full score Chrysopoeia

(1)

David Tudén

Chrysopoeia

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Durata: ca 11’00’’ Score in C 

Written 2019-2020 for Norrköpings Symfoniorkester at KMH, Stockholm. 

  Contact  Email: davidtuden@gmail.com Phone: +46702540288     Instrumentation:    Flute 1  Flute 2  Oboe 1 Oboe 2  Clarinet 1 in Bb Bass clarinet 2  Bassoon 1 

Bassoon 2 (alt. contrabassoon) Horn 1 in F Horn 2 in F  Horn 3 in F  Horn 4 in F  Trumpet 1 in C  Trumpet 2 in C Trumpet 3 in C  Trombone 1  Trombone 2  Bass trombone  Tuba    Timpani  Percussion 1

- Tubular bell, a1 detached

- Bucket or similar containing water (for water gliss on tubular bell)

- Lion’s roar

- Matches and candle

Percussion 2

- Vibraphone (with bow)

- Matches and candle

- Thai gongs (see ’’notation’’)

Percussion 3 - Marimba

- Anvil

- Matches and candle 

  Harp    Strings  12– 10 – 8 – 6 – 4    

About the piece: 

The english translation to the alchemical manuscript Hermes Unveiled is prefaced by a translator’s note which reads as follows: 

”The man known as Cyliani, of whom little is known personally, write the present volume in 1831 and had it published the year after. Its main interest lies in the fact that he influenced a school of french alchemysts who based their work on his findings. The first of these was G. F. Tiﬀerau who brought a piece of gold from Mexico, which he claimed to have manufactured by the art. Tiﬀerau spent years trying to persuade french scientists to take his work seriously, but only succeeded in stimulating the alchemysts such as Jollivet-Castellot and others. He complained that the sun in France was not as suitable to the work as that of Mexico.”

During the process of writing this piece for orchestra I have immersed myself in the fascinating tradition of western alchemy. With the great help and alchemical expertise of Christer Böke I have reworked the

material principles and steps described in Hermes Unveiled into a musicalized translation of the steps and procedures described as the first process in the work of producing the Philosopher’s stone. The piece contains a number of explicit symbolic actions related to the manuscript as well as the alchemical canon in ge-neral such as recitations of the (possibly apocryphical) axiom of Mary the Jewess, one of the first known alchemists:

”One becomes two, two becomes three, and out of the third comes the one as the fourth.”

The final recitation is taken from the last section of the first procedure in Cylianis manuscript. He there describes in a rather poetic manner the result of a long process in the following way:

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Notation 

 

General:

Arrow - gradually change from one technique/position to another.

-Headless stems shows a continued (glissando) duration.

Individual, free passages and repetition boxes:

- approximate length until change or end of passage is written in seconds where no tempo is written out

- Changes is signaled by numbered cues from the conductor and/or by arrow. 

Recitation: occurs either in an approximate, written out tempo or free within text-boxes (see below). Diamond shaped noteheads are used for rythmisized reciation.

- rythmisized recitation

- free recitation

Woodwinds:

Growl: Add voice while playing to produce a distorted, harsh sound.

Flutter tongue: (flz.) z-stems are used to indicate flutter tongue. 

Aeolian Sound: (A.S.) Very airy, soft tone with pitch. Similar to the sound that is produced by wind when it passes over or through objects. Ordinary noteheads with written instruction are used.

Air tone. air noise without pitch Flute only.

Bisbigliando: (bisb.) Trill on a perfect unison using diﬀerent fingerings.

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Slide trill: Trill on a unison played by switching slide position, hitting the same note on diﬀerent harmonic series. Works best in high registers, similar to bisbigliando. Trombones only. 

Flutter tongue: (flz.) three diagonal lines through the stem indicates flutter tongue.

Hand glissando: Half tone glissando produced by gradually stopping the horn. Horns only.

water noise: Trombonists play with water in their instruments. Produces a noisy, shifting textural sound without clear pitch or rythm. Trombones only.

Percussion:

Tubular bell gliss: played on a detached A-bell by lowering the bell into water after striking it.

Thai gong pitches: 

Matches and candle: ordinary candle and matches. The action of lighting and blowing out the candle is mainly a visual, symbolic gesture in the piece. Therefo-re the candle should pTherefo-referably be placed high so that it’s visible to the audience. Longer matches aTherefo-re adviced in order to give the player time to execute the action in a calm manner without fear of burning his/her fingers.

Harp:

Prés de la table: (p.d.l.t.) dry and nasal sound produced by playing close to the soundboard.

Strings: 

Overpressure: (O.P.) Complex, distortive tone produced by increasing bow pressure and playing with slow bow movement. 

- Bartok Pizz.

Ricochet: (ric.) drop the bow to set of a series of successive notes as the bow naturally rebounds and repeatedly hits the string.

Dripping sound: Mute string at approximatively half its length (harmonic pressure). 

Play Col legno batutto between bridge (M.S.T.) and fingerboard (M.S.T.) to create high pitched drop-like sounds without specified pitch.

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- M.S.T - Molto sul tasto - M.S.P - Molto sul ponticello 

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° ¢

{

° ¢ ° ¢ ° ¢ Score in C Flute 1 Flute 2 Oboe 1 Oboe 2 Clarinet in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Horn in F 1 Horn in F 2 Horn in F 3 Horn in F 4 Trumpet in C 1 Trumpet in C 2 Trumpet in C 3 Trombone 1 Trombone 2 Bass Trombone Tuba Timpani Percussion 1 Percussion 2 Percussion 3 Harp Violin I Violin II Viola Violoncello Double Bass

Aeolian sound (A.S.) - very soft and airy

ppp q = 72

A

ppp

Aeolian sound (A.S.) - very soft and airy

ppp p _ppp

ppp p ppp

Tubular bell (detached)

Vibraphone let ring w. bow p sim. marimba p _p mf pres de la table (p.d.l.t.) mp _ff mp ord. mf con sord. p o o o p o _ppp o o _p o q = 72 A ppp o o _p o con sord. p o o pp _p o o _p o o p o _ppp con sord. p o o pp p o _ppp p pp o o pp o o p o _ppp _p

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& ∑ 3

Chrysopoeia

David Tudén

& ∑ & ∑ & ∑ & ∑ ? _∑ ? 3 ? _∑ 3 & ∑ & ∑ & ∑ & ∑ & ∑ & ∑ & ∑ ? _∑ ? _∑ ? _∑ ? _∑ ? _∑ _∑ / ∑ & Vibraphone ∑ & & E§F§GbA§ B§C§D# 3 ? _∑ _∑ _∑ & 3 & con sord. 3 B 3 ? 3 ? con sord. 3 ₃

Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ™ ‰ œ œ

Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U ‰ œ ˙

Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ

Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU ≈ œ™J œ ‰ ‰U Œ œJ œJ ˙

Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU _{≈ œb™j œ œj ‰}U _{‰ œb œJ ˙}

Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ

Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U

Œ Œ ‰ ‰U Œ™ Œ Œ _Ó Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ

Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU _˙- ‰ ‰U Œ ‰

˙-œjœJ Œ™ ‰ ‰U _œ ‰ œ Œ _{# œ™ œj ‰}_œ œ_{œJ ‰} œ.J ‰ œ Œ ŒU œjœJ Œ™ ‰ ‰U _œ ‰ œ Œ

œj˙> œJ ‰U œ™ #JÆœ˙ _{œ># œ™ œ} œ œ œ> œ™J ≈ œ. œ#™ _#œ_œ _œœ ‰ œ. ŒU œj˙> œJ ‰U œ™ #JÆœ˙

Œ Œ ‰ ‰U Ó Œ ŒU Œ Œ ‰ ‰U

‰ œj œ œr ≈ ‰U Œ™ ‰ œ œ œ™j ≈ œ œ™J ≈ Ó Œ ŒU ‰ œj œ œr ≈ ‰U Œ™ Œ Œ

Œ Œ ‰ ‰U Œ™ Œ Œ Œ _œ _{œ™j ≈} ‰

œ œ œ™j ≈ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ

≈ œ™j œ ‰ ‰U Œ _{œj œ} _œ _œ _{œ ≈ œ}_# _{œ™j ≈} Ó Œ ŒU ≈ œ™j œ ‰ ‰U _{Œ œj œj ˙}

