ÿ~~~~~~~~~~~~~~

sul pont.

>>>

trem.

>

tr ill: sim.

sul tasto

>

Ÿ~~~~~~~~~~~~~~~~

>

sul pont.

>

>

sul tasto

>

sul pont.

> >

>

flautando sul tasto

molto sul pont.

B

tr ill: half tone up poco sul tasto

Ÿ~~~~~~~~~~~~~~

col legno battuto r icochet

gliss.

>

ord.

sul pont

col legno battuto r icochet

gliss.

>

sim.

gliss.

>

trem.

ord.

> >

flautando

sul tasto molto sul pont.

>

6 6 3

?

col legno battuto r icochet

>

>>>

sim.

> >

ord.

sul pont.

>

>

col legno battuto r icochet

>

sim.

> > >

¯

sul tasto flautando

ord.

molto sul pont.

trem.

?

pizz.

div.

w œ

j

‰ Œ Ó

‰ ≈ œ

r œ

r

≈‰ Ó

Ó Œ ‰ œ

J œ R

≈Œ Ó ‰ ‰

œ j

œ r

≈‰ Ó

Ó Œ ‰ ≈

œ r

œ r

≈Œ Ó ‰

œ

Œ ‰

œœœ

®Œ ‰

7 œ

j

Œ Ó

œ

Œ 7 œ

j

‰ ‰ 7 œ b

j Ó

œ

Œ Œ

œ j

‰ Œ ‰ ≈

7 œ b

r 7 œ

r≈‰ Œ Ó œ

Œ Œ ‰

7 œ b

j

œ b

Œ ‰

œœœ

®Œ ‰

7 œ b

j

Œ Ó

œ b

Œ 7 œ

j

‰ ‰ 7 œ

7 œ

Ó

7 œ b

Œ Œ

7 œ b

j

‰ Œ ‰ ≈

7 œ

r 7 œ

r

≈‰ Œ Ó ‰

œ j

Œ Œ ‰

7 œ b

7 œ

œ

b Œ Ó

œ

b Œ Œ ‰

7 œ

r

≈ Ó

œ

b Œ Œ

œ

b ‰ Œ ‰ ≈

7 œ b

r 7 œ

r

≈‰ Œ Ó œ

b Œ Œ ‰ 7

œ j

œ b œœœ

‰ Œ ‰

œœœ

®Œ ‰

œ b œœœ

Œ Ó Œ Œ

œ b œœœ

‰ ‰ œ

œ Ó

œ b œœœ

‰ Œ Œ

œ b œœœ

‰ Œ ‰ ≈

œ r

œ b

r

≈‰ Œ Ó œ

Œ Œ ‰ 7

œ b

j

œ b

Œ Ó ‰

œ b

j

Œ Ó

œ b

Œ Ó Ó

œ b

Œ Œ

œ b

j

‰ Ó

œ œ b

Œ Ó

(5)

°

¢

°

¢

°

¢

°

¢

Fl. 1

Fl. 2

Ob.

Eng. Hn.

Cl.

B. Cl.

Bsn.

Cbsn.

Hn. 1+2

Hn. 3+4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

Perc.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

p

sfz

p sub.

8

sfz mf

pp

sfz

p pp

sfz

p

ppp

mp pp f sub. p

sfz

p sub. mf

mp

pp

f sub.

p sfz p sub. mf

mp

pp f sub. p sfz mp mf

mp mf sub. pp f sub. p sfz p sub. mf

mp mp pp f sub. p sfz mp

f p sfz

&

solistico

-

&

∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑

"broken sound"

> -

&

∑ ∑

"broken sound"

>

-

?

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

B

?

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

&

sul pont.

>

Ÿ~~~~~ nat.

> >

flautando sul tasto

sul pont.

> >

nat.

Ÿ~~~~~~~~~~

>

over pressure

>

-

molto sul pont.

nat.

&

sul pont.

>

Ÿ~~~~~ nat.

>

>

sul tasto flautando

pizz.

> >

arco

Ÿ~~~~~~~~~~

>

over pressure

> -

molto sul pont.

nat.

&

sul pont.

>

nat.

> >

>

flautando sul pont.

>

>

>

nat.

>

over pressure

> -

col legno battuto r icochet

>

ord.

B

sul pont.

Ÿ~~~~~ »

Bar tók pizz.

»

> >

flautando arco

»

pizz.

»

> >

»

>

sim.

g liss.

>

over pressure

>

-

molto sul pont.

nat.

3

?

col legno battuto r icochet

>

ord.

>

>

flautando

sul pont.

> > >

col legno battuto

>

over pressure

>

col legno battuto

>

?

unis.

»

Bar tók pizz.

