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This is the published version of a paper published in Passepartout - Skrifter for kunsthistorie.
Citation for the original published paper (version of record):
Bäcklund, J. (2013)
Det reciproke plagiat: Charlataneri og negativ identitet hos Elmyr de Hory i anledning af Orson Welles' F for Fake
Passepartout - Skrifter for kunsthistorie, (34): 170-188
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Permanent link to this version:
http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-92585