≈ œb™j œ™ ‰U _{Œ œbJ œJ œ œ} œ _{œR ‰™} Œ ‰ œb™ _{œR ‰™ ŒU} Œ Œ ‰ ‰U Œ™ Œ Œ

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° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn. 1-4 Tpt. 1-3 Tbn.1 Tbn.2 B. Tbn. Tba. Timp. Perc.1 Perc.2 Perc.3 Hp. Vln. I Vln. 2 Vla. Vc. Db. p o_ppp _p _o air (quiet, noisy) pp mp ord. p A.S. ppp p p air A.S. ppp air p ord. 7 p ppp air (quiet, noisy) pp mp ord. p air (quiet, noisy) ppp p p air _A.S. ppp p A.S. p ppp p ppp ppp p o ppp p o subtone o p o o pp o subtone ppp p o ppp subtone p o _ppp subtone p p _ppp _p o p ppp ppp p soft mallet mp bow (bow) p bow p mp p pp o _p soft mallets ff mf p.d.l.t ff mf ord. pizz. w. hrp. mp p Sul tasto (S.T.) arco p o o pizz. mp f arco ppp p o _ppp sul tasto (S.T.) o p o sul tasto (S.T.) p o ppp pizz. mp ppp arco p o senza sord. o ppp p ppp sul tasto (S.T.) p o ord. p o senza sord. o oppp p o ppp sul tasto (S.T.) p ppp pizz. p _ppp _p pp ppp p o ppp p o

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& 3 3 & ord. 3 & ∑ ∑ & ∑ ∑ & ? _∑ 3 ? _∑ ? _∑ & ∑ ∑ & ∑ ∑ ? _∑ _∑ ? _∑ _∑ ? _∑ _∑ ? _∑ _∑ ? _∑ _∑ / ∑ ∑ ∑ & ∑ ∑ & ∑ & 3 3 ? _∑ _∑ _∑ _∑ _∑ & ∑ & ∑ ∑ 3 senza sord. B ? _∑ ? ? 3 ? 3 3 senza sord. œ™j ≈ œ œ™J ≈ ≈ ‚#™j ‚ ‚™ œ.# ŒU _{œ œ œ œ œ œj ‰}U _‚ _{œj œ œ œ œ} _{# œ œ œ œ œ œ ≈ ≈ ‚#™j ‚ œ™}_œ œ.# ŒU Œ Œ ‰ ‰U œ.b œ™ œ Œ ≈ ‚#™j ‚ ‚™ œ.# ŒU O ‚j ‰U Œ™ O ‚ œ œ œ œ œ ≈ ≈ œ#™j œ# œ ‰ œ. ŒU Œ Œ ‰ ‰U

œ. œ™ œJ ‰ Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U

Œ œ œR ‰™ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U

Œ _œ _{œ™j ≈ ‰ œ™}

œ™j ≈ ŒU Œ Œ ‰ ‰U Œ™ Œ œ œ œ ≈ œ# œ™j ≈ ‰ _{b ™}_œ _œ™j ≈ Œ

U _Œ _{Œ ‰ ‰U}

Ó Œ ŒU Œ Œ ‰ ‰U Œ _{œbJ œ œ} œ _{œR ‰™ Œ} Œ _b_˙ _œr‰™ ŒU Œ Œ ‰ ‰U

œ _{œ ≈ œb œ™J ≈ Ó} _Œ _ŒU _Œ _Œ _{‰ ‰U} _Œ™ _{Œ Œ} _Ó _Œ _ŒU _Œ _{Œ ‰ ‰U}

œ _{œR ‰™ Œ} _{‰ œb™™} _{œR ‰ ŒU} _Œ _Œ _{‰ ‰U} _Œ™ _{Œ Œ} _Ó _Œ _ŒU _Œ _{Œ ‰ ‰U}

Ó Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U

Ó Œ ŒU Œ Œ ‰ ‰U Ó Œ ŒU Œ Œ ‰ ‰U

˙-# Œ _{# j ‰ ˙-}œ ŒU Œ œ-™ ‰U Ó Œ ŒU ˙- ‰ ‰U

œ # œ™ œj ‰ œœJ ‰ ≈ œ#™j#œ œœ ‰ œ. ŒU Œ æææœ™ ‰U Œ™ Œ Œ œ œ# # œœ œœ ‰ œ œ.# _ŒU ˙ _{‰ ‰U} œ># œ™ œ œ œœ>œ™J ≈ œ. œ#™#œœ œœ ‰ œ. ŒU œj˙> œJ ‰U œ™ #JÆœ˙ œ># œ™ œ œ œœ>œ™J ≈ œ. œ#™ # œœœ œ ‰ œ. ŒU œj˙> œJ ‰U Œ Œ ‰ ‰U Œ Œ ‰ ‰U

Ó Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ _{# j ‰ Œ}_œ œ>J ‰ œ.J ‰ Œ Œ ŒU ‰ œ œ™j ≈ ‰U

œ _Œ _{‰ ‰U} _Œ™ _{œ> œJ ‰ Œ œ}

œ™j ≈ ‰ œ œ œ™j ≈ ŒU Œ Œ ‰ ‰U

œ œr‰™ Œ Ó Œ ŒU ≈ œ™j œ œj ‰U œ ‰ Ó ≈ œ#J ≈ Œ Œ œ œ# ‰ œ œR ‰™ ŒU ‰ œj œ™ ‰U

Ó Œ ŒU Œ Œ ‰ ‰U _{Œ œbJ œJ ˙} _{œR ‰™ Œ} Œ ‰ œb™ _{œ™J ≈ ŒU ≈ œb™j œ ‰ ‰}U

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° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn. 1 Hn.2 Hn.3 Hn.4 Tbn.1 Tbn.2 Tba. Timp. Perc.2 Perc.3 Hp. Vln. I Vln. 2 Vla. Vc. Db. ppp p o pp mp B 14 pp mp ppp p p o o ppp p o ppp subtone p o ppp p o ppp p o ppp p o ppp _ppp _p ppp p o ppp p o _ppp _p ppp p ppp ppp p con sord. pp pp mp ppp p p mp

bow mallet _bow

mp

ppp p ppp mp pp

mp

ff mf mf ff f ff D§

(harmonic - sounding pitch)

mf senza sord. solo. (with harp) pp S.T. ord. mp pizz. arco S.T. mp S.P. _pizz. mf B ppp S.T. p o pp o pp Sul ponticello (S.P.) mp pizz. S.T. p o o pizz. arco pp ppp sul tasto (S.T.) p o ppp S.T. p S.T. p o o ord. o p o ppp S.T. p o o p o pp S.P. mp ord. pp

