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The Modelling of the Magus: The Impact of the ‘Vulgar Mind’ in Northern Renaissance Fame and Defamation. The case of ‘Dr.’ Johann Faust and ‘Dr.’ John Dee

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The Modelling of the Magus

The Impact of the ‘Vulgar Mind’ in Northern Renaissance Fame and Defamation. The case of ‘Dr.’ Johann Faust and ‘Dr.’ John Dee

Jan Bäcklund

2012-12-04

Aarhus: Center for Cultural Research (Work in Progess 71-98), 1998. 30 pp.

Piet Bruel and John e

 1551, wn Piet Bruel t El was accepted as vrÿmeest in t . cas

ild in Antrp, to 1559, his known œuv cons inly, if n cluly, of ints and awings r ints.  1559 onwds, Bruel’s oduion of ints ems to

ca while his oduion of panel painngs incangly rms t in pt of his œuv. is shi cones up to 1562, wn Bruel ems to ha oed odung

awings r ints altotr.¹ e e hor two cepons to this nal shi in his ic oduio As te as 1564, Hionymus Co ceis t  two awings

 by Bruel to  oduced as ints, int Jes d e gici rmoges and

e  of e gici.² th  engd by Piet van  Heyn and iued by Co’s shop “x ae nts” in 1565.

e ye , in 1563–64, t faus Ezathan polyth John e is in Antrp

r t cond me, now to n r t shing of his ‘esic Eucd’, s Hioglyphica, whi was sd by Wiem Silus in Antrp 1564, and by that me

e ems to ha acquid t ints and t intol fame worthy of a Reiance Mas.

e sub of t two ints—as  as tir eatment—is tr uncented, and no t hioans ha yet ded to nte any inton or su any pie

1.  a e oduion ten 1555 and 1562; only two ints e oduced in 1563 (e t and Le

Kits), th obay awn in 1562.  1564 no ints ae, and in 1565 t two ints St. Jes

d e gici rmoges and e  of e gici ae, th awn in 1564. Tihy A. s,

“Bruel and his sr” et Bruegel und sei Welt, eds. Oo von Simson and Mahias Wi

(Bn: Ge. Ma rg, 1979), 170–71. 2. s, “Bruel and his sr”, 168.

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Fe 1 Piet Bruel:  of e gici. 1564 Pen, ht and dk own ink;

contos innted r ansf, 23,3 × 29,6 cm. dam, jksmuum.

Fe 2 Piet Bruel: S. Jes d e gici rmoges, sc. Piet van  Heyn 1565. Engng, 32,9 × 38,9 cm., w York, opon Muum of Art

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Fe 3 John e: s Hioglyphica. Antrn 1564. Titlepa.

key r an into³ Any iconogphic ‘ogm’ of t ints thus i ins to  uned, and wi so in also t this udy. e ob  wi mely  to point o a few ils whi ght  of levance in a discuion of Reiance fame and fao Conquently, an aempt wi   to ash wtr t ints conin fences to t  faus of t Reiance gi in Bruel’s me, i.e. John

e.

At fir gnce t ems to  no coeion ten t two, en though ty e a t same a: e was rn in 1527, Bruel sew ten 1525 and 1530,

3. e  ten discuion of t ints to date cons of t short nes owing t enies in René van e’s and uis Le’s caloes: René van e, Les Estpes  Pet Bruegel l’Anci

(Bruxees: G. van O. & Co./Liai Naole d’Art & Hioi, 1908), no. 117–18; uis Le, Cogue raisonné s estpes  Bruegel l’Anci (Bruxees: Bihèque yale Alrt I, 1969), no.

57–58), and se nes in his “Les ams  Pi Bruel l’Anen” Bruegel. U dystie  peints, eds. Phie rts-Jones et al. (Bruxees: Eopa 1980), 132. e ‘lence’ sunding t two

ints is a t  tng gin t fa that t r tc ints by Bruel—i.e. t rtues and

ces es, t Seasons, or his indiual tc ints, i.e. e Alest or e Beekeeps—e ry

 cmented and en intted, n to menon t Alpine Landscas or t ‘ t len’ ints and awings.

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obay 1527 or 1528.⁴ e e no fences whatsoer to Bruel in any e biog-

phy, nor do  find any fence to e in t contt of Bruel.⁵  ite of tir contemponeity and conity in l rds, tir ei contts em to  tay pated. On t r hand, it is ue that Bruel’s fe is emely poorly documented, as is e’s ior to 1570. Hor, l of t same rsons and rcum-

ances fi in t s and works of e and Bruel, suing a cin finity 

t d 1550s and onwds.

One rson in pcur pys a gnificant le in t s of th men: t Antrp ctogpr Aaham Orteus (1528–1598). Se biogprs ate that e met Or- teus wn t rm udied in uvain ten 1548 and 1550.⁶ is is n unkely, b

t is no eence of su a meeng. Orteus did n rsue any unirty udies at a, and if ty met in uvain or Antrp ding t yes, it is  kely cau th of tm  inted in ctogphy and ps, eas in whi uvain and Antrp 

t cenes at t me. B ty eently met ea r in Orteus’ y, at t t

in 1571, b obay in 1563–64, and rhaps en e.⁷  favo of t hyps that e and Orteus  alady iends by 1564 (or e) eaks, apt  e’s

udies and als in t 1540s and 50s, tir cn int in ogphy and ctog- phy, and thus tir cn acquainnces rcator, Gea ius and rhaps Once

4. J. B. Bedaux and A. van Gool e that Bruel’s birth ye is 1527 or 1528 in an as inte as connng ain of ments bad on t porait  1606 of Bruel by Egidius Sal of Pe,

a in an aegory by rtholeus Sanr. J. B. Bedaux & A. van Gool, “Bruel’s Birthye, Mi

of an Ars/Nata ansmaon” Si, vol. , no. 3 (1974), . 133–156. 5. On John e e:

I.R.F. Cal, hn e Stu   Engsh Neoptonist. Ph.D. ts (e Wbg ite, iv.

of ndon, 1952); Pet en, hn e. e World of  Ezabe g (ndon: RKP, 1972);

ances A. Yates, e Occult Phisophy in e Ezabe Age (ndon: RKP, 1979); Nios H. Clulee,

hn e’s tur Phisophy: Bet Scice d Region (ndon: led, 1988) and Wiiam H.

