• No results found

petals, metal. water: blackmartINFarraN -lee

N/A
N/A
Protected

Academic year: 2021

Share "petals, metal. water: blackmartINFarraN -lee"

Copied!
19
0
0

Loading.... (view fulltext now)

Full text

(1)

p e t a l s ,

m e t a l .

w a t e r :

b l a c k

m a r t I N

F a r r a N

-

l

e

e

(2)
(3)

p e t a l s ,

m e t a l .

w a t e r :

b

l

a

c

k

(4)

m a r t I N

F

a

r

r

a

N

-

l

e

e

(5)

In loving memory of

Bror Gunnar Persson

(6)

I

(7)

scene: the city distant, yet so close the palaces of the ancient

and the newly rich lit by breaking, fading light

what are they?

but silhouettes cut out of paper for all you know

R i dda R f jä R de n

(8)

placing your fingers on the frets an open tuning

a three chord song

heard before, now sounding new changing the order

of such simple measures making sense for now

at least that’s how it seemed

SyS Slom a nSgata n

(9)

to you born with wings to have them clipped

what did it matter then?

it’s not such a cost the price of feathers have gone up there are many here

more important than you what does it matter then?

it’s all for a good cause keep saying that

till you’re out of breath the words stick in your mouth

like old gum the air has more taste

in the morning:

the wet earth, the rabbits and the bird shit add a trace of childhood

to sprinkle the grass

with fluid diamonds and liquid light

l å nghol m e n

(10)

yet you must press on

there is a purpose to all of this now it makes perfect sense

how come you never saw it before?

how street lights and planets align how your body moved

through the forest when august came

and the only light was the whiteness of the gravel

on your path

you had to be careful there the darkness was easier to navigate

you moved silently

like the shark in cold sweet waters

filled with moss and rotting wood the taste of fish

always on your teeth your long limbs white

against the black

noR RöR a

(11)

cut to: the beach grey water, facing south

the three of you the only specks on the waves except for the gulls

and the tankers carrying crude

out to sea in your element

you could have been growing gills

for all i know now turning back

laughing

at the frozen figures in the sand

Sa n dh a m m a R e n

(12)

but you alone must press on

a purpose to this?

makes no sense

turning your head away in every photograph

blurring the image

it’s for us to decipher what it really meant

noR R m ä l a R St R a n d

(13)

I

I

(14)

such was the loss such was the sense of loss it held us in a grip

held us down by force

the tears were no release

only there to wet our checks unable to see beyond the grief

unable to correspond

the uselessness of it all

to set words to fire a flame to warm the skin of this church

we shouldn’t have been here in the first place shouldn’t have been here at all

outside,

the summer caught us suspended in the air

then the weightlessness left us standing in the country road directionless,

not knowing where to go but back to the sorrow that was

clinging to our limbs, submerged

in our second-hand suits

now suddenly mortal

in the prime of life

(15)

I

I

I

(16)

|C|

falter, there’s nothing you can

|dm7|

alter there’s no

|C|

going back on a

|f|

fact

|C|

thinking, we could have

|dm7|

made a change made a

|C|

difference in the

|f|

end

|f m aj7 /a|

straws in the

|f|

wind

|dm7|

stuck in the dirt we’re

|Cm aj7 /e|

planted in

|C|

closing, the door on

|dm7|

everything from the

|C|

first day to the

|f|

last of him

|f m aj7 /a|

straws in the

|f|

wind

|dm7|

stuck in the dirt we’re

|Cm aj7 /e|

planted in

|dm9|

a shroud of music to

|Cm aj7 /e|

sweep him in

|dm9|

a shroud of music to

|Cm aj7 /e|

sweep him in

|dm9|

a shroud of music to

|Cm aj7 /e|

sweep him in

|dm9|

a shroud of music to

|Cm aj7 /e|

sweep him in

(17)

Konstnärligt utvecklingsarbete vid HDK – Högskolan för Design och Konsthantverk vid Göteborgs universitet

Artistic R&D project at HDK – School of Design and Crafts at the University of Gothenburg

Photograms on offset printing plates, printing ink, 240 x 340 mm Thanks to HDK, University of Gothenburg, Valand Academy, Måns Heidvall and Catarina Landberg/Sibirien Lito, James Waskiel, Ulrika Fryckstedt, Vince Reichardt, Kristina Fridh,

Ola Bergengren, Kristoffer Rosental, Galleri ØckenLund, Galleri Charlotte Lund, Christian Andrees/Graphic Consulting,

Mattias Lindqvist, Sarah Cooper and Nina Gorfer Set in Monotype Fournier

III [falter] Thanks to Henrik Lindstrand, piano Recording can be downloaded from martinfarranlee.com

©

Images, text and music Martin Farran-Lee, 2012 Repro Werkstette, Printing Hillerød Grafisk, Bookbinding Förlagshuset Nordens Grafiska, 2012

isbn 978-91-980618-1-9

For

Julia & William

(18)
(19)

References

Related documents

This project intended to investigate the possibility to experimentally identify natural frequencies of small thin circular metal plates. The studied metal plate’s dimensions

Samtidigt som publicering kan göra det möjligt för en enda att tala till massan – och som sådan betraktas som en adresseringsmetod som konstruerar dominansmönster –

My goal with this project was never to produce a perfect joint for a structure or to provide a new method for exhibition-making, but rather to bring forth new ways of thinking

This thesis aims at characterizing tridimensional (3D) printed polymers onto PET textile materials via fused deposition modeling (FDM) that uses both non-conductive and

Compared to the traditional textile finishing processes, Fused Deposition Modeling (FDM) is a novel and sustainable three-dimensional (3D) printing technique which allows the

The specific focus of this work is to investigate the feasibility of using company-A pigments and pigment formulations in inkjet production of color optical filters (COF) for

The developed control configuration has success- fully been used to automatically control the ink feed in the web-fed offset printing press according to the target amount of ink..

Giant Steps is a play that is set in mo?on by the musicians, and according to Gadamer: “the movement of play has no goal that brings it to an end; rather, it renew itself in