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& ∑ A.S. ∑ & ∑ A.S. ∑ & ∑ ∑ ∑ & ∑ ∑ ∑ & ∑ ∑ ? _∑ _∑ ? _∑ _∑ ? _∑ _∑ & 3 ∑ ∑ ? _∑ _∑ 3 & 3 ∑ ∑ ? 3 ∑ ∑ 3 ? _∑ _∑ _∑ ? _∑ _∑ _∑ ? _∑ _∑ _∑ ? _∑ & 3 & 3 & 3 3 ? _∑ _∑ _∑ _∑ _∑ & ∑ & ∑ B ∑ B ? _∑ _∑ 3 ? 3 Œ™ Œ Œ Ó Œ ŒU ‰ œj œ ‰ ‰U Œ™ _b_˙ _˙ _{œj ‰} Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ™ b˙ ˙ _{œJ ‰} Œ™ Œ Œ Ó Œ ŒU ‰ œ œ™J ≈ ‰U Œ™ Œ Œ Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Œ™ Œ Œ Ó Œ ŒU ≈ œ™j œ™ ‰U Œ œbj ˙ ˙ Œ Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ _{œj ˙} _{œ œ™} ‰ Œ™ Œ Œ Ó Œ ŒU _{≈ œ™J œJ œ ‰}U Œ™ œb œ œ œ™J ≈ Œ Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ _{œbJ œ œ œ œ™J ≈ Œ} Œ™ ‰ œ+ œ+ œ+™j ≈ œ+ _{J ≈ Ó}œo ™ Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Œ œJ œ+ +J ˙+ ˙+ œ o ™ J ≈ Ó Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Œ™ Œ Œ Œ _œ+ _œ+_{™j ≈ ‰ œ}+ œ œ o ™j ≈ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Œ œ_{J œ}+b +_{J ˙}+ œ+ _{œ+R ‰™ Œ} Œ ˙+b œo_{R ‰™ Œ}U Œ Œ ‰ ‰U Œ™ Œ Œ Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Œ™ Œ Œ Ó Œ ŒU Œ Œ ‰ ‰U Œ _{‰ œ.J œ.J œ™} Œ™ Œ Œ Ó Œ ŒU _{‰ æææœ™ æææœJ ‰}U Œ ‰ æææ˙ #R ‰™ Óœ Ó _æææ˙ œ-™ ˙ # œ™ œ œ œœ œ_>Œ Œ #œ ‰™ œ.R ŒU Œ Œ ‰ ‰U Œ™ Œ Œ #˙ Œ Ó ˙ æææœ™ _{æææœ™ æææœj œ}_{# œ™ œ œ}_> _{œj ‰} # œ™œ. œ # œ ‰ œ. ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Œ ‰ œ œ œ> œ™J ≈ œ# œ™ œn Ó œ-™ #JÆœ˙ œ># œ™ œ œ œ œ>œ™J ≈ œ.# œ™ œ ‰™ œ.R ŒU œjæææ˙> æææ_{J ‰}œ U _œ™ #JÆœ˙> _{œ># œ™ œ} œ œ œ>œ™J ≈ Œ ‰ œj œ> o n _Œ Ó ≈ œ # j ≈ ŒU Ó Œ æææœ Œ™ Œ Œ Ó Œ ŒU œ _æææœ _æææœ_{J ‰}U œ œ ≈ ‰ œ>™ ææœæææœ æææœ ææœ œ. ≈ Œ #J ‰ ˙œ. >n Œ Œ™ Œ Œ _{‰ ææææœ æææœj æææœ™j ≈ Œ}U ‰

œOj œO™™ ‰U Œ™ ˙O ˙O œOj ‰ ≈ œ#J ≈ Œ œo Œ

Œ™ Œ Œ Œ _{‰ œ#j œ} _{œ™j ≈ Œ Œ} ŒU Œ Œ ‰ ‰U Œ™ Œ Œ Œ œ _{Œ ‰ ææœj}

Œ œbJ œJ œ œ œ œR ‰™ Œ b_æææ˙ ææœ_R ‰™ ŒU Œ Œ ‰ ‰U Œ™ Œ Œ

‰ œ œJ ˙ œ™J ≈ œ œ™J ≈ ‰ æææœ™ æææœ™J ≈ ŒU Oœ# Oœ™™ ‰U Œ™ O˙# O˙ Oœ™™_{J ≈ Œ} œ

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° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn. 1 Hn.2 Hn.3 Hn.4 Tbn.1 Tbn.2 Tba. Timp. Perc.2 Perc.3 Hp. Vln. I Vln. 2 Vla. Vc. Db. mp A.S. pp ord. 21 mp pp A.S. subtone pp w. harp subtone pp bucket mute ppp p ppp ppp p ppp ppp slide tr. mp pp mp o senza sord. mp pp mp o ppp p o p to mallets pp mp p ppp pp mp pp mp pp mf mp ppp ff mf o mf Bb f f mp f arco mp S.T. pp ord. S.T. mp S.P. pp pizz. mf arco pp S.T. mp S.P. 2 soli pizz. p pizz. mp 2 sola pizz. p pp arco mp pizz. p 2 soli pizz. p pizz. S.T. pizz. p arco harmonic gliss IV. pp mp

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& ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ 3 & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ 3 Ÿ~~~~~~~~~~~~~~~~~~ ? _∑ _∑ _∑ _∑ _∑ 3 ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ _&

Slide trill (slide tr.) trill on a perfect unison Ÿ~~~~~~~~~~~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~~~~~ ? _∑ _∑ _∑ _∑ bucket mute &

Slide trill (slide tr.) trill on a perfect unison

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? _∑ _∑ _∑ ? 3 3 3 & ∑ 3 3 Ÿ~~~~~~~~~~~~~~~~~~ & ∑ 3 3 3 3 & ( )q 3 3 3 3 Ÿ~~~~~~~~~~~~~~~~~~ ? _∑ _∑ _∑ _˙> _∑ & 3 3 ₃ Ÿ~~~~~~~~~~~~~~~~~~ Œ & ∑ ∑ 3 ∑ B ∑ 3 ∑ ? _∑ _∑ _∑ 3 _∑ ? _∑ _∑ _∑ Ó ˙> ˙ ˙ _{œJ ‰ Œ ˙} Ó Œ ‰ ‰ œ>_{J ˙} ˙ Ó Ó œ ˙ ˙ e Ó Œ ˙ w Ó Œ Œ œj ˙ œj ‰ Œ Ó _{˙ e} Œ ˙ œ œ Œ Œ _œ _˙ _˙ œ œj ‰ Ó Ó Œ ‰ œ.J œ.J œ œ™ ˙ Œ æææœJ ‰ ‰ œ œ œæææ˙ æææœJ ‰ ‰ œJ Ó ‰ æææœj æææ˙ æææœ æææ˙ æææ˙™ Œ Œ æææ˙ æææœ œ œ œ œ œ œ œ œ œj ‰ Œ ˙ Ó _{‰ œ ‰ Ó} œ Œ Œ Œ Œ œJ ˙ æææ˙ ææœJ œ>b_{œ œ æææœ} æææœ™ ‰ ˙ e Œ œ œ# œ>n œ Ó _æææœ _æææœ_J ‰ æææœ æææœJ ‰ Œ _{Œ æææœ æææœ} _œœœœ_{œ œ Œ} Ó Œ _{œ> œ œbææœ æææœ™} _ææœ_{J Ó} Œ ‰ _{œ œ}œ >æææ˙ æææœ ‰ œ> o

J Œ ‰ œœ>o œ>o _æææœ _æææ˙ ‰ œœ>o œ>oŒ Œ œ> œ>J Ó Ó Œ _{œ> æææ}œ>_{J æææ}˙ ˙ e

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° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn.2 Hn.4 C Tpt. 1 C Tpt.2 C Tpt.3 Tbn.1 Tbn.2 B. Tbn. Timp. Perc.1 Perc.2 Perc.3 Hp. Vln. I Vln. 2 Vla. Vc. Db. flz. mp A.S. ppp 28 mp ord. pp mp flz. ppp pp mp pp pp mp pp pp mp ppp mp ppp p pp pp mp ppp pp _mp _ppp pp mp ppp pp o pp o cup mute ppp cup mute ppp cup mute ppp p ppp slide tr. p p ppp slide tr. p pp mp mp pp mp pp mp pp bow mp ppp pp _ppp mp f mp ff C# _mf p mf ord. o ppp mp S.P. o mp ppp (2 soli) pp S.T. mp pizz. mf (2 sola) harmonic gliss III arco p mf mf p (2 soli) pizz. f arco mf p o pp harmonic gliss III mp harmonic gliss III p mf

