• No results found

Brafford, Clyde Benjamin (2002). The origins, performance, and dissemination of the African-American spiritual: Personal papers, scores, and media in special collections of selected libraries in Chapel Hill, Durham, and

Salisbury, North Carolina. D.M.A.

Greensboro: The University of North Carolina.

Burns, Pamela Teresa (1993). The Negro spiritual: From the southern plantations to the concert stages of America. D.M.A. The University of Alabama.

Clency, Cleveland Charles (1999).

European classical influences in modern choral settings of the African-American spiritual.

D.M.A. Florida: University of Miami.

Cloud, Lee V.; Curtis, Marvin V.

(1991). “The African-American spiritual:

Traditions and performance practices”.

The choral journal 32:4.

Evans, Arthur Lee (1972). The development of the Negro Spiritual as choral art music by Afro-American composers with an annotated guide to the performance of selected spirituals. Diss. Coral Gables: University of Miami.

Knolle-Hicks, Flois (2001). “Vom Gemeindegesang zum Programm-konzert: Die Spirituals auf dem Weg aus der Sklaverei”. Kirchenmusikalische

Nachrichten 52:1.

Mallory, Lloyd Benjamin (2006). The choral singing of the Negro spiritual versus the singing of contemporary gospel without harming the vocal apparatus: A choral concept. D.M.A.

Los Angeles: University of California.

Paulson, David W (2008). A comparative study of African American spiritual

arrangements as choral art. M.M. St. Cloud State University.

Reed-Walker, Rosalynd Patricia (2008).

Preserving the Negro spiritual: An

examination of contemporary practices. Ed.D.

Delaware: Wilmington University.

Simmonds, Kevin Manasseh (2005).

Jubilee: The place of Negro spirituals as perceived by choir directors at historically black colleges and universities. Ph.D. University of South Carolina.

Trice, Patricia J. (1994). “Unaccom-panied choral arrangements of African-American spirituals: The „signifying‟

tradition continues”. The choral journal 34:7.

Trice, Patricia J. (1996). “Choral arrangements of spirituals: Birth and perpetuation of a genre”. The choral journal 37:1.

► Kyrko- och församlingssång, liturgi

C

HURCH AND

C

ONGREGATIONAL MUSIC

,

LITURGY

Åberg, Lars (1995). “Hela församlingens kyrkomusiker”. In:

Lindström, Anki (Ed.). Den oumbärliga sången. Hisings Backa: Sveriges kyrkosångsförbundet.

Abrahamsen, Erik (1919). Liturgisk musik i den danske kirke efter reformationen.

København: Levin & Munksgaard.

Abravanel, Claude (1979). “A

manuscript of synagogal compositions”.

Tatzlil/Chord 10:19.

Adamov, Norbert (2006). “Staré versus nové: Konfrontácia na poli slovenskej liturgickej hudby v 90. rokoch 20.

storoĉia”. [The old versus new: A confrontation in Slovak liturgical music of the 1990s]. Musicologica slovaca et europaea 24.

Adnams, Gordon Alban (2008). The experience of congregational singing. An ethno-phenomenological approach. Ph.D. University of Alberta.

Agustoni, Luigi (1959). “Culte chrétien et chant populaire”. In: Perspectives de la musique sacrée à la lumière de l‟encyclique Musicae sacrae disciplina.

Albrecht, Christoph (1982).

Interpretationsfragen. Probleme der

kirchenmusikalischen Aufführungspraxis von Johann Walter bis Max Reger (1524–1916).

Göttingen: Vandenhoeck & Ruprecht.

Andersson, Lennart (1997). Kyrkokören och 130 års körverksamhet i Gustafs: en historik: L. Andersson.

Attridge, Harold W. (Ed.) (2003). Psalms in community. Jewish and Christian textual

liturgical, and artistic traditions. Atlanta:

Society of Biblical Literature (Society of Biblical Literature symposium series, 25).

Bartkowski, Boleslaw (1995).

“Polnische Kirchenlieder in der katholischen Liturgie”. In: Schlager, Karlheinz (Ed.). Kirchenmusikalisches Erbe und Liturgie. Internationales wissenschaftliches Symposium an der Katholischen Universität Eichstätt am 18.–20. September 1989.

Tutzing: Schneider (Eichstätter

Abhandlungen zur Musikwissenschaft, 10).