Srn, hn e. e Pitics of Reing d Wting in e Engsh Raisnce (r: irty of Maaus P, 1995). e nogphs on Bruel e too mous to  ed , one of t  cent and t  uful concning t documents on Bruel’s fe ing Phie & ançoi

rts-Jones:  Bruegel l’Anci (s: Fion, 1997). 6. For inance: Srn, Pitics of Reing d Wting, 5 and R.J. rts in Raisnce n: e Reconstruct braes of Europe

Sars, 1450–1700. Sies O: e Books d ncpts of hn e, 1527–1608. Part O: ncpts

 e Bodlei brary, Oxford. A sting d Gui to e Microfilm ection (Mlugh, Wiltshi:

Adam Maw Pu., 1993), 155. e  one, en though obay n t soce of t r, cfies hor, how t r was oduced: “John e als to s w  lees on Eucd’s Elements.

e meets Once Finé (Orteus) and Antoine Mizauld at a this me”. Once Finé (Onus Fieus) is n incal with Aaham Ortels (Orteus), b th  to ce faus r tir ei world

ps, Finé r his ‘t shad’ p and Orteus r his Ats bad on rcator’s syem of oio 7.

 a l to Orteus, dated 16 y 1577, Mortke—t only nt eence of tir iendship totr with e’s eny in Orteus’ Album icorum t t same ye wn Orteus ted e at Mortke—e thanks Orteus “r t kindne with whi you ceid me, wn I came to e yo y se yes ago” (Gasque bi ha inntes ob Candom ium tuum, et hunis offi quibus me ces, Bicam tuam dum ante aqu aos inm …), Abrahi Ortei ... Epistue, J. H. Heels, ed. (ü: Oo Ze, 1969), . 23–24. Face imion of Ecclesiae Lonno-Bavae Arivum, vol.  (ndon 1887). is can eitr f to t joney to rin and s in 1571 (Raisnce

n, 158), on whi it y  au that e paed Antrp, or it can f to his mu e ay in Antrp in 1563–64.

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Finé as . En if Orteus’ erum Ors Trarum was n sd unl 1570,

 rly aend t ankft ok fair in or to iue t  and ogphy

 impornt ps, whi  tn coloed and coted in Antrp.⁸  would ined

 n if e hadn’t paid a t to this ctogpr wn  was in Antrp. At t

a of 20, Orteus was accepted as  aughtsn and iutor of ps in t .

cas ild in Antrp in 1547,  yes  Bruel.  was in 1554 that Orteus met

rcator,⁹ an acquainnce of e nce 1548.¹⁰  1560 Orteus and rcator aed to ance, w ty ted a uidic one in Pois and engd tir mes on it.¹¹

is diys an anquian int in t Arthian lends and uidic mes whi e shed with and (at lea t) discued with Orteus and rcator.¹²

As ely as 1547, e met and came iends with Ga à Mica, engr, n- ufa of anl inruments and goldsth.¹³  t contt of Bruel, Ga

à Mica is known in t rcur as Ca van  Heyn, who was t r of Piet van  Heyn.  1556 onwds, and thugho Bruel’s ce, this Piet

van  Heyn engd t in pt of his awings and was also t engr of t

two ints discued. Accpanying Orteus and rcator on t a-menoned an- quian joney to Pois in 1560  also Phip Gae, ans  Hon and n Sa. e  a clo coeaes of Bruel in t . cas ild, and Phip Gae was t engr of se of his ints.

Iediately t Bruel was accepted as ee- in t . cas ild, 

aed thugh Lyon and Sily to me, w  worked in 1552 and 1553. e e

ng indons that Aaham Orteus joined him on this joney, or at lea met him in

aly.¹⁴  any ca, as ely as 1550 Orteus and Bruel  inte iends. By that

me, e—according to himlf—was eoying a cin ge of fame, and  ates that vious noemen came to t him  t cot of Chles V, tn tuated in Bruels.¹⁵

 1563 and 1564 e was in Antrp once ain, with t in rpo of surng t shing of t s hioglyphica in 1564.¹⁶ is was n sd by Pnn, b by Wiem Sylus, who by 1560 was a iend of Orteus.¹⁷ If e was invold in Wiiam Cel’s and Wiiam Piing’s diplac ions in t w Counies, 

8. us Mü-Hofe, “Z ton von Piet Bruels Landt. Ä Landts-

gff und oie Weltatung” et Bruegel und sei Welt, p. 127. 9. Aaham Orteus, “Album acorum”  Guln Ps vol. XLV, no. 1–3 (1967) & 46 (1968), . 4–5. 10. an rts &

Anew G. Watson, hn e’s brary Cogue (ndon: e Biogphl Soety: 1990), p. 31.

11. Album icorum: 5. 12. Clulee, hn e, 182–85, eeay p. 183. 13. Clulee, hn e, p. 27. Cf.

“e Cndious Resa of John e …  unto t two Honoe Cions … 1592”, hn

e, Autoographic Tracts, ed. mes Cley (Ctham Soety 1851 =Reins Hiocal and Lity of Lanca and C Counes. 1), p. 5. 14. is is ed by Mü-Hofe, “Z ton

…”, . 127–128. 15. mps Rehear, . 7–8; Cal, hn e, vol. , . 295–96; Clulee,

hn e, p. 29. Alady ding t ely 1550s, e tod Wiiam Piing, t Engsh ambaador in t cot of Chles V (Srn, Pitics of Reing d Wting, p. 6). 16. Cal, hn e, vol.

, p. 543. 17. Cf. t l  Johaes Temus, aas Vryfin to Aaham Orteus, dated in Lisn, Sunday, 15 ne 1561, concning se ’smung’ bune of oks, pies and engngs.

Temus gis Orteus inruions on how to pa t things so that t quion would n find it.

e l ends with gengs to Sylus. Cf. Abrahi Ortei ... Epistue, . 23–24.