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& Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ ∑ ∑ & ∑ ∑ & ∑ ∑ ∑ & ∑ &Ÿ<>~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ ∑ 3 ? _∑ _∑ _∑ _∑ _& ? _∑ ? _∑ _∑ _∑ ? _∑ _∑ _∑ _& ? _∑ _∑ _∑ _& & ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ &Ÿ<>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ senza sord. ∑ ∑ B &Ÿ<>~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ senza sord. ∑ ∑ ? ? _∑ _∑ _∑ _∑ _∑ ? 3 3 / ∑ ∑ ∑ ∑ ∑ &Ÿ<>~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 3 3 & Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 3 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~ &Ÿ<>~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _Ÿ~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ 3 3 3 3 3 3 ? _∑ _∑ _∑ _∑ _∑ &Ÿ<>~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & ∑ arco ∑ 3 3 B ∑ ? _∑ _∑ ? _∑ _∑ _∑ 7˙ 7œJ ‰ œ e ˙ œJ ‰ ˙ _{œJ ‰ Œ} _{Œ Œ} #œ 7˙ 7œJ _Œ _‰ w # ˙ œ w ˙ œ ‰ # ™œ ˙ œ™ œJ Œ œj œ™ e œ œ œ œbœ œ™ œJ Œ ˙ ˙ œ™ ‰ Œ œJ ‰ Œ Ó Ó #˙ ˙™ ˙ ˙ œ œ Ó ˙™ ˙ œ™ _œJ ˙+ b œ+ œo™ ‰ Œ ˙+ œ+ œo™ ‰ Œ Œ _˙ Œ _b_˙ Œ ˙ ˙ œ œr ‰™ ˙™ œJ ‰ Œ Ó œ œj ‰ Œ œ ˙™ œJ ‰ Œ Ó Ó Œ _{œ œ œ œ œ œ} æææ˙ œj ‰ _{œj ‰ Œ Œ} ‰ _{œr ≈} _{œJ ‰ ‰™ œR Œ} æææ˙™ ˙ œ>b œ œ œ J Œ Ó œ e ˙ œJ ‰ œ œbœ œ œ œ œ. œ. Œ Œ ˙ Œ Ó ‰ œ> œ œbœ e ˙ Œ Ó œ œ œ œ œb œb_æææœ _ææœ œ> œ œb™ ææœ> æææœ Œ ˙ eb ˙ œb œ œ œ œ œœ> e ˙ _Œ ˙> e œ œ œ œ œb œb œ œ œ œ œ œ ≈ œ>o_{R ‰} b ≈ œœ>o >o _Œ œ>o_{J ‰}

˙ eb

œ œ

ææœ œ.bR ‰™ œ> e œ™ ‰ œ e ˙™ Œ ‰

œ>o

J œJ ‰ œ>o œo œoJ _{‰ Œ}

Œ Œ

œ œ œbœ œ œb œ .

J ‰ Œ Ó œo Œ Œ

Ó Œ œo 1o œoR ‰™ Œ ‰ Oœb J O˙>b Oœ O˙

Œ ‰ œ>j Œ Œ ‰™ Oœ>_R Oœ Oœ™™ Oœ™™_{J ≈ Œ} Œ

(12)

° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn.2 Hn.4 C Tpt. 1 C Tpt.2 C Tpt.3 Tbn.1 Tbn.2 B. Tbn. Timp. Perc.1 Perc.2 Perc.3 Hp. Vln. I Vln. 2 Vla. Vc. Db. pp mp ppp flz. mp p 33 A.S. pp _mp pp mp flz. o pp flz. mp pp mp flz. ppp pp mp pp mp ord. pp p mf o pp mp pp pp mp pp pp mp pp p ppp p ppp

p ppp _{pour water into trombone}

pour water into trombone

only air, no pitch. Bubbling/noisy sound.

p

pour water into trombone only air, no pitch. Bubbling/noisy sound.

p mp p pp mp o mp w. harp pp mp p p mp ff mf ff mp _f o arco ppp p o p mf pp ppp _p _mf _pp o ppp p p mf pp ppp p o p _mf _pp I S.P. mf

44

& ∑ 3 3 7 & 3 ₇ 3 & ord. 3 3 7 7 & ∑ 3 3 & ∑ Ÿ~~~~~~~~ 3 7 7 & ∑ ? _∑ _∑ ? _∑ _∑ & ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ & ∑ ∑ ∑ & ∑ ∑ ∑ & ∑ ∑ ∑ B _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ ? _∑ _∑ _∑ ? / ∑ ∑ ∑ & Tubular Bells ∑ & 3 3 & Ÿ<>~~~~~~~~~~~~~~~~~~~~~~ ∑ Anvil / & 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 3 3 3 7 7 7 7 7 ? _∑ _∑ _∑ & ∑ Ÿ~~~~~~~ _{Ÿ~~~~~~~~~~~~~~~~~~~~~~} _Ÿ~~~ 7 & 3 tutti B tutti ? tutti ? 3 & Œ ˙™ œ™ _{œJ Œ} # 7œ 7_7œ #œ7œ7œ7œ 7œ7œ 7#œ7œ7œ7œ7œ 7œ _œ7 Œ Ó _˙ _w _{œr ≈}# œ œ œœ # œ œnœœœ œ#œ œ œ#_7œ _œ7 _œ7r ‰™ _Œ _Ó œœœ œ œ œ# œ œœœœ œ# 7œ7œ 7œJ ‰ #w œ œ œ# œn œ œnœ œ# œnœœ#7œ_7œ _{7œR ‰}™ Œ Ó w # ˙™ œ œ# œ# œ œ# œj ‰ Œ Ó 7 w œ _Œ _‰ # œ œ#œ œ œœœœœ œœœœœœœœ _{˙ e} _Œ ‰ _{# j ˙™}_œ _˙™ _œ œ œ œj ‰ Œ ˙™ œ _#_œ _œ _{œJ ‰ Œ} ˙™ œ _œ _œ _œj ‰ Œ œ™ œj Ó œ™ œj Ó œ™ œj Ó 7 w Ó ˙7 œr ‰™ Œ Ó æææ˙#™ _æææœ R ≈ ‰ Ó æææ˙b æææ˙ æææœj ‰ Œ Ó _æææœ _æææœ œ># œ# æææ˙> #> œ œ œ œ œ œæææœ b_æææœ _æææœb _æææœ æææœ æææ˙ Ó œ œj ‰ Ó ∑ Ó ˙ œ # œœ œb# œœœ œ # œ æææœ> æææœ™ œ> œ> b æææ˙> # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ#œœœ œ œ œb œœœœ œ#œœ œbœœœ œ œ œb œbœœœœ w e ∑ Ó # œœœ œ œ œœ æææœ #˙ e #œ e œ ˙™ e Œ ‰

œ œ œ œ™j ≈ Œ Œ œO œO œO Oœ Oœ™™

œo

J ˙o ˙o™ _Œ

Oœ

J ‰ Œ Ó Ó bO˙b Oœ™™ OœJ O˙ O˙ Oœ™™ ‰

˙

b _{œR‰™ Œ} wo œo™ # Oœ#_J O˙ O˙ O˙

(13)

° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob. 1-2 Cl. B. Cl. Bsn. 1-2 Hn. 1-3 Hn. 2-4 Tpt. 1-3 Tbn.1 Tbn.2 B. Tbn. Tba. Timp. Perc 1. Perc 2. Perc.3 Hp. Vln. I Vln. 2 Vla. Vc. Db. A.S. ppp mp ppp mp ppp q = 84 C 37 One loud whisper individual/free rythm

becomes two, two becomes three and out of the third comes the one as the fourth

ppp subtone mp ppp ppp mp ppp subtone ppp mp ppp One loud whisper individual/free rythm

becomes two, two becomes three and out of the third comes the one as the fourth

One loud whisper individual/free rythm

becomes two, two becomes three

approx. 8 sec.

and out of the third comes the one as the fourth

becomes two, two becomes three

approx. 8 sec.

and out of the third comes the one as the fourth

One

loud whisper individual/free rythm

becomes two, two becomes three and out of the third comes the one as the fourth only air, no pitch.

