• No results found

Behind the screens: the women behind Disney films

N/A
N/A
Protected

Academic year: 2021

Share "Behind the screens: the women behind Disney films"

Copied!
1
0
0

Loading.... (view fulltext now)

Full text

(1)

View my citations by scanning this QR code with your phone

Jennifer Lee

T

he first woman to co-direct a Disney animated film in 2013, on the film Frozen. Lee is now the Chief Creative Office for Walt Disney Animation Studios, taking over for John Lasseter.

“Women do not do any of

the creative work in

connection with preparing

the cartoons for the screen,

as that work is performed

entirely by young men.”

-

Walt Disney Rejection Letter

(1938)

Woman painting a celluloid of Pinocchio in the Ink & Paint Department. Women hand-mixing every paint color needed for that day at the Disney Studios. 2 1

The Leading Cast

Women have worked at the Walt Disney Company from the first day the small animation studio opened in 1923. Since then, women have continued to be the driving force behind most major Disney films. Women of all artistic levels worked on the final moving images we still watch today. However, some exceptional women drew against the grain and forever left their mark on Disney and animation history.

Retta Scott

First woman to have on-screen credit as an animator in a Disney film in Bambi (1942).

Bianca Majolie

The first woman to work in Disney’s Story Department. She is credited with bringing “pathos” into Disney storytelling, which is still seen in most Disney films today.

Sylvia Moberly-Holland

Called a “genius” by Walt Disney, she was

one of the few women who had the tenacity

to not only survive, but thrive in the “fraternity” that was the Animation Department.

Mary Blair

Blair lead the Art Department and created the art style that Disney animators emulate today. Also designed the famous Disney theme park ride, “it’s a small world,” where her art and flair for color lives on today. 3 4 7 8 5 6 Women in the Ink & Paint Department dressed up for work every day and wore white gloves, despite the precision necessary for their jobs. 9 10

Animated Disney women came to represent everything the women who brought them to life were not:

simple, helpless, and acknowledged.

References

Related documents

Jag kommer att undersöka hur feminiteter gestaltas i relation till makt och överlevnad i Game of Thrones för att sedan undersöka vilka eller vilken femininitet som

one short story from the 1950s, “Good Country People,” as well as two short stories from the 1960s, “Everything That Rises Must Converge” and “Revelation.” In each of

Introducing environmental social science as a problem- related discipline (and not only as a discipline studying how people and organisations act with respect to

”man  blir  alltid  så  glad  av  den,  i  allafall  den  mer  syntpopiga  stilen  från  80-talet, man blir väldigt glad av den och på positivt humör och sen den

Resultatet från denna studie visar att de manliga karaktärerna utsätter andra för våld mer än vad de kvinnliga karaktärerna gör när de är utan varandra.. När

som för avläggande av filosofie doktorsexamen vid Ersta Sköndal Bräcke högskola offentligen försvaras. fredag den 18 september 2020, kl 13.00 Plats Aulan,

The conclusion is based on how the contrast is portrayed between Kong and the main characters, the fact that he is a god of the black natives of his island, and how the

Semi-structured interviews are conducted for the purpose of highlighting Muslim women's own religious and cultural experiences concerning identity, freedom and gender roles, which