Belean, Nicolae (2003). “Religiöse Chormusik der orthodoxen Kirche im Banat”. In: Metz, Franz (Ed.). Die Kirchenmusik in Südosteuropa. Historische und typologische Studien zur Musikgeschichte südosteuropäischer Regionen. Tutzing:

Schneider (Donauschwäbisches ArchivReihe 3, 106).

Bell, John L. (2000). The singing thing: A case for congregational song. Glasgow: Wild Goose Glasgow.

Bentley, Brian Richard (1999). The philosophical foundations and practical use of choral music in the Church of Jesus Christ of Latter-Day Saints in the twentieth century, focusing on the music of Robert Cundick, with emphasis on his sacred service, ”The

Redeemer”. D.M.A. Ohio: University of Cincinnati.

Bittel, Hermann (1950). Der Cantus firmus in der zeitgenössischen geistlichen Chormusik. Ein Beitrag zur Stiluntersuchung der neuen a cappella-Kirchenmusik. Diss. Ms.

München.

Blume, Friedrich (1974). Protestant church music. A history. New York: W.W.

Norton.

Bódiss, Tamás (2007). “Liturgia és gyülekezeti éneklés”. [Liturgy and congregational singing]. Magyar egyházzene 15:2.

Bon, Gerrit (1929). “Kerkmusiek”. Die Nuwe Brandwag 1:2.

Bond, Gilbert I. (2003). “Psalms in a contemporary African American church”. In: Attridge, Harold W. (Ed.).

Psalms in community. Jewish and Christian textual liturgical, and artistic traditions.

Atlanta: Society of Biblical Literature (Society of Biblical Literature

symposium series, 25).

Burkhardt, Friedemann W. (1996).

“Kirchengesang und Kirchenlied der wesleyanischen Gemeinschaften in Württemberg.” In: Nägele, Reiner;

Zwink, Eberhard (Eds.). „…das heilige Evangelion in Schwang zu bringen‟: Das Gesangbuch – Geschichte, Gestalt, Gebrauch.

Stuttgart: Württembergische Landesbibliothek.

Bynum, William B. (1996). “„The genuine Presbyterian whine‟:

Presbyterian worship in the eighteenth century”. American Presbyterians 74:3.

Cadrin, Paul; Routhier, Gilles (Eds.) (2007). La liturgie en quête de sa musique.

Montréal: Médiaspaul.

Caldwell, Alice M. (2008). “Moravian sacred vocal music”. In: Knouse, Nola Reed (Ed.). The music of the Moravian Church in America. Rochester, NY: Univ.

of Rochester Press (Eastman studies in music, 49).

Čapalija Ljubomirov, Nikola (2000).

“Liturgijske i paraliturgijske poboţnosti i crkveno pjevanje u ţupi Drvenik kroz povijest do danas”. In: Paţanin, Ivan (Ed.). Zbornik otoka Drvenika. [Collection of essays about the island of Drvenik].

Drvenik: Ţupa Sv. Jurja Muĉenika.

Caron, Sylvain (2007). “L‟essence du chant liturgique repose sur le dialogue”.

In: Cadrin, Paul; Routhier, Gilles (Eds.).

La liturgie en quête de sa musique. Montréal:

Médiaspaul.

Cattin, Giulio; Gallo, F. Alberto (Eds.) (2002). Un millennio di polifonia liturgica tra oralità e scrittura. Bologna: Società editrice il Mulino Bologna (Quaderni di musica e storia).

Chung, Hee Won (2004). A conductor‟s guide to the Roman Liturgy. D.M.A.

University of Washington.

Dombrowski, Thomas (2002).

“Synagogenmusik im 19. Jahrhundert zwischen Reform und

Wieder-besinnung”. In: Czernin, Martin; Pass, Walter (Eds.). Gedenkschrift für Walter Pass. Tutzing: Schneider.

Dugal, Hélène (1994). “Le progrès du chant de l‟assemblée”. In: Cadrin, Paul (Ed.). Chant et musique liturgiques en pays francophones. Ste-Foy: Université Laval.

Duncan, Stephen Frederick (1991).

Christian bhajans: A study of the uses of indigenous music in the rites of the Catholic Church on the subcontinent of India since the Second Vatican Council with particular attention to bhajan and kirtan. D.M.A.

Memphis State University.

Eslinger, Gary S.; Daugherty, F. Mark (1997). The sacred choral sourcebook.