Bubbling/noisy sound mf p mf op mf o empty water mf o mf p p mf empty water o mf p mf p mf p mf p One loud whisper individual/free rythm

becomes two, two becomes three and

approx. 8 sec.

out of the third comes the one as the fourth

tubular bell (detached A)

mp

water gliss (lower bell into water) sim.

w. bow mp sim. f p q = 84 C mp S.T. S.P. pp mp S.T. S.P. pp p S.T. o pp mp w. tubular bell mp pp S.P. pp mp pp p S.T. o pp mp pp mp S.P. sim. & ∑ ∑ ∑ ∑ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ accel. & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ a2 approx. 8 sec. ∑ & ∑ ∑ ∑ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & ∑ ∑ ∑ ∑ ∑ ? Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? _∑ _∑ a2 approx. 8 sec. ∑ ∑ & ∑ ∑ a2 ∑ ∑ & ∑ ∑ ∑ a2 ∑ & ∑ ∑ ∑ ∑ a3 approx. 8 sec. ? _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ & ∑ ∑ ∑ ∑ & Vibraphone ∑ ∑ ∑ / 3 5 5 & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ accel. & ∑ ∑ ∑ ∑ ∑ ∑ ∑ B ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? _∑ B & S.T. S.P. S.T. S.P. ∑ ? echoing ÓÓ _{# e}_˙ _œ _˙ _œ _˙ _{œj ‰ Œ} ˙ # ˙ e ˙ œj ‰ Œ Ó ˙ eb ˙ œ Œ w b ˙™ e œj ‰ 7 w œ™ ‰7 ˙7 ˙7 ˙7 œ™7 ‰ 7˙ ˙7 ˙7 ˙™7 Œ _∑ 7 w ˙™7 Œ w7 ˙7 œ7 Œ w7 ˙7 ˙7 ˙7 Ó 7 w œ Œ7 ˙7 ˙7 ˙7 œ7 Œ 7˙ ˙7 ˙7 œ7 Œ 7˙ ˙7 ˙7 œ-™ # j Óœ _œ-™ # j Óœ Ó _œ-™ # jœ Ó _˙-# Ó _˙- Ó _˙-# _˙ Ó ˙ ˙ ˙ œj œ ‰ œj œ ‰ œ œ œ œ œ œ Œ Ó Œ œ Œ œ ‰ œj œ ‰ œj œ œ œ œ œ œ

O˙ O˙ O˙ O˙ Oœ™™ _{‰ Ó} _Ó _#_œ _œ _{œ.J ‰ Œ æææœ}-™ #_æææœ

J æææ˙ æææ˙

(14)

œ-° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 1-2 Hn. 1-3 Hn. 2-4 Tpt. 1-3 Tbn.1 Tbn.2 B. Tbn. Timp. Perc 1. Perc 2. Perc.3 Hp. Vln. 1 Vln. 2 Vla. Vc. Db. p mf pp mp pp D 44 A.S. w. celli pp mp ord. pp mf pp mp o One loud whisper individual/free rythm

becomes two, two becomes three and out

approx. 8 sec.

of the third comesthe one as the fourth

p mf pp mp pp

approx. 8 sec.

p mf pp mp pp mf pp mp pp One loud whisper individual/free rythm

becomes two, two becomes three and out of the third comesthe one as the fourth

One

loud whisper individual/free rythm

becomes two, two becomes three and out of the third comesthe one as the fourth

approx. 8 sec.

empty water empty water empty water pp p _pp _mp to xyl. mf pp (bow) ''f'' mp mf mallets p f _mf p pp _mf One loud whisper individual/free rythm

approx. 8 sec.

2 soli ppp D ppp p o ppp p o (w. tubular bell) mp pp mp w. harp pp ppp p pp mp pp mp pp ppp p pp & ∑ ∑ ∑ Ÿ~~~~~~~~~~~~~~~~~~~~ & ∑ 3 3 3 3 3 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 & 3 & 3 & ∑ ∑ ∑ 3 Ÿ~~~~~~~~~~~~~~~~~~~~ 5 œ œb œ ? _∑ _∑ _∑ _∑ _∑ approx. 8 sec. ∑ ∑ a2 approx. 8 sec. ∑ ∑ a2 ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? _∑ _∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? _∑ _∑ ? _∑ 3 & ∑ ∑ Xylophone ∑ 5 œ œbœ & ∑ 3 / ∑ & Marimba ∑ _& Marimba & ∑ ∑ E§F§GbA§ BbC§D# ? _∑ _∑ _∑ _∑ _∑ ∑ & & ∑ ∑ ∑ B ∑ ∑ ∑ B ? 3 3 3 3 3 ? ≈ œ™J ˙ œ œ™ œJ œ>™ e œJ œ-b œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ-b œ- œ-n ˙b œ ˙ œJ ‰ ‰ œ>bœœ œ. œ>™ ˙ Œ Œ œ ˙ œ _{‰ œ œ œ} Œ Œ œ ˙ œ _œj œ œ Œ œ.j ‰ Œ œ>œ œ œ_{b œb}œ Œ œ. œ. ‰ œ>™ e œJ Ó Œ _{œb œ ‰ œj ‰ ‰ œ œ} Œ _{œb œ ‰} _{œj ‰ ‰ œ œ} Œ _{≈ œj ≈œj ‰ Œ} Œ _œ _æææ˙ œ-™ # j Œ Œœ Ó œœ Œ Ó _˙-# _˙- b˙- _œœ>œ>‰ œ b œ™ Œ b œ™œ ‰ b œ œ œ œ œ œ œ œ œ œœ œ Œ Ó œ_œ. J ‰ Œ Ó œ œb ‰ Œ œb œ‰ Œ Œ œ b œbœb œ œ œ œ œœœœœ œb œb œbœœ œœœœ œ œ œ œ œ œ œ œb œœ œb œbœ œbœ œ œœœ œ œœœ Ó ‰ Oœ™™ ‰

œO™™ ˙O ˙O œO œOr‰™

‰ Oœ#™™ O˙ O˙ Oœ Oœ™™_J ≈

æææœ-™ #_æææœ_{J æææ}œ œ.- œ.- œ.- œ.-# œ.- œ.- œ.- œ.- œ.- œ.- œ.- œ.- .- .- .- b œ.- œ.- œ.- œ œ œbœ œ œb œbœ.- _{œb Œ} ‰ Oœ™™ O˙ ~w

(15)

° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. C Tpt. 1 Tbn.1 Tbn.2 B. Tbn. Tba. Timp. Perc 1. Perc 2. Perc 3. Hp. Vln. 1 Vln. 2 Vla. Vc. Db. mf _p mf p mf ppp 49 mf pp w. cl. mf p mf p mf p mf p _mf p mf o

con sord (cup mute) w. cl. pp p mp pp mp p mp p mf p mf p mf p mf p f A#_B§ (2 soli) mp p fp mf pp mp p pp _mp _p pp _mp _p mp p & 5 3 œ # œ œ _{œ œ} & ∑ ∑ ∑ ∑ & & Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ₅ œ œœœ ˙ œ™™ & Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ₅ ₃ 5 œ œ œ œ >œ œ# œœ ? _∑ _∑ _∑ _∑ & ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ ? _∑ ? 3 3 3 œ>#r & 5 5 ₃ ₃ ₃ ₃ 3 6 œ œbœ _œœ_{# œœœ}œ & 5 3 3 œ>b œ œ œ# & 3 5 5 3 œ œœ _{œ œ>} œ œ œœ œ & 5 5 œ œ œ œ œ œ œ œ œn œ œ œ œ œ œ ? 5 5 5 5 5 6 5 5 œ > # œ œ œ>#r œ# œ œ #œœ œ œ œœœ œ œ œ œ œ Œ Œ # œœœ œ œœ œ œ & ∑ Ÿ~~~~~~~~~~ Ÿ~~~~ & B ∑ ? ? œ>R ‰™ Œ œ œ# œ#œ ˙ œJ ‰ Œ œ> œ># ™ ˙™ ˙ œ>J ‰ œ# œ> ≈ œ# ˙™ ˙™ œ™ _{# œ>R ‰™}œ. _Œ œ> œ ˙ ˙ œ>R ‰™ ‰ œ œ# œœ œ #œ.R Ó œ> e œ œJ œ#™ ˙ œ>R ≈ œ œ#œœœ Œ œ œ# œ œ ˙ Œ œ.> œ># e œ œJ œ œJ ˙ #J ‰ œœ> Ó Œ œ æææœj ‰ œ œj Ó Œ _œ _œj ‰™ Œ Œ _œ _œj Œ _{≈ æææœ™j} _æææ˙ æææ˙b Ó œ œ Œ Œ _{œ œ œb œ}œ Œ _{‰ œnœ} œ œbj ‰ œœœ‰ œ œ œ ‰ œœœ‰ Œ ‰ œœœŒ œ œ œb œ œn œb œ_{b œ œ œ œ}_œ _{œ œ œ œ}_{b œ œ œ œ œ œb œ œ œ œ}_{# œ™} _{# œ™}_œ _{# œ™}_œ ‰ œœ_n_œ œ œ#™ œ œn# ™œ œ œ™ œ œb ‰ œ œ ‰ œœœ œb œ œ b ‰ b œœ ‰ œ œ# ‰ ≈ œj ≈ ‰ œ œb ‰ œ œb ‰ œb œ ‰ œ œ ‰ # œ œœ # œœ œ# œ ‰ œ œ œb œ œb œ œœ# œ œ Œœ œ œ œb œb œœ# œ œ Œœ Œ Œ Ó Œ Ó ‰™ Oœ™™ Oœ_J Ó œ> œ> œe œ>™ e #_æææœ_J _æææ˙ œ>J ‰ Œ