>

(pizz. ord.)

arco over pressure

>

-

Ó Œ

œ

# ˙ œ

œ

# œ

r≈ ‰

Ó

7 œ

#

7 œ b

7

œ ‰ Ó

7 œ

# ™nœ œ

œ

# nœ œ

Œ Ó

Ó ‰ ≈

œ r

œ r

≈ ‰ Ó Œ

6 6

Œ Ó

Ó ‰ œ™

J

≈ ‰ Ó ‰

œ j

œ r

≈ ‰ Ó Œ

6 6

Œ Ó

Ó ‰ ≈

œ r

œ r

≈ ‰

Ó 7

œ b

j

‰ Œ

Ó Œ

œ Œ

7 œ

j

‰ ‰

7 œ b

j

Œ Ó

œ

7

œ ≈

7 œ

r

‰ Œ Ó

œ j

‰ Ó

6 6

7 œ b

7

œ ‰

7 œ b

J

‰ 7 œ

j

Ó Œ

œ Œ

7 œ

j

‰ ‰

7 œ b

j

Œ Ó

œ

‰ bœ J

≈bœ R

‰ Œ Ó

œ b

j

‰ Ó

6 6

7 œ b

7

œ ‰

7 œ b

J

‰ 7 œ

j

Ó Œ

7 œ b

Œ 7 œ b

j

‰ ‰

7 œ

7 œ

Œ Ó ‰

œ O j

7 œ

7 œ b

≈ 7 œ

r

‰ Œ Ó

7 œ b

j

‰ Ó

6 6 bœ œ œœ

‰ 7 œ b

j

‰ 7 œ

j

Ó Œ

œ

b Ó ‰

œ b

œ

Œ Ó

O œ b b

œ œ ≈

œ r

‰ Œ Ó

œ

b ‰ Ó

6 6

7 œ b

7 œ

‰ 7 œ b

j

‰ 7

œ j

Œ œ b œ œ œ

Œ 7 œ

7 œ

Œ Ó

œ O n

7 œ

7 œ b

‰ ≈ 7

œ b

r

‰ Œ Ó

œ b œ œ œ

‰ Ó

6 œ

œ b œ œœ

‰ Ó

Ó Œ

œ b

Ó œ b

Œ ≈

œ r

‰ Œ Ó

œ b

j

‰ Ó

6

b b6

Œ Ó

(6)

°

¢

°

¢

°

¢

°

¢

Fl. 1

Fl. 2

Ob.

Eng. Hn.

Cl.

B. Cl.

Bsn.

Cbsn.

Hn. 1+2

Hn. 3+4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

Vib.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

sfz mf f f

14

sfz f f

f

f

f

poco f f

f poco

f

f

f

mf f

f

mf f

f

mf solo

f mf f

f mf f

f

f

f

f

f f

f mf ff

sfz

f ppp fff

sfz

f ppp fff

sfz

f

p pp ppp fff

sfz f

f pp

sfz

f

sfz

f

&

tr ill: half tone up

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~

> > - - > > -

&

- > > - - > > -

&

- >

>

tr ill: half tone up

- Ÿ~~~~~~~~

- >

>

tr ill: sim.

- Ÿ~~~~~~~~

&

-

(non solo) >

>

tr ill: half tone up

- Ÿ~~~~~~~~

-

>

>

tr ill: sim.

- Ÿ~~~~~~~~

&

. . . .-

>

>

-

-

>

>

-

&

. . . .-

∑ ∑ ∑ ∑

?

- > > - - > > -

? -

> >

- -

> >

-

&

1, 2.

-

>

>

-

-

> > -

&

3, 4.

-

> >

- -

> >

-

&

- .

.

> > - -

tr ill: whole tone up

(non solo)

Ÿ~~~~~~~~~~~

> > -

5

&

-

. .

> > - - > > -

3

B

. .

> > - - > > -

5

? -

> >

- -

> >

-

? -

> > - -

> > -

? -

> > - -

> > -

?

> >

&

Vibraphone

hard mallets

> >

tr ill: half tone up

Ÿ~~~~~~~~~~~~~~~~~

tr ill: whole tone up

Ÿ~~~~~~~~~~~ > >

&

>

pizz.

> > > > > >

> > > >

arco

&

>

pizz.

> > > > > >

> > > >

arco

&

ord.

>

pizz.

> > > > > >

> > > >

arco

B

>

pizz.

> > > > > >

arco

col legno battuto

> > > >

r icochet gliss.

>

?

ord.

>

pizz.

> > > > > >

arco

col legno battuto

> > > >

?

>

»

pizz.

»

> >

» » »

> > >

»

>

» » »

> > >

»