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obay met or d of cdil Gne, Bruel’s porful paon—and ce rsa;

if so, Bruel obay d of e, n only a Orteus, b rhaps also a Gne, t van  Heyns or Phip Gae. Ftr, along with Orteus, Chopr Pnn, Arnold Bir and Joha Ra, ang rs, th Bruel and e ha

en—july or uuly—sueed of entining fai ias, or of ing sympatc to fais.¹⁸

 t ht of t congruies, I find it asoe to aume that Bruel had d of John e, b n that ty er met or neceily had anhing in c Bruel was no ogpr or tan hor, so if this hyps is pue, it was anr ae of e whi ems to ha caught his int, and to su a ge that  ain

tned to t  por ium of ints and to t  ptly ‘rcur’ yle of Hionymus .¹⁹ e ae whi ght ha caught Bruel’s int I wi in t owing tm t “vulr nd”.

e Vulr Mind and Reiance Fame and faon

 t rtoc of occult and rmec wng, t s, t apt, or t wi e always ood to ‘t opinion of t vulr’, as Ttus t it, whi did n, inn-

y, clu acacs and men of lening. is opinion is t inscd ‘oonent’ of t iniated disco: a conrued “vulr nd”, nont of and unfit r t cts of rmec t and tal sence. Clulee es this ttual tegy clely in his biogphy on e wn  wtes:

e s shes ny of t aiics cn to occult wng in its dion of its penal audience into t vulr,  wh t cts of t

tt mu  eed, and t wi and rtuous, to wh t tt tends to disclo gat myies nted, hor, in a nzingly obsce and myiing way to nt disclose to t unworthy. e rtoc of occult wng ts its as un t bn of ageing that ty unand t tt l ty  md ang t vulr and cates t padoxl

18. Concning Bruel, e eeay H. ein-Snei, “Piet Bruel: ine que, iute

du mea faie” Gazee s Beaux-Arts, 107 (1986), . 71–74. Concning Orteus, e René

uns, “e Reious ews of Aaham Orteus” url of Warburg d uruld Institutes, 

(1954), . 374–377. Concning e, e rts & Watson, hn e’s brary Cogue, p. 13 and

n Hei, “John e and Sect Soees” e rmetic url (1992), and Clulee, John e, .

273–75. On t fais, cf. J.A. van Doren, e Ric Arts (Lein-ndon: Pucaons of t Sir

as Bwne ite. Sal es. 4, 1970) and Aair ton, e ly of Lo (Camid:

Camid UP, 1981). e  connng document to nk ny of t a rsons to this cal

, ly rced by t Spanish ahoes, is a l  Guiaume Poel to Aaham Orteus, 19. Bruel’s onship to a ‘rcur’ yle as ood to a ‘nized’ yle—n witho paels to t diy opod  ten “vulr” and “iniated”—is discued in Mk A. adow, “Bruel’s Pceion to Calvy, Æmuo and t Space of rcur yle” Nnds kunsthistos jaarboek,

 (1996), . 181–205.

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tuaon that t tt is ang, thugh a disco inteie only to iniates, myies and cts t iniates alady pe.²⁰

On t r hand, a conae pt of t “vulr” n only rd tal philos- ophy, alogy and r occult sences as gic, b ty also coned tcs, opcs, and t conruion of meanl ces as cloly ted to a gic, nec-

n or coing.

As is  known, e en had to fend himlf ain accusaons of aing

gic, necn and a kinds of imor ts, b, as Cal ned: “e’s own

‘apologies’ em only to ha ld ftr to  t s, and towds t end of his ce  is ported in ance as hang ungone c ial r witc.”²¹ Usuay Key is a r hang ceid e and leading him into t alms of luon and a gic, and if n Key, tn Casaun is a r pong tir itual conrsaons in an unholy and n .²² e and his biogprs e of co

ght that e in no way was invold in necn and a gic, b I e  can in se inght into t typology of t Reiance s if  inead of looking at t con  t point of ew of ople sympatc to e’s enquies, or  t

point of ew of his lened ccs (su as c Casaun),  look at it  t point of ew of this  or le ptly inscd “vulr nd”. Ratr than fng to t bad influence of Key or to t nont cmenes of Casaun, I would say on t

cony that e’s on as a Mas (r t “iniates” as  as r t “vulr”)

ted long   met Key and thus long  t anc ions, and ems to ha en—consouy or n—a  or le calcuted tegy that took advan of t diae meanisms of iing inquions and cdulous surions to nefit his inteeual ce.

e accusaons e said to ha ted as ely as t d-1540s with e’s Camid

oduion of Aophanes’ “Peace”, r whi e conrued t meanl ce that

 t scab fly up to t top of Tnity  with t aor pying Tryeus. is

20. Clulee, hn e, . 79–80. 21. Cal, hn e, vol. , p. 171. Cal wtes in a ne to this: “us Flond  Raend, discuing t abity of tans to  thus fally accud by por judice, cords, t a lengthy fence of Syl II (L’Antist, Lyons, 1597, Chap. 14, p.

204) ”On scait que  no temps, Ioaes nis ceent Maten, a e conainto    peie calnie, cme on l dans sa ffence qu’el fit imim l’an 1570 ayant luy meme pi sa cau

à nes.” e fence  is clely to e’s ‘gion Apoloca’ in t Eucd Pface (Ajv et

q). e atement is ated, e i disid as John nis, in Naudé’s Apogy (p. 33).” (Cal, op. cit., vol. , p. 69). 22. c Casaun, A true & faiful tion on of wh ps for ny years bet Dr. hn e d se spits, ed. n Milo Due (w York: Magial Chil, 1992 [1659]).

On t opinions of Key, e Anthony à Wood, Aæ Oxonisis, ed. Phip i (ndon 1813–1820 [1691–92]), vol. , . 639–643, vol. , p. 286, and pson Coor, “Keey, Edwd” Dictiory of tiol Biography, ed. Sidney Lee (ndon: ith, El, & Co., 1908), vol. , . 1230–1232.  this  ad r inance: “Leang Oxrd ‘auptly,’ Keey aes at ndon as a audulent scn

or aorney (Du esnoy, Hist.   Phisophie Hérmetique, . 307). A 1580  had his es ced in t piory at Lanca r ing se anent tle-eds (Nash, , 446); or, according to anr account, r coining ba ney. Weer, in his ‘Funa Moments’ (p.46), s him in aion with hang dug up a corp in Walton-le-Dale rk r t rpo of quioning t ad.” (ibid., , p. 1231).