Ó O˙ O˙ O˙ O˙™™ Oœ ‰ œo œo œ-o œ-o œ-o

O˙b

b O˙ O˙™™ _Oœ _O˙ _Oœ _Oœ

Oœ

J ‰ Œ ˙o ˙o ˙o ˙o™ # Oœ# ~w

(16)

° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. C Tpt. 1 Tbn.1 Tbn.2 B. Tbn. Tba. Timp. Perc 1. Perc 2. Perc 3. Hp. Vln. 1 Vln. 2 Vla. Vc. Db. p _p _mf p _mf 53 p mf p mf mf p mp pp mf p mf p mf mf pp mf _mf _mf p mf w. vln1 mf p mf o mf p _mf p mf mf senza sord. p flz. mf p w. timp. mp o p mp pp pp p mf pp mp p mf mf pp mp mf mp mf pp _mp _mf _mp ff p w. fl.I mf o mf p _pp _mp o mf p mf p mf p S.T. pp S.P. mp

34

44

34

44

& flz. ord. 5 5 6 7 œ 7˙ & ∑ ∑ 5 3 3 & flz. ord. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ flz. 5 & ∑ flz. ord. 5 & 3 6 ? _∑ flz. ord. _∑ & ? _∑ _∑ _∑ _∑ _∑ ∑ ∑ ∑ ∑ ∑ ? ? _∑ _∑ _∑ _∑ _∑ ? _∑ _∑ 3 3 ? 3 3 _∑ & ∑ ∑ ∑ 7 3 œn œ œb œb & & 6 3 œ œœ œb_œœ & _{œ œ} _{œ œ} _œj ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ 5 5 œ#œ œœœ œœb™ ‰ & ∑ ∑ 5 6 5 7

œo œo ˙o

& ∑ ∑ B 5 ∑ ? _∑ ? 5 ˙™ _Œ _‰ œ œ> œ œ> œ Œ œ œb œb œ œ œ œ œ œ œ Œ œœ œ œbœœŒ _{œ œbœ œb}œœ 7œ œ.> Œ Ó #˙ œ œ.> ≈ Œ Œ œœ œbœ œb œ œb œ œ œ<b>œœœœœŒ œJ ‰ Œ Œ _{œb œb œ œ œ œ™} _{œ ≈œ>} œ77˙ 7œ ˙ e œ œJ ‰ Œ Ó ‰ œ.>J 7œ œJ ‰ Œ Ó ‰ _œ œ> œœ œ> ˙ œ œ œb œb _{œ Œ} Œ 7 ˙ _{œ œ.>}7 Œ ˙™ œ œ œ >œ œb˙™ œ _Œ _Œ _Œ œ>b œ œ œb œ œ œ ˙ œ_{J ‰ Œ} Œ ≈œ > œ7˙7 œ7 b e˙ œ œj ‰ Œ ˙ ˙ œ _{œ.> ≈ Œ} _Ó _Œ _Œ œ>b œ™ ˙™ æææ˙™ æææœ Œ œ.j ‰ œ-j œ œ™j ≈ œj ‰ œj œ _{œ œ.} œ œ™ œR≈ œr ‰™ Œ Œ æææœ æææ™ œb Œ Ó Œ œ œj Œ Œ œ œj Œ Ó Œ _{œœ œb}œ œb œn ‰ Œ Ó œ œ™ œ œ™ œœ™ œ œb œnbœœ Œ æææœb æææœ æææœ æææœ œ >™ œb œ ‰ œj œ œ œ œ™ ‰ œj œ œ œb œJ ‰ œ œ™ ‰ œn œ ‰ œœœ œb œn œœ > b ‰ ææœbj ææœ ææœ ææœ ææœb ææœ ææœ ææœ œ>œ œbæææ˙ ææœ œ> ææ œ ææœ™ _{> æææ}œ œ _æææœ œ_> ææœ™ ææœ™ œ>æææœb Œ ‰ Œ œ œb œb œ œ œ œœœœœ œœ œb œbœ_{œ œbœ} œnœ œb œoJ ‰ Œ

œ-o œ-o œ-o œ-o œ-o œo™ ˙o™

œO œO™™ ‰

Oœ Oœ Oœ Oœ Oœ Oœ.> Oœ# O˙™™ Oœ™™ Oœ O˙ Oœ_J ‰ Ó

Oœ # Oœ-# _{Oœ- Oœ-} # _Oœ.># Oœ O˙™™ Oœ™™ œo ˙o ˙o

Œ

Oœ Oœ Oœ Oœ Oœ _{Oœ.> Oœ# O˙™™} _Oœ™™ Oœ O˙ Oœ O˙ _Oœ

(17)

° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. C Tpt. 1 C Tpt.2 C Tpt.3 Tbn.1 Tbn.2 B. Tbn. Tba. Timp. Perc 1. Perc 2. Perc 3. Hp. Vln. 1 Vln. 2 Vla. Vc. Db. mp pp pp mp 58 pp mp mp mf _pp mp mf mp mp pp pp mp mp pp mf pp flz. mp mp pp mp pp flz.

con sord (straight mute)

mf pp

flz.

mp _mp _pp _mp pp

flz.

con sord (straight mute)