>

‰ 7

œ

# ™nœ œ n

œ

# nœ œ n bœ œ

œ n

œbœ œbœ

œ

n œ œ

œ

# nœ

‰ 7

œ

# J

‰ 7

œ n

R

≈ ‰ Œ Ó Œ

œ

# nœ

‰ 7

œ

# J

‰ Œ Ó

‰ 7 œ

#

‰ Ó

œ

# nœ

‰ 7

œ

# J

‰ 7

œ n

R

≈ ‰ Œ Ó Œ

œ

# nœ

‰ 7

œ

# J

‰ Œ Ó

˙

Ó

œ œ

#

‰ œ J

‰ œ n

R

≈ ‰ Œ Ó Œ

œ œ

#

‰ œ

# J

‰ Œ Ó

˙

#

Ó

œ

# œ

# ‰ œ J

‰ œ

r

≈ ‰ Œ Ó Œ

œ

# œ

# ‰ œ

# J

‰ Œ Ó

œ

# ™ #œ

J

œ œ

# nœœnœ œ J

‰ œ

# œ

#

‰ œ

J ‰

œ r

≈ ‰ Œ Ó Œ

œ

# œ

#

‰ œ

#

J ‰ Œ Ó

œ

# ™

œ

# j

œ n

œ b

œ œ b nœ

œ j

˙ b

Ó

œ b nœ

‰ œ b

j

‰ œ n

r

≈ ‰ Œ Ó Œ

œ b nœ

‰ œ b

j

‰ Œ Ó

˙

Ó œ œ

‰ œ J

‰ œ R

≈ ‰ Œ Ó Œ œ œ

‰ œ

J

‰ Œ Ó

˙ Œ

œ

#

œ œ

# ‰ œ J

‰ œ

r

≈ ‰ Œ Ó Œ œbœ‰ nœ

J

‰ Œ Ó

˙

Œ

œ

œ#œ

‰ œ n

j

‰ œ

# r

≈ ‰ Œ Ó Œ

œ n #œ

‰ œ n

j

‰ Œ Ó

7 œ

œ

#

œ #œœ œ

œ

# œ

n œ

j

‰ Œ

œ n bœ

‰ œ n

J

‰ œ b

R

≈ ‰ Œ

œ

n œ

œ b nœ

œ b

œ œœ

œ

b œ œ

œ n bœ

‰ œ n

J

‰ Œ Ó

7

˙

#

Œ ≈

œ

# r

œ œ

œ

# #œnœ

‰ œ

# J

‰ œ n

R

≈ ‰ Œ Ó Œ

œ

# nœ

‰ œ

# J

‰ Œ Ó

Œ ‰™

œ n

œbœ œ b

œ

n œ

R Œ

œ

n œ

‰ œ J

‰ œ R

≈ ‰ Œ Ó Œ

œ

n œ

‰ œ J

‰ Œ Ó

˙

Ó

œ œ

‰ œ J

‰ œ R

≈ ‰ Œ Ó Œ

œ œ

‰ œ J

‰ Œ Ó

˙

#

Ó

œ

# nœ

‰ œ

#

j ‰

œ n

r ≈ ‰ Œ Ó Œ

œ

# nœ

‰ œ

#

j ‰ Œ Ó

7

˙

Ó

œ#œ

‰ œ n

j

‰ œ

# r

≈ ‰ Œ Ó Œ

œ n #œ

‰ œ n

j

‰ Œ Ó

‰ 7 œ

# j

7 œ

j

‰ Ó Ó Œ ‰

7 œ

# j

7 œ

j

‰ Œ Ó

œ

# nœ

‰ œ

# œ œ œ

‰ œ n œ œ œ

‰ œ

n œ œ

œ b nœ

œ b

œ œœ

œ

b œ

œ œ

# nœ

‰ œ

# œ œ œ

‰ Œ Ó

6

Œ Ó

œ

# nœ

‰ Œ

œ#œ nœ

≈‰ œ

# R

≈ ‰

œ#œnœ R

≈‰ œ

# R

≈ œ b

J

œ ˙ œ™ œ

J

6 b

Œ Ó

œ b nœ

‰ Œ

œbœ nœ

≈‰ œ b

R

≈ ‰

œbœnœ R

≈‰ œ b

R

≈ œ b

J

œ ˙ œ™ œ

J

6 b

Œ Ó

œ

# nœ

‰ Œ

œ #œ nœ

≈‰ œ

# R

≈ ‰

œ#œnœ R

≈‰ œ

# R

≈ œ bœœ

œ b

œ œ b œ

‰ Œ œ

b œ™ œ

J

6

Œ Ó

œbœ

‰ Œ

œ nœ bœ

≈‰ œ n

R

≈ ‰

œ b nœbœ

R

≈‰ œ n

R

≈ œ

œ

6

Œ Ó

œbœ

‰ Œ

œ nœ bœ

≈‰ œ n

R

≈ ‰

œ b nœbœ

R

≈‰ œ n

R

≈ ‰ Œ

6 b

Œ Ó

œ#œ

‰ Œ

œ nœ #œ

≈‰ œ n

r

≈ ‰

œ

# nœ#œ r

≈‰ œ n

r

≈ ‰ Œ

(7)

°

¢

°

¢

°

¢

°

¢

Fl. 1

Fl. 2

Ob.

Eng. Hn.

Cl.

B. Cl.

Bsn.

Cbsn.

Hn. 1+2

Hn. 3+4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

Vib.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

f mf

19

f

fsolo

mp

f mf f mf pp mf

o

mf f mf

f mf mf

f ppp fff pp

ppp

fff

p mp f

p

mp mf

f

p mp f

p

mp mf

f mp

mp f p mp mf

ppp fff

mp mp f

p

mp mf

p f p

&

> > - . . tr ill: whole tone up

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

&

> > - . .

∑ ∑

&

>

> - Ÿ~~~~~~~~~~~

∑ ∑

&

>

>

- Ÿ~~~~~~~~~~~

∑ ∑ ∑

&

>

>

-

. . . .

∑ ∑

&

. . . .

∑ ∑ ∑

?

> > - -

∑ ∑ ∑ ∑

?

