• No results found

Choir – Quarrel, project description

N/A
N/A
Protected

Academic year: 2021

Share "Choir – Quarrel, project description"

Copied!
1
0
0

Loading.... (view fulltext now)

Full text

(1)

Choir – Quarrel, project description

by Palle Dahlstedt, Department of Applied IT & Academy of Music and Drama, University of Gothenburg, palle.dahlstedt@gu.se

A interactive live electronics piece for 8 singers and 8 speakers, performed by Palle Dahlstedt and the choir Voces Nordicae conducted by Lone Larsen, as part of the installation/concert Bryt upp, bryt upp (Breaking times) at Tällberg Forum 2013, Tällberg Sweden

I participated in this 2.5-hour concert with a lecture recital about my research into new

technologies for improvisation and creativity, exemplified by a series of solo performances on keyboard and electronics. As a bridge to the choir performance that would follow, I composed Choir-Quarrel, a piece for 8 singers and 8 loudspeakers, where the singers improvise in a dialogue with “their” speaker. The speaker answers to each phrase with an imitation, as best as it can. Or with something completely different. The computer voice is very funny and annoying, and the chaotic dialogue that emerges is a rich sonic landscape of linguistic and musical utterances. During the performance, Palle Dahlstedt controlled global parameters of the system, thus shaping the overall form of the piece.

The piece was performed in the main public concert of the Tällberg Forum 2013, in a huge circus tent. The audience consisted of 700 people from 50 different countries, and the speakers and singers were placed in a circle around the audience.

The response from the singers, who had not really performed anything like this before, was very positive. They greatly enjoyed interacting with the system. Further collaborations are planned.

The implementation of the piece uses novel approaches to pitch and timbre detection, using adaptive techniques developed within Palle Dahlstedt’s research project Creative

Performance, of which two sub-project deals with computer-mediated interaction models and autonomous co-improvisers. The pitch and timbre contour of the singer’s phrase is recorded and processed, and used as a basis for an immediate response by the electronic voice. The software was developed by Palle Dahlstedt in the Nord Modular G2 signal processing environment. Two screenshots of the realtime signal processing patch are attached.

Documentation

References

Related documents

Key words: Deficit bias, European semester, Fiscal consolidation, Fiscal policy councils, Forecasts, Independent fiscal agencies4. Title: Preaching to

4. The observation notes were compiled for each choir director in a document labelled ‘Observations’. Each choir director read the observations made about him or her at the

Jongman and Wade (2007) looked at acoustic variability in vowel quality for native speakers of English and Spanish-L1 speakers uttering the same eight English vowels, and

We composed “A piece of Paper”, a graphic score where the choir creates sounds using a piece of paper in very soft dynamic?. It also became a challenging chamber music task where

The Y-PWR (see Figure 4.1.1) is used to perform a smooth transition be- tween AC/DC wall adapter and battery to power the onboard computer, the flight controller, and the RC

In those pieces, both the musical material and the sound design was developed with the help of these interactive evolutionary tools, together with manual work.. This is quite

In the sculptures made of fired clay the expression of the material varies and connects to the concept in different ways.. Some of them almost resembles an unfired surface

Bellow’s depictions of faces – whether beautiful or ugly, youthful or ageing, and whether they belong to a minor character or a protagonist – are made with the unwavering hand