mf pp flz. mp pp mp mp mf mf mf w. vibra. mp p mf pp mf p mp pp mf o o (2 soli) pp S.P. mp ord. S.P. mp ord. o ppp S.T. mf S.P. S.P. mp ord. o ppp S.T. mf S.P. pp S.P. mp ord. o S.P. mf ppp ord. pp pp S.P. mp S.P. ord. o mf S.P. ppp ord. pp o _pp mp S.P. pp harmonic gliss IV mf & ∑ 3 3 ₇ & 3 ∑ 7 3 3 5 5 5 5 & 3 5 7 3 & 3 7 ∑ 7 5 5 & ∑ ∑ ? _∑ _∑ _∑ _∑ & 3 & 3 & ∑ 3 ? _∑ _∑ _∑ ? _∑ _∑ _∑ ? _∑ _∑ _∑ ? 3 3 ? _∑ _∑ 3 3 & ∑ ∑ ∑ ∑ & & & ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ & ∑ & ∑ B 7 ? B 7 ? Ó œ> œb œb œ œ œ œbœœœ œ_{œn œ Ó} Œ ‰ œbbœ œb œ œ œb œb œ œ œ œ œb œ œb œn œn œ œb Ó Œ ‰ _{œ œ œb œœœ œb œb œ}œ œb œ œ œœ œnÓ b œ œn œb œb œb œœœœœ œ œn œn œn œb œ œbœ b œnœ 7˙ 7œJ ‰ Œ œb œb œn œn œ œ œ œ œb œ œ œ œn œb œbœ Œ Œ œ- œ- œ- œ- œ- œ- œ- œ- ‰ œ œ œ œ œ œ> œ Ó _{‰ œ>œœœœ œbœœœœ œœœ œ œb œbœ Œ} Ó œ œ œb œ œb œ œb œ œ œb œn œ œ œ œ œn œ œn Ó ‰ œbœ œb œ œn œb œ œ œb œb œb œn œ œb œ œn œb œn œn œ œb œ æææœj ‰ Œ Œ ‰ _œ>J œ æææ˙ æææœJ ‰ œ.> œ œ œb œ œ œ™ œ> œb œb œ œb œb œb œ œb œ œ æææœn Ó _{‰ œ>}j œ æææ˙ æææœj ‰ Œ _{‰ œJ œb œ œ œ œ™ œ}>b œb œn œ œb œ œn œb œ œn œb æææœn œ>bJ œ _æææ˙ æææœJ œ.> œ œ œb œ œ œ™ œ> Ó Œ œ> œ œ Ó Œ œ> Ó Œ œ>b Ó Œ _œ> œ b ™ œ œ J ‰ œ™ œ.b œ ‰ œj œ œb œ œ™ ‰ œ. œn œ™ œb ˙ œ œ œJ ‰ œ œ œ œ œ œ œ œ ‰ æææœ æææ˙ æææœ™ œ ‰ œj œ œ œ œ œ œ æææœ_> œb™ œ œJ ‰ œ™ œb œ ‰ œJ œ œb œ œ™ ‰ œ œn œ™ œb_æææ˙ _ææœ œ œ æææ˙b Ó ææœ™ œ> æææœ™ œ > ææœb æææœ æææœ b ææœ™_>œ œææ n_>œ ææœ ææœ™ œ>b æææ˙ œ>bææœ™ æææœ æææ˙ Ó

‰ œoJ œo œo™J ≈ ‰ _æææ

œOj ˙Oæææ Ó æææ

˙

æææœ æææœJ ‰

Ó Œ ‰ _b_œObææj _˙Oæææ Ó #_æææ˙ _æææœ ææœJ ‰

Ó Œ ##_œO _˙O Oœ>™™ Oœ

æææOœ æææO˙ Œ Oœ>™™ Oœ## æææOœ æææOœ Œ # œ# œ œ œ œ œœ

O˙ O˙ Oœ_J _Œ™ Oœ>™™ # _Oœ#

æææOœ æææO˙ Œ # ™™Oœ># Oœ æææOœ æææOœ Œ # œ œ œ œ œœ # œ

O˙ _Ó _Ó _Œ

(18)

(19)

° ¢ ° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn.1 Hn.2 Hn.3 Hn.4 C Tpt. 1 C Tpt.2 C Tpt.3 Tbn.1 Tbn.2 B. Tbn. Tba. Perc 1. Perc 2. Perc 3. Vln. 1 Vln. 2 Vla. Vc. Db. p mf E 65 pp mp pp pp mp pp p mf p mf o mp p mf p mp p mf p ppp mp ppp _mp ppp _mp ppp _mp _pp ppp _mp _pp ppp ppp mp pp pp _mp _pp mp pp

con sord (cup mute)

pp _mp pp mp pp

con sord (cup mute)

pp _mp _pp mp pp p pp mp p pp mp p pp mp mf o pp mf o xylophone pp pp mp pp mp tutti mp pizz. w. xyl. E p p 2 soli p mp pizz. w. marimba & ∑ ∑ & ∑ & ∑ & ∑ ∑ & ∑ ∑ ∑ & ∑ ? ? _∑ ? _∑ & & & &

& con sord (cup mute)

(20)

(21)

° ¢ ° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn.1 Hn.2 Hn.3 Hn.4 C Tpt. 1 C Tpt.2 C Tpt.3 Tbn.1 Tbn.2 B. Tbn. Tba. Timp. Perc 2. Perc 3. Vln. 1 Vln. 2 Vla. Vc. Db. mf ppp 72 mf _ppp mf _ppp mf _ppp mf o _pp _mp o mf o mf o mf o mf mp pp mf mf pp mp pp mf pp mf ord. p mf ord. p mf ord. p pp slide tr. mp ppp slide tr. pp mp ppp pp mp pp mf pp pp mf M.S.T p ppp mf p M.S.T ppp mf M.S.T p ppp mf M.S.T p ppp mf M.S.T p ppp

34

& ∑ ∑ & ∑ ∑ & ∑ & ∑ ∑ & ∑ ? _∑ _∑ ? _∑ _∑ ? _∑ _∑ & ? 3 & ? _& _∑ _∑ _∑ & 3 ? _& _∑ & ∑ ∑ & ∑ ∑ & ∑ ∑ & Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? ∑ & Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? ∑ ? 3 ? _∑ ? _∑ _∑ _∑ _∑ & ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ & & B B ? ? 3 w> œ œ J _‰ _Ó w> ˙ œ Œ w> # w _{œJ ‰ Œ} _Ó w> ˙ œ _Œ w> œ _Œ _˙ _˙ _{œJ ‰ Œ} w> ˙ Ó w> # ˙ Ó w> ˙ Ó w> Ó ˙o ˙o ˙+ ˙ + # œ_Jo _‰ _Œ _Ó w> w># œ™ œj ‰ œo™ ˙o _˙+ ˙ + œ o j ‰ Œ Ó w> w _{œJ ‰ Œ} _Ó æææ˙> # ˙ _{œJ ‰ Œ} _Ó æææ˙> # ˙ _{œJ ‰ Œ} _Ó æææ˙ > ˙ œj ‰ Œ Ó Ó _#_˙ _w _˙ _œj ‰ Œ Ó _˙ _w _˙ _œj ‰ Œ Ó ˙ + ˙ o ˙ + ˙ o ˙ + ˙o # ˙+ ‰ œ+ ™ w># ˙ œj ‰ Œ Œ ‰ # j ˙œ æææ˙ æææ˙ _æææ˙ _æææ˙ _æææœ æææ˙ # ™ æææœJ ‰ Œ Ó æææ w æææœ™ ææœJ æææœ #_æææœ _æææ˙ æææ˙# æææœ æææœn ææœj ‰ Œ æææ w æææœ æææ˙ #_æææœ _æææ˙ _æææ˙ æææœ™ æææœJ Ó æææ w # æææ˙ æææ˙ _æææ˙™ æææœ æææ˙ æææœ Œ æææ w æææ w

(22)

° ¢ ° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn.1 Hn.2 Hn.3 Hn.4 C Tpt. 1 C Tpt.2 C Tpt.3 Tbn.1 Tbn.2 B. Tbn. Tba. Timp. Perc 2. Perc 3. Vln. 1 Vln. 2 Vla. Vc. Db. pp A.S. G 76 A.S. pp ppp p ppp subtone ppp p ppp harmon mute ppp harmon mute ppp mp pp ppp harmon mute pp mp pp p mf p ppp mp o mp Thai gongs let ring Anvil p mf p mf S.P. con sord.M.S.T ppp p G mf S.P. ppp con sord. M.S.T p mf