> >

- -

∑ ∑ ∑ ∑

&

>

>

-

-

∑ ∑ ∑ ∑

&

> >

- -

∑ ∑ ∑ ∑

&

> > - -

∑ ∑ ∑ ∑

&

> > - -

∑ ∑ ∑ ∑

B

> > - -

?

. .

∑ ∑ ∑

5

?

> >

- -

∑ ∑ ∑ ∑

?

> >

- -

∑ ∑ ∑ ∑

?

> > - -

∑ ∑ ∑ ∑

?

> > >

∑ ∑ ∑

&

> > Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To B. D.

∑ ∑

/

Bass Dr um

mechanical:

"a par ty going on upstair s..."

(soft mallets) 3

&

unis.

molto vib.

~~~~~~~~~

tr ill: half tone down ord.

Ÿ~~~~~~~~~~~

>>>

sul pont.

>

nat.

>>>>-

&

∑ ∑ ∑

&

pizz.

> > >

∑ ∑

tr ill: half tone up arco

Ÿ~~~~~~~~~~~

>>>

sul pont. nat.

>>>>

-

B

(arco

col legno battuto)

> > >

ord.

tr ill: half tone up

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

>>>

sul pont.

>

nat.

>>>>-

?

sim.

> > >

&

tr ill: half tone up arco ord.

sul pont.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

?

r icochet col legno battuto

>

ord.

>>>

sul pont.

nat.

>>>>-

?

» » »

> > >

∑ ∑

arco

pizz.

œ

# nœ

‰ 7

œ

# J

‰ 7

œ n #œ nœ

≈ Œ Ó

˙ w œ Œ Ó

œ

# nœ

‰ 7

œ

# J

‰ 7

œ n #œ nœ

≈ Œ Œ

œ#œ œ

# nœ

œ œ œ

œ

#

œœ#œ œ J

‰ Œ Ó

œ œ

#

‰ œ

# J

‰ œ n #œ™

œ #œ™

‰ Ó

œ œ b

œ

# œ #˙ Œ

œ

# œ

# ‰ œ J

‰ œ

œ

# ™ œ

Ϫ

‰ Ó œ

# œ

#

‰ œ

J ‰

œ œ™ #œ œ œ

œ

# œ

n #œnœœ™ ˙

ΠŠϪ

J

˙

Ó

œ

# Ϫ

œ

# œ nœ œ b

œ œ b nœ

œ™ ˙ œ

b nœ

‰ œ b

j

‰ œ n

r

≈ ‰ Œ

œ œ

‰ œ J

‰ œ R

≈ ‰ Œ

œ œ

# ‰ œ

J

‰ œ

r

≈ ‰ Œ

œ#œ

‰ œ n

j

‰ œ

# r

≈ ‰ Œ

œ n bœ

‰ œ n

J

‰ œ b

R

≈ ‰ Œ

œ

# nœ

‰ œ

# J

‰ œ n

R

≈ ‰ Œ

œ

n œ

‰ œ J

‰ œ R

≈ ‰ Œ

œ œbœ

œ b

œ

n ˙

Œ œ œ

‰ œ J

‰ œ R

≈ ‰ Œ

œ

# nœ

‰ œ

#

j ‰

œ n

r ≈ ‰ Œ

œ#œ

‰ œ n

j

‰ œ

# r

≈ ‰ Œ

‰ 7 œ

# j

7 œ

j

‰ ‰ ≈

7 œ

7 œ

≈ ‰

7 œ

# j

7 œ

j

‰ Ó

œ

# nœ

‰ œ

# œœœ

‰ œ n œœœ

‰ Œ

˙

b œ™ œ

J

Ó

Œ

œ œ

Ó Œ

œ

b ˙ œ™

¿ J

Œ

œ

j ‰ ‰

œœœ

®‰ 6

j 6™

r ® 7 œ

j

Œ ‰

œœœœ6

Ó

œ #œ nœ

≈ Œ Œ

œ j

‰ ‰ œœœ

®‰ 6

j 6 ™

r

® 7 œ

7 œ

Œ ‰

œœœœ6

Ó

œ b nœ bœ

≈ Œ Ó

˙ w œ

Œ ‰ œœœ®‰ 6

J 6™ R

® 7

œ J

Œ ‰ œœœœ6

Ó

œ b nœ bœ

≈ Œ Œ bœ œ™

œ J

Œ

œœœœ

‰ ‰ œœœ

®‰ 6 J

6 ™ R ®

7 œ

7 œ

Œ ‰

œœœœ6

Ó

œ

# nœ #œ

≈ Œ Œ

œ

Œ ‰

6 J

6™ R

® œ J

Œ Ó

(8)

°

¢

°

¢

°

¢

°

¢

Fl. 1

Fl. 2

Ob.

Eng. Hn.

Cl.

B. Cl.

Bsn.

Cbsn.

Hn. 1+2

Hn. 3+4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

B. D.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

q = 84( [q pq q]=q q q )

24

mf mp mf mp mf

ppp

mf

ppp

q = 84( [q pq q]=q q q )

mp ppp mf

pp

mp

mf mp mf sub. mp

mf ppp

mp mf mp ppp

mf

pp

mp

mf mp

mf ppp

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

/

3 3 3 3 3

3

&

like moaning

>

no over pressure

gliss.

>

sim.

gliss.

sim. (not g radually)

> >

∑ ∑

&

sul pont.

col legno battuto

>> >

ord.

nat.

>>>> >

B

sul pont.

col legno battuto

>> >

like moaning (arco ord.)

>

no over pressure gliss.

>

gliss.

sim.

gliss.

(not g radually)

>

3

∑ ∑ ∑

?

sul pont. col legno battuto

>> >

ord.

nat.

like moaning