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aently oduced mu azement and  e t on of a co r t

cdulous or ous-toned.²³ Phaps it did. We do n know, as  ha no r

port of this innt than e’s own  1592.²⁴ I think  ked t ory, and in his

etic Pface  1570  gis it a oa rei wn  scs t

“autgike”, t t of king “un workes, of t n to  rceid, and of men gatly to  woned at.”²⁵ He e has in nd t is of Aras’ flying woon do and  aa. ‘Cn ople’  fai with t. ey had

d a lking atues, r con and Alrt t Gat’s azen eaking ads, Alan t Gat’s flying ce, Sin Mas’s por of flying, and cinly r

oes. e “vulr nd” thus knew that e’s innious ac was gic, and I think

 knew that t vulr nd would con it gic.

 would n si me if e eoyed scbing this innt—and t azement of t nont in pcur—to his lened coeaes or feow unts in Antrp or

uvain, cau it imptly pced himlf ang t same senfic avant-r as t

ieval giants r con, Alrt t Gat and Peus Abano.²⁶ En if e fend tm, and eeay con,  nont accusaons,  ought to ha nd that tir fame could n  due to tir senfic mits only. e mu ha known that fame is a vulr and por pnenon, and that t vulr and cn cwd—in this ca

including t gat pt of t lened world—was  inted in “r con t

gian” than in r con t or. One could thus tn e’s oem with t

n accusaons t r way und: if you  not accud of fang lking

ads, flying ines, ons with ns and t ke, you could  se that you

 n yet a faus ta²⁷  my ew, e’s ce t owing yes, up unl t caon of t s, nsates that e mu ha en  or le

awe of this.

23. e e se uncines as to whi ye this oduion took pce. Cal, hn e, vol. ,

. 193–941; Clulee, hn e, 160–61; Srn, Pitics of Reing d Wting, p. 11; J.H. Heilon,

“oduory Eay” hn e on Astrony. Propaeu Aphostica (1558 and 1568), Lan and En- gsh, ed. Wayne Shuk (Bkeley - s Anles - ndon: iv. of Carnia P, 1978), p. 33.

24. mps Rehear, 5–6. 25. John e, “Matca Peface”, e Elemts of Geete of Eucd of Megara. Tnated by Henry Biingey. (ndon 1570), g ☛,b.j rso. ed  Heil-

on, “oduory Eay”, p. 33.  t etic Præface, in whi e scs dispnes ke

“Anthpogphie”, “Tike”, “Hecosophie”, “Pneuthe”, “ie”, “Hypoiodie”, “Hy- agogie” and “Aritee” ang rs, one can ealy unand how t vulr nd came to confu

t “Matca Artes” with t gl ts. 26. “[D] paduanie Fau s Tcento”, as Aby Wbg caed him in “aenie Kun und intole Alogie im z Sifano zu F”, Gemmelte S (Leipz: Teubn, 1932), vol. 2, . 465 ff. 27. “Les plus ceens Mat-

ens ont toujos été soupçoez  Magie,” says Naudé, poinng to Po Syl, r con, Miael Sc, Alrt t Gat, and “ce Jean nys [i.e. John e] ceent Maten  nôe temps, qui fit imim une apologie po sa fence, l’an 1570” (Heilon, “oduory Eay”, p. 33n).

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‘Dr.’ Johaes Fau and t Moing of t Mas

Ben Jonson’s fences to e and Key in e Alest  1610 e  known, and as ty inly concn e’s and Key’s doings in  I sha n ftr a

tm . Relevant in this coeion, hor, is that Jonson fs to Fau twice. e fir me is wn t impoor and i Dr. Subtle—that is, Dr. e—scs how

 is going to eat Kal:

Why, ha ’em up, and sw ’em se fuian ok, or t dk g.²⁸

“Fuian ok” ing of co any ok on gic, ke t one ing ad by t

gian on t l in Bruel’s int “Saint mes and t Magian Hnes”, and

“t dk g” ing John e’s faus a obdian rr.  t xth scene of t

th a, wn t m Sly discors Face’s and Dr. Subtle’s auds,  kens Face’s “soy, sky-d c”, Dr. Subtle, with

[…] t Fauus, / at caeth fis and can coe, ces / Pes, piles, and x, by t epmis, / And hold inteence with a t bawds […].²⁹

 e Alest, Jonson is n only inid by t oes sunding John e, b by Chopr Mlo’s e Tragic History of Dr. t as . is was

sd pohuuy in two rons, t fir in 1604 and t cond in 1616, b was alady wen a 1590.³⁰

Mlo’s Dr. t is, in tn, id  an Engsh anaon ³¹ of t fir

Gn ok on Fau  1587.³² Mlo oduces  this t ory of how Fau

 t Duke of Anhalt’s rn gw in t le of t wint, a cle whi is

adioy ascd to Alrt t Gat.³³ B en if nnt upon its ogil, M- lo’s t diys se ogity in tms of its hiocal acca with rd to surious oes: Wn Dr. Fauus is to len how to “ai gic and concealed

28. Ben Jonson, “e Ale” e mies. Vpo. e Alest. Barew ir, ed. M.

eson (ndon &c.: Penin, 1972 [1966]), 272. A , scene ii, . 57–58. 29. 29 Ibid., A

, scene , . 46–50. 30. Chopr Mlo, Doctor t. A‑ d B‑texts (1604, 1616), eds.

Da Bengton and Ec Rasmuen (Man and w York: Man UP, 1993), 198. 31. e Histoe of e dble fe, d su h of Doctor Iohn t, Newly impnt,  in conuit pces impfect  d: accorng to e true pie pnt  Frfort, d trst into Engsh by P. F. Gt (ndon: as Orwin, 1592). Any e edion has n en paed down to us, b it is asoe to aume at lea one ftr edion ten 1587 and 1592. 32. Histoa von D. hn t, m itbesyt Zaub und Srkünstl, Wie  si geg m Teuffel auff ei bdte zeit rseb […] (ankft am Main: Joha Spieß, 1587). Anr edion with t

tle: Ein rhafe und söe Gesit: Von D. hn t, m itbesit Zaub vnd Srkünstl, wie  si m Teuffel t Leib vnd Seel, […] (p.: e., d.[1587?]). 33. See r inance: Arth Edwd Waite, Alests r e Ages. s of Alemystic Phisophs  e Year 850 to e Cse of e 18 Ctury […]. (w York: Samuel Weir, 1974 [1888]), p. 59.

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Fe 4 (a) John e’s ”Obdian Mirr”. ø 18,4 cm. ndon, Bsh Muum. (b) Ch[opr] Ml[o]: e Tragic History of e fe  h of Door Fauus.

ndon: John Wght, 1616. Bsh Liy.

ts”, it is cmend r t rpo of his udies that  ing with him to his so-

ry g “wi con’s and Albas’ works”, “Albas” ing Peus Abano.³⁴  Dr.

t, Mlo n only aus to t oes to whi gl ts and necnc

is  aoated,  also infies t hiocal mes of t gians (Alrt, - con and Abano) and ftr inoduces a  contempory me in this iumte of suod ieval gians wn Dr. t cs that t rpo of aing

gic and necn is “to  as cuing as Aga was, / Who shadows  a

Eo hono him”.³⁵

Only a a dozen contempory documents i with fences to a rson caed

“Fau”, and it is f  obae that t documents f to t same rso dging

 t mr and t a of t documents, it is eent that this Geo or Jo- haes Fau did n ha any contempory impa whatsoer. En though t hiocal Fau—whoer  y —is n  Wien, it is nertle eent, owing

ank n’s elent menon, that t Fau who had su a gat impa on ely

n Eoan culte ems in Mn tr and Phip nton’s Wien

ten 1533 and 1577.³⁶

34. is paa does only occ in t A-tt: Mlo, Dr. t, p. 121. 35. Ibid., p. 119. 36.

ank n: t. Gesite, ge, Ditung (Münen: Win rg, 1982), . 49 ff.