Philadelphia: Musicdata.

Etherington, Charles L. (1978).

Protestant worship music. Its history and practice. Westport: Greenwood Press.

Etter, David Dean (1994). A conductor‟s study of sacred choral music accompanied by wind ensemble by Ned Rorem and William P.

Latham. D.M.A. Texas: Southwestern Baptist Theological Seminary.

Facchin, Francesco; Ruini, Cesarino;

Rusconi, Angelo; Vildera, Anna (2004).

Canto liturgico monodico e polifonie semplici:

Un‟antologia. Gozzi, Marco; Milanese, Guido (Eds.). Arezzo: Fondazione Guido d‟Arezzo (Quaderni di Polifonie).

Ferguson, Everett (1972). A capella music in the public worship of the church.

Abilene (The way of life, 125).

Fleischer, Ezra (1974). “„Iyyûnîm be-hašpa‟at hay-yesôdot

ham-maqhelatiyyîm „al „ẓûvam

ve-hitpatteḥûtam šel sûgey hap-piyyût”.

[The influence of choral elements on the formation and development of the

piyyûṭ genres]. Yuval: Studies of the Jewish Music Research Center 3.

Ford, Clifford (1989). “Sacred choral music. II”. American music: A quarterly journal devoted to all aspects of American music and music in America 7:2.

Foy, Janice Ann (1990). Croatian sacred musical tradition in Los Angeles: History, style, and meaning. Ph.D. Los Angeles:

University of California.

Friedman, Allan Mitchell (2005). The sacred choral works of three composers of the St.

Petersburg Society for Jewish Folk Music:

Theoretical analysis and historical context.

D.M.A. Massachusetts: Boston University.

Fubini, Enrico (1997). “Is there such a thing as Jewish polyphony?”. In: Belkin, Ahuva (Ed.). Leone de‟ Sommi and the performing arts. Tel-‛abyb: Tel Aviv University.

Galindo Garcia, Angel (Ed.) (1992). La música en la iglesia: De ayer a hoy.

Salamanca: Universidad Pontificia Salamanca, Spain (Biblioteca salmanticensis).

Galles, Duane L. C. M. (2000). “The question of a choral Sanctus after Vatican II: A canon lawyer‟s opinion”.

Sacred music 127:3.

Gelineau, Joseph (1959). “La valeur catéchétique du chant populaire”. In:

Perspectives de la musique sacrée à la lumière de l‟encyclique Musicae sacrae disciplina. Paris:

Editions du Congrès.

Gelineau, Joseph (1962). Chant et musique dans le culte chrétien. Principes, lois et applications. Paris: Éd. Fleurus.

Göller, Gottfried (1967).

“Strukturprobleme der missa cantata”.

Musica sacra 88:5.

Gottwald, Clytus (1996). “Chormusik seit 1970”. Württembergische Blätter für Kirchenmusik 63:1; 2 (1/2; 3/4).

Gozzi, Marco (2002). “Repertori trascurati di canto liturgico”. Polifonie:

Storia e teoria della coralità 2:1.

Gray, Judith (2006). “„When in our music God is glorified‟: Singing and singing about singing in a congregational church.” In: Marty, Martin E. (Ed.).

Music in American religious experience. New York: Oxford University Press.

Gross, Werner (1996). “Der katholische Gemeindegesang.” In: Nägele, Reiner;

Zwink, Eberhard (Eds.). „…das heilige Evangelion in Schwang zu bringen‟: Das Gesangbuch – Geschichte, Gestalt, Gebrauch.

Stuttgart: Württembergische Landesbibliothek.

Hambraeus, Bengt; Bäck, Sven-Erik (1971). “Fragment ur ett samtal om kyrkomusik”. Svenska musik perspektiv.

Howe, Mark (1996). “„Join the great throng‟: Populism, elitism and choral music in the liturgy”. Journal of the Association of Anglican Musicians 5:6.

Hsieh, Fang-Lan; Runnels, Jason M.

(2003). An annotated bibliography of church music. Lewiston, N.Y.: Edwin Mellen Press.

Hume, Paul (1957). Catholic Church music. New York: Dodd, Mead & Co.

Kaelin, Pierre (1959). “Qualité musicale et chant populaire”. In: Perspectives de la musique sacrée à la lumière de l‟encyclique Musicae sacrae disciplina. Paris: Editions du Congrès.