>

no over pressure

(not g radually)

>

∑ ∑

?

arco no over pressure

gliss.

>

sim.

gliss.

(not g radually)

>

3

∑ ∑ ∑

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œ œœœœœœ œ œ œ œ œ œœœœœœœœ œ œ œ œ œ œ œœœœœœœœ

Ó

6

œ 6

œ

‰ 6

j

œ 6 œ ˙™ 6 ˙™

7 œ

7 œ œœ œ

®Œ

œœœœ

‰ ‰

7 œ

7 œ

7 œ

r≈‰ Œ Ó

˙ œ 6 w w

7 œ

7

œ œœ œ®Œ Œ

6 œ

6 ˙ œ 6 œ ˙

7 œ 7

œ œœ œ

®Œ Œ ‰

7 œ

7 œ

7 œ R

≈‰ Œ Œ

6 ˙ œ 6 ˙

Ó

‰ œ

j

6 6

œ œ™ ‰

) œ 6 œ ˙

(9)

°

¢

°

¢

°

¢

°

¢

Fl. 1

Fl. 2

Ob.

Eng. Hn.

Cl.

B. Cl.

Bsn.

Cbsn.

Hn. 1+2

Hn. 3+4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

B. D.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

mp poco

sim.

mf mp

30

pp mp

mp

pp quasi legato poco

pp quasi legato poco

p quasi legato poco

p quasi legato poco

mp pp

3 4

4 4

5 8

4 4

3 4

4 4

5 8

4 4 3

4

4 4

5 8

4 4 3

4

4 4

5 8

4 4 3

4

4 4

5 8

4 4

3 4

4 4

5 8

4 4 3

4

4 4

5 8

4 4 3

4

4 4

5 8

4 4

3 4

4 4

5 8

4 4 3

4

4 4

5 8

4 4 3

4

4 4

5 8

4 4 3

4

4 4

5 8

4 4 3

4

4 4

5 8

4 4 3

4

4 4

5 8

4 4 3

4

4 4

5 8

4 4 3

4

4 4

5 8

4 4

3 4

4 4

5 8

4 4

3 4

4 4

5 8

4 4

3 4

4 4

5 8

4 4

3 4

4 4

5 8

4 4

3 4

4 4

5 8

4 4

3 4

4 4

5 8

4 4

3 4

4 4

5 8

4 4 3

4

4 4

5 8

4 4

&

solo

3

∑ ∑

5

5 5

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

solistico

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

straight and determined - not shy

>

?

straight and determined - not shy

>

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

/ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

B ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

con sord.

poco sul tasto, non vib.

straight and determined - not shy

vib.

-

?

con sord.

poco sul tasto, non vib.

straight and determined - not shy

vib.

-

?

∑ ∑ ∑ ∑ ∑ ∑

con sord.

sul tasto

∑ ∑

Ó Œ ‰

œ j

œ œ

# œ

œ œ

œ

# œ

# œ

j

‰ Œ Œ

œ œ

œ

# œ

# œ

# œ

œœ œ

Œ Ó

œ œ

# œ

# œ

# œ

œ œ

œ œ ˙

Ϊ

‰ œ

j

Ó Œ

œ

# œ

œ#œ#œ œ n ™

œ j

œ™ œ

œ

# ™ œ

Œ ˙ bœ n˙

˙ œ ˙ bw œ œ

œ œ

œ œ bœ n˙

˙™

œ œ b˙™

œ™ œ

Œ ˙ bœ n˙ ˙ œ #˙ nw œ œ

œ œ œ œ bœ n˙ ˙™

œ

# œ n˙™

œ™ œ

œ œ œ œ œ œ œœœœœœœœ œ œ œ œ œ œ œœœœ œœœœœ œ œ œ œ œ œ œœœœœœœœÓ

Œ

˙ bœ n˙ ˙ œ #˙ nw œ œ

œ œ œ œ bœ n˙ ˙™

œ

# œ n˙™

œ œ

œ

# œ œ

Œ ˙ bœ n˙

˙ œ ˙ bw œ œ

œ œ

œ œ bœ n˙

˙™

œ œ b˙™

œ b

œ œ œ

œ

œœœœ œœœœ

Ó

(10)

°

¢

°

¢

°

¢

°

¢

Fl. 1

Fl. 2

Ob.

Eng. Hn.

Cl.

B. Cl.

Bsn.

Cbsn.

Hn. 1+2

Hn. 3+4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

B. D.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

mf

mp sub.

p 39

solistico, playful, cantabile

mp p

p

p

o

pp

pp

mp

° *

p

pp mp pp

pp mp pp

pp mp pp

pp mp pp mp pp

pp mp pp mp pp

mp pp p

4 4

3 4

4 4

6 4

4 4

6 8

4 4

4 4

3 4

4 4

6 4

4 4

6 8

4 4

4 4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4

4 4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4