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What tr does is to ke t me Fau, whi had aed his aenon, and pce this fi in a oa contt in whi t tempons of t l, eed of wi, t iorty of t soul and  mephycal quions e eated.  a

es of lees gin ten 1554 and 1557, nton cones tr’s u of t

Fauian lend, b ices t tologl ments with se entining oes, one of whi is how in nice Fau ied to fly to an with t aid of t l, b fe ba

to t gund wn t l lead his gp. As did Ttus  him, nton also ked to scoff at Fau: “e s Fauus says that  is t ince of philosopr

 would tr say that  is, by God, t ince of ols”; and, nton cones, Fau was “an infaus e who led a disorly and baued fe”, who aed

ound and lked ofuly a diffent cts. e ory of Fau’s ath was also innted by nto He counts how a can goes into Fau’s  t faing to e him at di, only to find him lying on his d with his ad tned und by t

l.³⁷

e ory a Fau’s aoac ments is obouy ken  t lend in whi Sin Mas and . Pet cted in tir surtal pors  t -

r  in me.³⁸ Sin Mas did succeed in ing himlf, b wn Pet ayed to God to ke him fa down in or to show t ople t vanity and uncinty of t

gl ts, t Mas entuay fe down and oke his ne.

t nton, that is, t t 1570s, t lends of Sin Mas and Fauus

e so inttwined that it hdly kes any n to y to i tm ain, and it is this fuon whi pas t way r t succe of t biogphies of t succeeding cas.

is Fau, as menoned, has nhing to do with t Geo or Joha  Kninn or Helma or wr; Reiance Eo was n short of this ty of cep and ingnificant gians and necncs, and e also met se of tm. No, this Fau

is  up cluly by the n faus ors, and I am of co eaking of

celsus, Aga and Ttus, t iumte succeeding t ieval one of Alrt,

con and Abano.

e coeions ten celsus and Fau cmence alady in 1539, wn t

ty phyan of Worms iues a conmon ain celsus and Fau r t same cmes.³⁹ is ty of mulneous faon cones with Cond Gesn, who in a l to Cto von Cfftim dated t 16th of  1561 wtes:

[Joha] Opon  l, a rm pil of celsus, tes wonful things a t ’s intco with ns. Su men aice file

37. Phi nton, corum cmunium coeane a Joae Mano r multos aos plaque tum

 leionibus D. Phii nthonis, tum  aorum doiirum rum onibus cp, et r in ordinem ab eom da 1590, 38. Cl e, t in r Gesite und Tri- tion. Mit besonr Büsitung s okkult Phänism und s elt Zaubss […]. Geheime Wisssa. Ei mmlung selt ält und u S üb Astrogie, gie, Kabbah, Roskuei, Fiui, x‑ und Teufelss w. […], ed. A. V. D. Lin 

(Bn: H rsdorf rg, 1921), vol. 1, p. 29; n: t, p. 55. 38. On Sin Mas, e E. M. Bl, e My of e g (Camid-w York-ndon-lne: Camid UP, 1979), 73–83. 39. 40 Phi Berdi, Inx nitis (Worms, 1539), p. xi; qued  n, t, 43.

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alogy, an, necn and  ts. I aume that ty e t

scendants of t uids, who  ught a ns by t Celts r

ny ye this teaing is i ing done today in t ty of Sanca in Spai  this ool ems t so-caed waning ors, of wh

t cently cead Fau is ry faus.⁴⁰

e paels ten Fau and celsus e mous, and it is yond doubt that t oes a celsus did fnish a new dimenon and a to t nebulous fi of Fau. is pael   to a udy by a Guav Oe, who advanced t

ts that Fau and celsus e one and t same rso is ts has en cd by hioans, b en if hiocay untee, it is f  impue. e quion

 mu a in this coeion should  wtr t documents rining to a “Fau”

 1533 and tt e in aty documents fng to celsus and his doings and conores concning him thugho t connent. celsus was n alone, hor, in fnishing Fau with a a; and, as ed: ke celsus, “Dr.” Hein

Corneus Aga of esim (1486–1535), also aed wily thugho Eo

while aing, inking, and cing invold in quls on a r bas.  1510

 ted Engnd, w his ias  wily ad. Lat  udied and leed in ance and in aly, d in Antrp and Bruxees in t te 1520s and ely 1530s, b his on as t  rt contempory gian had long nce en firmly

asd.⁴¹  short, this along with his wngs and conoral a 

Aga equay suited as a l r Fauian lends.

e fir of t “vulrs” on t scene was t aan hioan ulo oo, who ad t ory that wn Aga was lying on his d in an i and felt his ath aaing,

 caed his a dog, whi had rrted his soul, and cnd it to disae, wupon t dog ansr itlf into wat. oo does n te to in this

a dog with t l himlf.⁴²  a scpt ne dated 1668 on t tle-pa of a copy of Aga’s  occul phisophia, a cin Johaes Säf ats this ory al rbam:

Fauus  Knin uens adhuc habat  cum canem, qui at a-

lu c ie nebulo Corneus Aga qui scpt  uanite um et

40. “Alogiam vam, Geanam, cnam, et huiusdi tes cent. Equim suicor ios  Druidum quiis ee, qui ad Cels tes in subtneis los a daenibus aqu an- nis udiebant: quod no mea in Hiania adhuc Sancae faitum conat. Ex ia o

odiunt, quos vulgo oicos vantes ninibant, int quos Fauus quidam non i im r- tuus  celeat.” Epistarum micium nri Ges, Phisophi et Mici Tuni b III.

