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(Lip)stick it to the man: how YouTube beauty videos can empower women

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(

Lip

)Stick it to the Man: How YouTube Beauty Videos can

Empower Women

Kira Marshall-McKelvey English, Rhetoric and Composition

THE PROBLEM

§ Thousands of women are creating and consuming the beauty video, which has a great deal of potential to empower viewers (age 12-30) around the world, but it does not reach that potential. § Viewers do not understand these videos as feminist, empowering content due to the ways beauty videos are being talked about by scholars, media critics, and content creators. § These discussions result in superficial readings of beauty videos, and can lead to unhealthy comparisons and low self-esteem among impressionable viewers.

THEORETICAL GROUNDING

Cyberfeminism in Relation to YouTube: § Challenges existing power structures and hierarchies by inviting space for marginalized communities § Focuses on female empowerment and individual self-expression in the digital sphere § Challenges traditional, Western notions of beauty Feminist, Invitational Rhetoric Focuses On: § Equality (eliminated dominance and elitism) § Immanent value (principles that women’s lives are worth something) § Self-determination (agentive decisions, woman in control of making own decisions)

OBJECTIVES OF STUDY

§ To demonstrate how critical reading strategies can challenge notions of the beauty video as stereotypical, sexist content and empower viewers of the beauty genre § To bridge the gap between academic notions of feminism and popular practices of “girl power” § To encourage viewers of beauty videos to think critically about messages in media

METHODS

§ Conducted close, rhetorical analysis of each YouTuber’s two most recent “Get Ready With Me” videos, as well as viewer comments through coding scheme (see chart below) § Close reading method informed by goals to highlight critical reading strategies § Used theoretical grounding to inform coding scheme and to answer research question.

FINDINGS

FUTURE IMPLICATIONS

§ Beauty video is collaborative work that invites the voice of both the content creator and the content consumer. § There is room for scholarship to not just examine what content creators can do to embody feminist theory, but to recognize what audiences can do to read existing content through an empowering lens. . § Existing feminist rhetorics can and should be applied to modern, digital texts in order to empower women and girls outside of the academy.

Research Question:

How can viewers of YouTube critically read beauty videos

through a cyberfeminist and invitational lens?

§ Beauty gurus invite audience participation, bridging the gap between expert and learner. This incites collaborative work in which audience suggestions inspire YouTubers’ content/products. § The dynamic encourages viewers to share their experiences as part of a marginalized community and to invite discourse about intersectional issues. § Popular gurus use large subscriber base to discuss exigent social issues and to perform activist work (see image below). § Gurus use collaboration, rather than persuasion, to create and to endorse products. § Gurus encourage community representation and individual self-expression through beauty work.

SAMPLES FROM FINDINGS

(See handout sheet for complete findings) Coded from Nilsen’s “How I Get Ready on a Bad Day”

DATA

§ Chose the ”Get Ready With Me” video of two of the most subscribed-to beauty gurus to represent what most viewers are watching: Jaclyn Hill (4,546,636 subscribers) and Ingrid Nilsen (3,926,974 subscribers) § Analyzed viewer comments that were published up to a month after video publication

Code Description Argument

INV Invitation for audience participation, asking audience to contribute (typically via the comments section) Focuses on agentive role viewers have in meaning-making EMP Empowerment of audience via women-first language and productive difference Illuminates beauty work outside of the realm of solely cosmetic; begins to demonstrate worth of radical acts of self care. STOR Anecdotes; storytelling

to portray a message Uses narrative to bridge gap between teacher and learner and invite conversation; exposes marginalized issues in accessible ways.

RACE Bringing up issues of race Acknowledges

intersectionality in cyberfeminism;

empowerment outside of white feminism

SEX Bringing up issues of

sexuality Invites difference, confronts top-down discourse with bottom-up activism, aligns with cyberfeminist goals

CLASS Bringing up issues of

class Invites difference, confronts notions of

affluent feminisms found online

EQUAL Equalizing, “we”

centered discourse Breaks dominant, elitist hierarchies/boundaries; gives viewers a chance to be heard

IMMANENT Emphasis on individual

worth and self care Gives marginalized communities/individuals a place to voice experiences; aligns with feminist invitational rhetoric SELF Language of self-determination: offering modifications, acknowledgment of difference Quality of invitational rhetoric that invites difference, audience agency Code Example INV “I don’t know about all of you, but during times like this I tend to wake up really early in the morning...so if you have any tips for that, let me know in the comments because I could really use some help with that.” EMP “For me getting up and getting ready isn’t about masking what I’m going through; it really is an outlet for me.” SELF “This is what feeling good and safe and comfortable looks like for me, but for you, it might look totally different. So just keep in mind outfits that you know you feel good because that’s what’s really important at the end of the day.”

References

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