4 4

3 4

4 4

6 4

4 4

6 8

4 4

4 4

3 4

4 4

6 4

4 4

6 8

4 4

4 4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4 4

4

3 4

4 4

6 4

4 4

6 8

4 4

&

3

∑ ∑

5

5

&

∑ ∑

To Picc.

∑ ∑ ∑ ∑ ∑ ∑

5

3

5

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

> >

∑ ∑ ∑

?

> >

∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

/

Vibraphone

&

medium mallets l.v.

&

1. solo flautando

molto espressivo 5

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

sul tasto

B ∑ ∑ ∑ ∑ ∑ ∑

sul tasto

B ∑ ∑ ∑ ∑ ∑ ∑

sul tasto

?

senza sord.

vib. ad lib.

gliss. gliss.

?

senza sord.

vib. ad lib.

gliss. gliss.

?

∑ ∑ ∑

pizz.

∑ ∑ ∑ ∑

œ œ

# œ

œ œ

œ

# œ

#

Œ Œ Œ

7 œ

7 œ

7 œ

# 7

œ

# 7

œ

# œ

œ#œ #˙

Ó™

Œ Œ ‰ ≈

œ R

œ œ

# œ

# œ

˙ œ™

Ϫ

Œ

˙™

˙™ Œ

œ

# œ

œ œ

œ

# œ n

œ œ n

œ

# œ

# œ œ

œ

n œ

œ

# œ#œ

œ n

˙ n

Ó™

œ œbœœ nœ œ œ

œ #œ ˙

Œ Ó™

Ó

œ

# #œ ˙ Œ Ó™

˙

# ™

œ

˙™ œ

œ œ œbœœ nœ œ œ

œ ˙ œ œ œ œbœ˙™

˙™

ΠϪ

œ™ œ

Œ Ó

˙™ œœ œ œbœœ nœ œ œ œ ˙ œ #œ œ œnœ˙™

˙™

ΠϪ

œ

# ™

œ Œ Ó

œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœœœœ œ œ œ ‰Œ™

Œ

˙ œ œ ˙

Œ

Œ Œ œ

œ œ

# œ

# œ

#

‰ Ó

w w w

Œ

˙™

w w w

Œ

˙ b ™

w w w

˙™ œœ œ œbœœ nœ œ œ

œ ˙ œ #œ œ

Œ Ó™ œ™

œ

# ™ œ

# œ

˙

# w w w

˙™ œ

œ œ œbœœ nœ œ œ

œ ˙ œ œ œ Œ Ó™

Ϫ Ϫ

œ œ b

˙ w w w

Ó Œ

œ œ œ œ œ œ œ œ œ‰

œœœœœ j

‰Ó

Ϫ Ϫ

(11)

°

¢

°

¢

°

¢

°

¢

Fl. 1

Fl. 2

Ob.

Eng. Hn.

Cl.

B. Cl.

Bsn.

Cbsn.

Hn. 1+2

Hn. 3+4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

Vib.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

49

pp p pp

o o

pp p o pp o pp o p

pp

pp p

mp

o

° *

mp

o

° *

mp

o

° *

mp

o

° *

mp

o

°

pp mp pp p pp mp pp p pp

pp mp pp p pp mp pp p

pp

p pp mp pp p

mp

pp p

pp mp

p pp p pp mp pp p

o

p mp p mp pp

p pp p pp mp pp p

o

p mp p mp pp

mp pp mp p p mp

mp pp mp p p mp

mp

pp mp pp p mp p

5 4

4 4 5

4

4 4 5

4

4 4 5

4

4 4 5

4

4 4 5

4

4 4 5

4

4 4 5

4

4 4

5 4

4 4 5

4

4 4 5

4

4 4 5

4

4 4 5

4

4 4 5

4

4 4 5

4

4 4 5

4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4 5

4

4 4 5

4

4 4 5

4

4 4 5

4

4 4

5 4

4 4

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑

gliss.

>

g liss.

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

with bow

&

sul tasto

nat.

gliss.

&

sul tasto

nat.

&

nat.

gliss.

B

nat.

gliss.

gliss.

gliss.

B

nat.

gliss. gliss.

gliss.

?

∑ ∑ ∑

nat.

?

∑ ∑ ∑

nat.

?

arco senza sord.

sul tasto

∑ ∑

gliss.

Ó Œ bœ w

œ ˙™ ˙

Œ œ

Ó Œ

œ w

œ w

Ó Œ

œ w

Ó

œ œ

œ ˙™

w

# #w ˙

˙

Ó

˙

# ˙

˙

Œ

œ ˙ w

Ó Œ

œ w

œ w

Ó Œ

œ w

Ó

œ œ

Ó Œ ‰

œ j

œ™ œ

# œ œnœ

œ

˙

# w

Œ

œ#œœ#œœ

œ™œ ˙™ ˙ ˙ ˙ Ó

˙ ˙™ œ

Ó Œ ‰

œ j

œ™ œ

# œ œnœ

œ

˙

# w

Œ

œ#œœ#œœ

œ™œ ˙™ ˙ ˙ ˙ Ó

˙ w

w w

œ

# œœ#œœ ˙ ˙ ˙ ˙ ˙ ˙™

˙

Ó Œ

œ

# ˙

˙ ˙™

Œ ‰

œ

# J

œœ#œœ˙

˙ ˙ w ˙ œ#œ

œ

œ œ ˙ ˙ n˙™

Œ

˙

œ ˙ ˙

˙

˙

˙ w w

w w

˙

˙