Ti 1577. l. A1v. ed  Geo Witkowi, “r hioe Fau” utse Zeits für Gesitswisssa, 1 (1896–1897), p. 300; cf. also n, t, p. 82. is Cto von Cim was also a iend of Orteus, cf. Album icorum, . 18, 21. 41. itz Mahn, “Einleitung”, Aga von esim, Die Eitelkeit und Unsiheit r Wisssa und e Vteigungssu (Münen:

Geo Mü, 1913), . –xlv. 42. n, t, . 59–60. As was t ca r t advocates of

e, Aga’s  inent ely advocate, his ‘pil’ Joha Wi is ghtly upt a tho nt rus concning Aga and his a dog. Wi cpined that  had himlf en t dog in 

and knew it ry , and that Aga d it with an al ildish lo.

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senum; eam habat canem cum cntem, qui at alus. Hic Corneus Aga agonem rs, uocuit ad  canem, quicumque orcumui

[=d ke his y to e Unrworld?], eumque his ubis aoquis: Ab à me rdi i quæ me rdidii. Sic am cenis ab et discens,  in aqua æpiuit.⁴³

e  gtesque thing is, hor, that Johaes Ttus, who was t fir

to conmn Fau with t  rdant csm, came aoated with t Fauian lend. e shpne of Ttus’ naon is obay due to t fa that a lf-

 i ke Fau umes onto an ea danuy clo to his ow e is also awe of this  wn  wns of t “vulbus sos”: “who n only rsue early t shadows of gat ts, b also fal and countfeit tm in a  wied way”.⁴⁴

 a l  1507  ts e-ke cpints a t confuon ten this kind of i and his own sophited aies in t field of “tal gic”. He wtes:

I ha ner done anhing saclegiou nertle, I ha to  with t opinion of t vulr, whi look upon me as a wizd, as ty e of t opinion that I am ae to i t ad, evoke t subtnean its,

di t fe, and with invocaons cat thies and brs.⁴⁵

Of co t vulr nd had difficules in diinishing ten Fau’s oodings and Ttus’ ions, th of tm nding, as  e in Bruel’s int, or tir ny oks and n as. On t r hand, along with n  mu

adt that Ttus himlf oud t vulr nd wn in 1499  wte in a l

that  was ping a work whi would aound t world. e fir  oks would

eat ct wng, b t sub  of t fih ok was of su a te that it could n  sd. Ttus inined that it was n gic, b philosophy, and that t knowled had en gin to him in a eam.⁴⁶ Ttus mu ha anpated that t contents of this l would entuay end in t hands of t ambaadors of t

vulr nd, and of co this l did n only ou a gat al of cioty ang t lf-yled “iniates”, b ang t “vulbus” as ; and, on half of t vulr

nd, I can n lp sueing that as f as ing oks is concned, Ttus was uly a gia

e work to whi Ttus fs, Stegographia, was n to  sd unl as te as 1621, although it rcuted in scpt copies at lea half a centy 

tn, thus longing to t  e of a ang Reiance ors with an int in “tal gic” and “t cts of te”. One of tm was John e, who

43. e copy in irty Liy of eibg i. Br.,   Mahal, t, 336. 44. 45 John

e, s Hioglyphica (Antrp: W. Sylus, 1564), p. 9. He : C.H. Joen, “A anaon of John e’s ‘Mos Hioglyph’ (Antrp, 1564), with an inoduion and aaons” Amx, 12 (1964), p. 143. 45. ”… hil fe undum, & men vulgi opinionem paor, dum gm me plique

biant, auantes me suse rtuos, euocae ab infis dænes, ædixie f fesque

duxie cnibus & ae ones”. Opa histoca, vol. , p. 356. ed  n, t, p.

125. 46. n, t, p. 22.

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in a faus l dated 16 Feuy 1563, wte to Wiiam Cel  Antrp that  had located and was end in copying o a scpt of this work.⁴⁷

Be t d-1550s e ems to ha discod r con, “a discory”, Clulee wtes, “that eted a ly int on e’s pt. […] While con’s works e few in e’s holdings ior to 1556, by 1558 e peed or had consulted a of con’s

jor works.”⁴⁸  1563, e aed  Antrp to Zi, w  was inoduced to t ias of celsus—obay thugh Joha Opon—and ted Cond Gesn, who only two yes ouy had oaed Opon, celsus and Fau r aing

“necn and suke ts”.⁴⁹

e tn ced t Alps to aly, and t aending t coon of Maxiian II in Pbg,  tned to Antrp. e don to Maxiian in his s Hioglyphica is dated 29 y  Antrp. e ayed in Antrp at lea unl t su of 1564, at whi me  tned to Engnd.⁵⁰  my opinion, Clulee

es connngly wn  es a gnificant shi in e’s thoughts  t d-1550s up unl t caon of s, a shi  a dintly Aean phycs to a neo-ptonic rmesm.⁵¹ dging by this shi towds a neo-ptonic rmesm as

 as by his eadily gwing int in t tal philosophy of r con and his

cent find of t “wonfu dine and ct sences”—as e wte in his l to Cel—of Ttus’s Stegographia (“t  ous jue that I ha yet of r mens availes cod”),⁵² tn it ought to ha en this enthuaic e that Bruel would ha d of.

‘Dr’ e: e Engsh Mas in Antrp

e tle St. Jes d e gici rmoges⁵³ indtes that t if is bad on a

ory in cobus  Vogine’s Legda aua, b cept r . mes in t le,

anding with his f, no ils coronding to this ory e to  en in Bruel’s pie. . mes is ealy infiae by his nimbu Hnes is  difficult to

, b a gnce at t r int als that  mu  t d n in a et.

is a is en in a typl “Fauian” po, ing in a air at l, ading “se fuian ok” and sund by se ian ns. Hor, t aions rr

by two r gians at ght em eitr to  r incons of Hnes or

nons of his r aies. e fi in t ght legund is ing on a

ipod in a rcle, menocay ooding or se gl and hioglyphl gns.

e gian at lor ght is also in a gl rcle, w  is anding with a sword and aing se subances  t h of a ske, obay in or to i se

47. Cf. Clulee, hn e, 103–04. rts & Watson, hn e’s brary Cogue, p. 183. 48. Clulee,

hn e, . 37–38. 49. 50 n, t, . 59–60. is Opon is, by t way, t same one to wh Guiaume Poel fd as eaking a t Fay of  in his l to Aaham Orteus.

50. Clulee, hn e, 123 and 17. 51. Cf. Clulee, hn e, . 37 ff. and . 116–142. 52. L to Sir Wiiam Cel, 16 Feuy 1562, Phibon ciety. Bibographic d Histoc Misceies, 1/12 (1854), p. 11. ed  Clulee, hn e, p. 136. 53. e, Les Estpes, no. 117. Le, Cogue, no. 57.