Kernel, Leon (2002). “Cerkveni pevski zbor. I”. [Church choir. I]. Cerkveni glasbenik: Revija za cerkveno glasbo 95:9–12.

Kernel, Leon (2002). “Maša in jaz”.

Cerkveni glasbenik 95:3–4.

Kernel, Leon (2003). ”Cerkveni pevski zbori in duhovnost”. [Church choirs and spirituality]. Cerkveni glasbenik 96.

Kim, Patricia Costa (1997).

“Transmission of music in the Hebrew tradition: Learning from the songs of

the synagogue”. Bulletin of historical research in music education 19:1.

Kleinig, John W. (1993). The Lord‟s song.

The basis, function and significance of choral music in chronicles. Sheffield: Sheffield Academic Press (Journal for the study of the Old Testament, 156).

Klek, Konrad (2000). “Das Gemeindelied als Kristallisations-moment liturgischer Erneuerung im evangelischen Gottesdienst bei Friedrich Spitta und Julius Smend”. In: Scheitler, Irmgard (Ed.). Geistliches Lied und Kirchenlied im 19. Jahrhundert: Theologische, musikologische, und literaturwissenschaftliche Aspekte. Tübingen: Francke Verlag (Mainzer hymnologische Studien).

Koza, John David (2000). Choral settings of Psalm 150 of the twentieth century: An annotated list. M.A. California: San Jose State University.

Kreuels, Matthias (1997). “Singet dem Herrn ein neues Lied? Der Kirchenchor und sein liturgie-musikalisches

Repertoire”. In: Mohn, Barbara;

Ryschawy, Hans (Eds.). Cari amici:

Festschrift 25 Jahre Carus-Verlag. Stuttgart:

Carus-Verlag.

Kreyssig, Peter (1993). Auskunft über den Glauben: Predigten 1965–1993 – Chronik der Kantatengottesdienste an der

Gedächtniskirche Stuttgart und der

Gottesdienste im Rahmen der Bachakademie.

Kassel: Bärenreiter (Schriftenreihe der Internationalen Bachakademie

Stuttgart).

Kruger, Daleen (1999). “Ecclesia reformata versus musica reformata?

Gedagtes oor funksionaliteit van die laat twintigste eeuse kerklied”. In: Grové, Izak J. (Ed.). Proceedings of the 25th Annual Congress of the Musicological Society of Southern Africa. Pretoria: Musicological Society of Southern Africa.

Kück, Cornelia; Kurzke, Hermann (Eds.) (2003). Kirchenlied und nationale Identität: Internationale und interkulturelle

Beiträge. Tübingen: Francke Verlag (Mainzer hymnologische Studien).

La Fage, Adrien de; Ortigue, Joseph d‟; Pelletier, Victor (1862). Congrès pour la restauration du plain-chant et de la musique d‟église. Paris: De Mourgues.

Laster, James (2002). Catalogue of choral music arranged in Biblical order, Supplement.

Lanham, Md.: Scarecrow Press.

Lathan, Mark J. (2001). Emotional progression in sacred choral music: How three twentieth century masterworks depict grief in time of war, and, Song of Hope, a cantata for chorus and orchestra. Ph.D. Los Angeles:

University of California.

Leafblad, Bruce H. (1998). “An Apostolic norm for congregational song”. In: Music, David W. (Ed.). We‟ll shout and sing Hosanna: Essays on church music in honor of William J. Reynolds. Fort Worth: Southwestern Baptist

Theological Seminary.

Lefferts, Peter M. (1988). “Cantilena and antiphon: Music for Marian services in late medieval England”. Current musicology.

Leipold, Bruno (1917). Kurze Einführung in Theorie und Praxis der Musik besonders der geistlichen Chormusik. Ein Abecedarium für christliche Dirigenten und Sänger von Bruno Leipold, Kantor. Pforzheim: Zutavern.

Lenti, Vincent A. (1999). “O sing unto the Lord a new song: Congregational psalm singing in christian worship. I–

II”. Pastoral music 23:6.

Lenti, Vincent A. (2000). “O sing unto the Lord a new song: Congregational psalm singing in christian worship. III”.

Pastoral music 24:2.

Liemohn, Edwin (1968). Organ and choir in Protestant worship. Philadelphia:

Fortress Press.

Lovelace, Austin C.; Rice, William (1976). Music and worship in the Church.

Nashville: Abingdon.

Related documents