˙

˙

< b>˙ ˙ w ˙ #œnœ

œ

# œ œ #˙ ˙

˙™

Œ

˙

œ ˙ ˙

˙

˙

˙ w w

w w

˙

˙

˙

˙

<#>œ#œœœ#œœ œnœ

œ œ

# w ˙ ˙ w ˙ œ Œ Ó Œ #œ œœ#œœ˙™

œ œœbœnœbœ œbœ

œ

œ w ˙ ˙ w ˙ œ

Œ Ó Œ #œ œ

œ#œœ˙™

Œ

œœbœnœbœ œbœ

œ œ

Œ ‰ œ

j œ

# nœ œ

# œ œ Ó ˙ ˙™

˙ œ ˙™

w

# w w

(12)

°

¢

°

¢

°

¢

°

¢

Fl. 1

Fl. 2

Ob.

Eng. Hn.

Cl.

B. Cl.

Bsn.

Cbsn.

Hn. 1+2

Hn. 3+4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

Vib.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

59

p

p

o

mp poco

pp p pp mp

p pp mp

pp p

pp mp

*

mp

o

° *

mp

o

° *

pp

mp

o

mp

pp

p pp mp

mp mf p mp pp p pp mp pp

mp mf p mp pp p pp mp pp

pp mp p mp pp mp pp p pp

o

pp mp p mp pp mp pp p pp

o

pp mp pp mp

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑

solo

> >

>

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

gliss.

gliss.

∑ ∑ ∑ ∑ ∑ ∑

? gliss.

gliss.

∑ ∑ ∑ ∑ ∑ ∑

?

gliss. gliss.

∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

To B. D.

∑ ∑ ∑

/

Bass Dr um

&

>

gliss.

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

>

gliss.

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑

sul tasto

sul pont.

sul tasto

serious nat.

legato but not expressive div.

B

>

sul tasto

sul pont.

sul tasto nat.

gliss. ∑ ∑

B

> sul tasto

sul pont.

sul tasto nat.

gliss.

∑ ∑

?

sul tasto

sul pont.

sul tasto

∑ ∑ ∑

?

sul tasto

sul pont.

sul tasto

∑ ∑ ∑

?

ord.

∑ ∑ ∑ ∑ ∑ ∑ ∑

˙

Ó

˙

Ó

œ ˙™

˙ Ó

œ

# ˙™ ˙™ œ w ˙™ œ ˙

˙

#

Ó

œ bœ ˙ œ

œ ˙

˙

# w œ

j

‰ Œ Ó

˙

˙ ˙ ˙ ˙

˙ w œ

J ‰ Œ Ó

˙

˙

˙

˙

# w œ

j

‰ Œ Ó

œ

Œ Œ

œ ˙ ˙

˙

Ó

œ

b ˙™ ˙™

Œ Œ

œ

b ˙ w

Ó Œ

œ œ œ œ œ œ œœœœœœœœœ

˙ œ™

œ™ #œ j

˙ w

˙

# ™ Œ

˙ œ™

˙ ˙ w

w

˙

Ó Œ

˙

# ™

w ˙ ˙ w w

Ó

œ œ bœ n˙ œ œ

˙

˙

˙

˙

#

˙

˙

Œ œbœ

œ œ

˙

n ˙ ˙ œ

œ œ

# œ#œœœ#˙ Ó

w

n ˙ ˙ ˙ ˙ œ ˙™

˙™ œ

˙

˙

Œ œbœ

œ

œ b˙ ˙ ˙ œ

œ œ

# œ#œ œ n œ#˙

Ó w

b ˙ ˙ ˙ ˙ bw

˙™ œ

˙ ˙ ˙ ˙ ˙

œœ#œ œ

œ#œœ w

w

# w w ˙ ˙

˙ ˙ ˙ ˙ ˙

œ

#

œ#œ œœ#œœ w

w w w ˙ ˙

œ œnœ#œœ#œœ

˙ w

Ó œ

# œ#œ œ œ#œœ

œ

# Œ Ó

(13)

°

¢

°

¢

°

¢

°

¢

Fl. 1

Picc.

Ob.

Eng. Hn.

Cl.

B. Cl.

Bsn.

Cbsn.

Hn. 1+2

Hn. 3+4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

B. D.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mp mf mp

70

mf mp

mp f mp

mp mf mp f mp

f mp mf mp f mp

mp f mp f mp

p pp p pp

p pp

mp mf

mp

mf

mp

mf

mf

mp mf

mp mf

mp

mf

pp mp

o pp mp

o

p mp

pp mp pp

pp poco pp pp mp pp f

&

∑ ∑ ∑

(non solo)

>

>

> > >

&

∑ ∑ ∑ ∑ ∑ ∑ ∑

Piccolo

> >

&

∑ ∑ ∑ ∑ ∑ ∑

.

>

-

&

∑ ∑ ∑

> > > >. -

&

mp almost playful (non solo)

. -

>

.

>

-

3

&

almost playful

. -

.

>

-

?

∑ ∑ ∑

?

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑

>

>

> > >

&

∑ ∑ ∑

>

>

> > >

&

∑ ∑ ∑ ∑

>

> > >

&

∑ ∑ ∑ ∑ ∑ ∑

> > >

?

∑ ∑ ∑

>

>

> > >

?

∑ ∑ ∑

>

>

> > >

?

∑ ∑ ∑

>

>

> > >

?

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

?

∑ ∑ ∑

~~