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subtnean its, sued by t hole in t gund of t pie. A of t

aies  t to  aoated with Fau, b at t me of Bruel ty  

nay aoated with celsus, Aga and Ttus. En if i noous, ty

 nertle a ad  Bruel ted his ce. is was n t ca r

e, who was t new incon of t Fauian gian in t vulr nd, hailed as t “w Aga” nce t d-1550s, whi Bruel would ha d a, en if ty did n meet rsoy.

 any ca, t if of Sin Mas’ fight ain a n of t Chian Ch is, as f as I know, enly new in Nortrn Reiance t,⁵⁴ and ftr

it is   than tnty yes  t fir caon of t hiory of Fau and

x yes  t caon of nton’s lees in Wien.

Fe 5 Piet Bruel: e  of e gici. Piet van  Heyn 1565. En- gng, 22,4 × 29 cm., dam, Muum yns-van Beunin

54. e tme “e ath of Sin Mas” is nted in a tay diffent  by Benoz Goz, who pis Sin flying and lying on t gund  t r and S. Pet (mpton Cot). I ha also ned one (and t cinly i  of tm) Byzanne saic piing “e Fa of Sin Mas”, b in this ca t is no fight ten him and S. Pet, ju Sin Mas faing  t y.

Concning t r int, t is a painng abed to Hionymus  in t muum of Valenees (no. P 46.1.44, with e Temptions of int Anony on its r) piing St. Jes of mpostea

d e gici. e cpoon is, hor, ry diffent  t awing by Bruel fd to .

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e r int, e  of e gici—or, as t tt un t pie ads:

“ugh t  of God . mes kes t Mas to  torn to pieces by t

ns”—ems to  t iediate conaon of t ory of . mes and H-

nes. Two ates of this int (Le 58.iii and iv) e sued with a new p un t tle with the diis in en, Flesh and Lan eily, whi ad:

“e ath of Sin Mas. ey ha en aen to him as long as  has  tm insane with his t”.⁵⁵ En though phycay incal with Hnes in t r

int, t gian is now ptly infied as Sin Mas. If  is to  infied with Sin Mas, tn t Ch n should  . Pet and n . mes.

B t Ch n is finitely . mes—whi is ptly ated and eas- ily en  t ass in his hat and t f—and  s none of t adiol and

-known abes of . Pet. is confuon indtes that t bagund of t

ints ght n  t wen soces  Legda Aua or t Ch fatrs, b

tr t confud and inttwined lends and rus owing t Reiance gi;

n Fau, Ag e or any r indiual rson, b ly t -mhl conglate of t “Door” of Hmes’ kin: rmoges.

 this int  ne t same rson, Hnes or Sin Mas, in t et.

. mes is anding o t  porl to t ght in t pie, cnding t ns to or ju wating tm aa t Mas, who fas to t gund ju as Sin Mas did   in me. e ambuity concning o and in is ined re in t pie: with . mes at lor ght  e finitely odoors, whi is en  t g on t gund and t tior of a  wa and porl;

with t gians and acbats, ngled as ty e with a tys of incdie ns in this orcwd cpoon,  e ju as eently indoors, as indted by t

ansron of t gund into a floor, by t fnite and,  nay, by t intior corn and t window. is aging is ftr ed by t ‘eators’, who e looking at t gtesque scene  t window. And ined, it is as if t scene is ad with t

cedians, muans and aors rrng a py, ju ke t ete is rrng with his et.  l legund is a co à   with an e on his ad and a il in his no, aing, it would em, se gl cups and bas me as if Bruel looked upon gic in t same way as Jonson looked upon alemy.  t ’s

e-inid py  1610, e Alest, Dr. Subtle’s cpanion Face (n witho

niscences of Edwd Key) says:

Ratr than I’  ayed, r, I’ e / at Alemy is a y kind of

me, / Sewhat ke is o’ t cds, to eat a n / With ng.⁵⁶ A y kind of me, and one whi ems to  t aity of t aiant a

gian in t lor ght-hand corn of Bruel’s int.

55.    | Aenbant eum quod multo tempo | Magis suis bus eos menet Aoru .8 |      | Estint ttifs a luij pr ce ques ng temps il les avoit sorcelez d’tmts par ses temts |    ō  | Sy hoorn  hem  d hyse n

tijdt met | sijn tooj rdelt eet h. 56. Jonson, e Alest, A II, scene iii, .

179–182

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Fe 6 (a) Piet Bruel:  of e gici. 1565. il of t fi at t

lor ght; (b) Piet Bruel:  of e gici. 1564. il of t neous dang in t lor l.

 cona to t fir int,  i ha Bruel’s ogil awing r t  of

e gici, neouy dated 1544 (  ) inead of 1564 (  ). B I am n altotr connced that this neous date was unintend. Coning that this is his e gned awing dated with n mals, and coning t ceful inscpon-ke duus, I am tempted to e that t two as  and as if ty  in a cups and bas me tmls.

e impornce of dangs and gtes in t intons of Bruel’s awings has en nted in an empry  by Jee Sys in a udy of Bruel’s

awing e Beekeeps.⁵⁷  this udy Sys connngly es that Bruel -

tely c t awing so that t dang was and  1568 () to 1565 (), whi, due to t pocal ents ten 1565 and 1568, gnificantly ans t contt in whi t awing could piy  intted. Ftr, is it n - aly at t date, tr than at t cups and bas, that t cate in t awing—now at lor l—cas a look? If this dang is no ip of t n, t quion mu tn  what Bruel asoy could ha intend by this fal date.⁵⁸

1544 was  kely t ye wn Bruel ented Piet Coee van Ael’s udio as an ance, b,  impornt, it was se me ound this ye that e aied in t aging of Aophanes’ Pax and in a n n his ce as a gian in t nd of t vulr, a on, it wi  caed, that e ked to ke o as bale, as t

“y of Idies and t Maice of t Scornfu.”⁵⁹ I find it hhly obae that e n

only menoned this pt of his ce in his wngs, b also ked to menon it rbay.

is aging and t subquent faons by e’s advocates or adrsies y thus ha en cmunted to Bruel, rhaps by t engr, Phi Gae, who mu t, in 1585, engd a kind of porait of e in t suit of ints caed Nova

57. Jete Sys, “e Recepon of Bruel’s ‘Beekeers’: A Ma of Choice” Art Buetin, vol. , no. 3 (1991), . 467–478. 58. Jete Sys, “e Recepon of Bruel’s ‘Beekeers’: A Ma of Choice” Art Buetin, vol. , no. 3 (1991): 467–478. 59. e, qued  Heilon, “oduory Eay”, p. 33.