~~~~ ~~~~~

∑ ∑

~~~ ~~~~~~

/

To Snare Dr um

∑ ∑ ∑ ∑ ∑ ∑ ∑

&

∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&

gliss.

gliss.

unis.

gliss.

B ∑ ∑ ∑

unis.

serious

legato but not expressive

gliss.

?

∑ ∑ ∑ ∑ ∑

?

gliss.

∑ ∑

?

∑ ∑ ∑ ∑ gliss.

»

pizz.

‰ œ b

‰ Œ ‰

7 œ J

Ó Œ ‰

œ b

J

Œ œ

b œ

Ó Œ

œ Ó

Œ œ

b œ

Ó Œ ‰ œ

J œ J

‰ Œ

œ b

˙™ œ bœ Ó Œ

˙™

‰ œ b

‰ Œ ‰

œ J

œ b bœ œ

œ

œœ œ œ œ ˙

‰ œ b

J

œ œ

˙ œ

œ b

Ó Œ

˙™

œ œ

# œ

# œ n

œ œ #œ

˙

b œ

j

‰ œ b

œ b

œ œ œ

œ œ œ

n œ

œ

Œ Ó

œ œ

# œ

œ b ™

œ

# J

‰ œ

œ

# œ ˙

‰ œ b

J œ b

œ

#

˙ œ

œ n

Ó Œ

˙™

Ó ‰

œ b

J œ

œ œ œ

œ œ œ

œbœ œ b

Œ Ó œ œ

œ œ

# ™ œ b

J

‰ Œ

œ

# œ b

˙ œ

œ

#

Ó Œ

˙™

Ó nœ œ ˙™ bœ œ™

‰ Ó Ó Œ œ w bœ œ™

‰ Œ

Œ ˙™

œ

b œ

œ Œ

‰ œ œ

#

#

‰ Œ ‰

œ œ j

Ó Œ ‰

œ œ

#

# j

Œ œ œ

#

# œ

œ Ó

‰ œ œ

#

‰ Œ ‰

œ œ j

Ó Œ ‰

œ œ

# j

Œ œ œ

# œ

œ Ó

Ó Œ ‰

œ b

j

Ó Œ ‰

œ j

Œ œ

b œ

Ó

Ó Œ ‰

œ b

j

Œ œ

n œ

Ó

‰ œ

#

‰ Œ ‰

œ J

Ó Œ ‰

œ

# J

Œ œ

n œ

Ó

‰ œ n

‰ Œ ‰

œ J

Ó Œ ‰

œ n

J

Œ œ

# œ

Ó

‰ œ

‰ Œ ‰

œ j

Ó Œ ‰

œ j

Œ œ œ

Ó

‰ 7 œ

j 7 œ

7

¿ 7 œ

7

˙

Ó Œ ‰

7 œ

j 7 œ

7

¿ 7

˙ Ó

œ œ œ œ œ œœ œœœœœœœ

w w n

b œ

œ œ œ b

œ œ

œ

œ œ œ bœ n˙ ˙™

œ

# œ n˙™

˙ œ

œ œ ˙ bœ nœ œ ˙™

˙

# n˙

˙™

œ œ b˙™

˙ bœ

œ œ

˙ bœ nœ œ

˙™

˙ b˙

Œ

œ œ

œ œ w

Œ œ

œ œ

Œ

œ œ

œ œ œ

Œ Ó Œ ‰

œ J

Ó

References

Related documents

Now that experience design has emerged as an important field, its main questions are about secret methods of satisfying limited target groups, even though the experiencing

Han uppmärksammar Holdens framtid som student. Med en sådan position följer en del förpliktelser, nämligen regler som ska följas, uppgifter som ska lösas,

För att identifiera stressfaktore- hos kvinnor, både före och efter en hjärtinfarkt bör fokus läggas på att vårdpersonal som behand- lar dessa kvinnor får en djupare

When the Swedish Dairy As- sociation was given the place to give large critique to the Food Administry, as well as talking down their calculations as well as provide their

To understand the mechanisms underlying contest engagement, and thereby our overall measures of contest performance – contest engagement and enduring interest – we return

I have applied my idea of breaking the continuity in space and time by using a system of proportions in the design of a bridge that becomes a meeting place, a place that can be

Instead will the thesis focus on; Great Britain since Zimbabwe used to be a British colony, China since they are investing a lot of money and time in Zimbabwe and that they in

There is a decrease of sound level in the crosswind direction of the wind turbine due to the dipole character of the aerodynamic noise, especially due to the directivity of