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p,  awings by Johaes das (n van  et, 1523–1604) 

a 1570.⁶⁰ is ght tn pin t n ing in Bruel’s awing (and t

subquent int), w t n of t Ch is anding odoors while t

aic scenes with t gians and ns e ad as if ty  indoors.  was in t oduion of Aophanes’ Pax, or “Peace”, that e aied with his lent r

ac, b Bruel’s awing is anhing b aceful, nor is t any fence to this py in t awing. Pbay obining his inron thugh ru and ol

ansion, Bruel ght ha en incorly inr of t a me of t py by Aophanes r whi e  his meanl ces and ‘gl is’, and 

y ha confud “Peace” with “e Was”, whi in tn ght pin t ins flying o of t two umts at t top of t awing.

e py,  kely died by t gian faing o of his air, ems to  a t n who succeeds in aing t clouds or of at t u ght, b tn

tay eaks his ne on a sword, as if   t aor pying Tryeus flying on t

scab up to t top of Tnity . e sult of his huis-ke aing r t ans is to  en at lor l, w a capited dy es on t e with t nogm of Piet van  Heyn.

Fe 7 Piet Bruel:  of e gici. 1565. il of t capited fi in t lor l.

is is ry clo to t oes  know  t inttwined lends of Si-

n Mas, Fauus and Aga. If this nal ading is cor, tn it is inting

60. is engng is oduced in Srn, Pitics of Reing d Wting, p. 113, as  as on t

du-et.

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to ne that t faing s in t ght legund ems to  t dior of t

pied py and at t same me also a im of his own innious ac ruing

, king him ke a ang cau it is bad on t same or  “gl

is” as tho aid by t i at t e. And yes, e himlf rr

“gic”  an audience of “vulrs”.  1550  aed  t trnds to

s, and “at t qu of se Engsh ntlemen”⁶¹  n a es of c lees on Eucd’s Elem, “Matcè, Phycè, et Phagocè”, at t Coe of Rims in s. e kes a gat diy of t lees in his Cndious Resa … w  counts how his audience “was so gat, and t  pt el than my lfe, that t tca ooles could n hold tm; r ny  faine, witho t

ooles at t windos, to  auditors and eators, as ty  could lp tm-

ls tto.”⁶² e lees, e cones, cated gat aonishment than en his scabaeus unng up to t top of Tnity  in Camid. If my hyps is tee, tn Bruel would ha d of t aonishment cated in s as  as t

wonful ac in Camid and md tm totr in his int, w  in fa

e a gup of eators early obrng t a  a hh-t window.

e scene ty obr is n only aordily cwd, it is noisy as ; at t

top, t e two rsons pying umts  whi swms of uninfiae ins em, a ol is ang a um, and it ems as if ery n is yeing, scang or

king se r noi; only t s and t acbats e lent in tir ai of a

kinds of eakne ts. Also lent is t i at t e; and lent e finitely t two cates witho unks in t gund corns of t pie: t one at l

with a il thugh his tone and t one at ght with a c in his h. e  is obouy a podl countpt to t hu gian, pying t same cups and bas

me and ying to bance an e on his ad with t pointed  down (though lping himlf with a bance cone) in t same way as t e is ing banced on t ad of t unoporoy hu i, who is t a-ke cate ies to itate.

th es fi in gnificant pts of t int and th e shown with t pointed 

down, in aly t same way as t e conining t hioglyphl d is pied on t tle-pa of e’s 1564-caon, as t “celial e” is pied in t tt, and as it is pied in t end pa of t same ok in a coat-of-ms-ke cpoo

is celial e was also to  ud on t tle-pa of e’s Propæu Aphostica in 1568.

 a udy by Lian M.C. Randa on t hating of es by as or ols in a mr of te thirteenth centy il iuons,⁶³ this hating is en nted by t a or ol holding an e up ain t sun to eed up t hating oce. En if this is n t ca r Bruel’s a-ke cate, t e is clo enough to its antecents to r ftr aeno Wn this if aeed in a ief val in Flesh ints at t end of t xteenth centy, its coaons  firmly asd as t ety of y. Randa menons an engng in whi Foy is hating le

61. mps Rehear, p. 7, qued  Heilon, “oduory Eay”, p. 6. 62. Ibid. 63.

Lian M.C. Randa, “A dieval Sn” Art Buetin, vol.  (1960), . 25–38.

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Fe 8 (a) ”Celial E”, John e: s Hioglyphica, Antrn 1564, p. 17;

(b) ”Celial E”, John e: s Hioglyphica, Antrn 1564, end g

ols in a tent while in t gund one of t hated ols is lening t e dance

 an ol ol.⁶⁴ A  tme is en in one of t engngs  t anonyus

es of Tl Flesh Prorbs, whi pis a unrd hating an enorus ced e in whi es a ol.⁶⁵ “For a ol in hating yo es”, wtes Randa, “wi b

oduce  ols nce ea e conins a ‘door’ (Flesh r ol, intanae with ‘dooi’ meaning yolk)”.⁶⁶

B t impornt iue in Randa’s udy, and that whi concns us , is that this

“fleion of hun y in nal”⁶⁷ of t te xteenth centy trndish ints did n ha t ieval meaning of ols or as hating es. Randa aces t ogin of t if in t ins of t te thirteenth centy scpts to t cons ten Edwd I and Phip le Bel leading up to t ned Yes’ Ws. is con  

to a e wa of Anglophobia in en tate, whi tay came eeay

valent in t anco-Flesh onces. e y of t tme was t otory aeaon of Engshmen as “iled”—Ang caudi—(in n tms: is), whi

is documented nce t le of t tlh centy. According to cques  y, wng in t thirteenth centy, t Engshmen  caed potos (unrds) and caudi (iled) by tir feow unts at t irty of s.⁶⁸ By means of a long que  a olent diai ain ng Edwd I by a Norn munk of Sii, Randa

64. Randa, “A dieval Sn”, p. 29. Iuon in: uis Maetn, Le g tique ds

 peintu fn (Bruxees: G. van O, 1907), pte XXXI, t p. 272. 65. e, Les Estpes, no. 182. Le, Cogue, no. 73. 66. Randa, “A dieval Sn”, p. 29. 67. Ibid., p. 37. 68. Ibid., p. 33.

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