S.P. tutti_{con sord.} M.S.T

ppp _p mf S.P. con sord. M.S.T ppp p mf S.P. con sord. ppp M.S.T p

34

44

24

34

44

24

44

34

44

24

34

44

24

44

& ∑ ∑ ∑ ∑ ∑ ∑ 3 & ∑ ∑ ∑ ∑ ∑ ∑ 3 & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ _∑ _∑ 3 ? _∑ _∑ _∑ _∑ _∑ _∑ 3 ? _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ ? _∑ _∑ & ∑ ∑ ∑ & ∑ ∑ 3 & ∑ 3 3 ∑ ∑ ∑ & ∑ ∑ ∑ & ∑ ∑ ∑ B ∑ ∑ ∑ ? _∑ _∑ ? _∑ _∑ _∑ Œ ŒU _œ œ _œ Œ ŒU œb _{œ œb} Œ ŒU Œ ŒU Œ ŒU ˙ ˙ œJ ‰ Œ Œ ŒU _˙™ _˙ _{œ Œ} Œ ŒU Œ ŒU Œ ŒU Œ ŒU Œ ŒU Œ ŒU Œ ŒU Œ ŒU Œ ŒU Œ ŒU Œ _˙ Œ ŒU Ó œ ˙o™ ˙+ _Ó _Œ _ŒU _b_˙ ˙ Œ w _w># œj ‰ ŒU œ # œ œ œ #œ œ æææ˙ æææœ ŒU æææ˙ œ œ œ æææw Œ ŒU _˙˙ > œ œ œ Ó œ œ œ œ œ œ œ œ œ ŒU Ó

Œ Œ Oœ O˙ Oœ_{R ‰}™ Œ _Œ ŒU Ó Œ _æææœ _æææœ _ææœr ‰™

Œ Œ Oœ## O˙ Oœ_{R ‰}™ Œ Œ ŒU _æææw _æææœ _ææœr ‰™

Œ Œ Oœ## O˙ Oœ_{R ‰™} Œ Œ ŒU Ó Œ

æææœ æææœ ææœR ‰™

Œ Œ Oœ O˙ OœR ‰™ Œ Œ ŒU Œ Œ ‰ ææœJ wæææ æææœ ææœ_{R ‰™}

˙o

œ ˙ œr ‰™ Œ Œ ŒU Ó æææ

˙

(23)

° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn.1 Hn.2 Hn.3 Hn.4 C Tpt. 1 C Tpt.2 C Tpt.3 Tbn.1 Tbn.2 B. Tbn. Timp. Perc. 1 Perc. 2 Perc. 3 Hp. Vln. 1 Vln. 2 Vla. Vc. Db. flz. mp _ppp A.S. p air o 84 flz. mp A.S. ppp p air o ppp subtone p o subtone ppp p ppp subtone p o ppp p ppp ppp _p ppp pp hand gliss w. tubular bell mp ppp pp hand gliss w. tubular bell mp ppp mp _ppp ppp _mp ppp ppp p

hand gliss w. tubular bell

mp con sord (cup mute)

ppp p ppp

con sord (cup mute)

ppp p ppp

con sord (cup mute)

ppp p ppp

p ppp

mf (sim. - let ring)

p mf mp Anvil p ppp ord. p _p S.T. pp mp senza sord. pp mp ppp ord. p ppp S.P. S.T. p senza sord. pp mp pp mp ppp ord. p ppp S.P. S.T. p pp mp senza sord. pp mp ppp ord. p ppp S.P. p S.T. pp senza sord. mp pp mp

44

24

34

44

24

34

44

& 3 ∑ & 3 ∑ & ∑ ∑ ∑ ∑ ? _∑ 3 3 ∑ ? _∑ _∑ 3 3 ∑ ∑ ? _∑ _∑ 3 3 ∑ ∑ & ∑ ∑ ∑ & ∑ ∑ ∑ 3 3 3 & ∑ ∑ ∑ 3 3 3

& ∑ ∑ ? ∑ & gliss.

& 3 senza sord. ∑ ∑ ∑ ∑ & 3 senza sord. ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ _∑ _∑

& Tubular Bell (A-bell detached)∑ ∑ ∑

& 3 3 & ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ _∑ _∑ & ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ B ∑ ? _∑ ? _∑ œ œb 7œb 7˙ 7œJ ‰ Œ Ó Ó ‰ œ™ _œ _‚ _O Œ œ œ 7œb 7˙ 7œ_{J ‰ Œ} Ó Œ ‰ œj ˙ _œ _‚ _O Œ Ó _˙ _œ™ ‰ ˙ œ œb œ b˙ œ œ œn ˙ œJ ‰ œ œ™ ‰ œb œb œb œ ˙b ˙ œj ‰ Œ œ œb œ œb œb œ ˙ œj ‰ Œ œo™ # j œœ+ + œo œoj ‰ Œ œo™ # ™œ+ Ó _{œ œ œb œ œb œb œ œb œ œ}o œ + ™j ≈ Œ Œ Ó _{œb œ œb œ œ œb œ œ œb œ}_bo _œ+_{™j ≈ Œ} Œ Œ œ+b œ+b bœ+ œo bœoJ ‰ œ_>™o # ™œ+ Ó Œ _b_˙ _œ _œ Ó Ó Ó _œ _œ _œ _{œj ‰ Œ} Ó _b_˙ _œ _{œj ‰ Ó} ˙ œj ‰ Œ ˙ œ Œ œ _{œJ ‰ Ó} œ-™ # j Óœ Ó _œ-™ # j Œœ Ó œ _{œ œ Ó} Œ _œœ Ó œ œ œ Ó _˙˙ > œ Œ Ó Œ œ Œ Œ œ Œ O˙ Oœ_{R ‰}™ Œ _{æææœ™j ≈ Œ Ó} _{Œ œb œj ‰ Œ} Œ _œb _œ æææœ# O˙# Oœ_{R ‰™ Œ} _Ó æææ˙ ææœ™J ≈ Œ Ó Œ ‰ œb œJ Œ Œ ‰ œb œJ O˙ Oœ_{R ‰™ ‰ ææ}œ J æææ˙ æææ˙ ææœ™J ≈ Œ Ó Œ ‰ œb _{œJ Œ} Œ ‰ œb _œJ

O˙b Oœ_{R ‰™ æææ}œo

(24)

° ¢

{

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn.1 Hn.2 Hn.3 Hn.4 Tpt. 1-3 Tbn.1 Tbn.2 B. Tbn. Timp. Perc. 1 Perc. 2 Perc. 3 Hp. Vln. 1 Vln. 2 Vla. Vc. Db. ppp A.S. p air a

loud whisper without instrument calm and intense

nat-ure is de- light-ed by an oth- -er nat - ure 90 ppp A.S. p air hand gliss w. tubular bell pp mp ppp pp sim. mp ppp hand gliss w. tubular bell pp mp a

nat-ure is de- light-ed by an oth- -er nat - ure

pp hand gliss w. tubular bell

mp a

a

nat-ure is de- light-ed by an oth- -er nat - ure water noisy, gurgling p f p _f o p f o p p water noisy, gurgling f p f o p f o p water noisy, gurgling pp f pp f p f o p _f o _p mp mp mf p f

to matches and candle light candle

mp

senza sord. mp

pizz. col legno batutto_(C.L.B.)

pp

pizz.

mp

ppp pp mp _mp

pizz. col legno batutto_(C.L.B.)

pp pizz. mp pp mp pizz. mp

col legno batutto (C.L.B.) pp mp pizz. mp ppp pp mp pizz. mp

(25)

° ¢ ° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn.1 Hn. 2 C Tpt. 1 C Tpt. 2 Tbn.1 Tbn.2 B. Tbn. Timp. Perc. 1 Perc. 2 Vln. 1 Vln. 2 Vla. Vc. Db. p mp H 97 p mp p _mp mp p mp pp pp pp pp pp sim. mp ppp f empty water f empty water f empty water p mp mp

pizz. arco_{ricochet (ric.)} pizz.

p

pizz. pizz.

arco

ricochet (ric.) _pizz. arco_ric. _pizz.

arco

ricochet (ric.) pizz.

arco ricochet (ric.)

arco

ricochet (ric.) _pizz.

(26)

° ¢ ° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.2 Cl. B. Cl. Bsn.1 Bsn.2 Hn.1 Hn. 2 C Tpt.1 C Tpt. 2 Tbn.1 Tbn.2 B. Tbn. Timp. Perc. 1 Perc. 2 Vln. 1 Vln. 2 Vla. Vc. Db. mf pp ppp A.S. 102 ppp A.S. p ppp ord. pp mf pp mp mf pp mp mp p _mf pp mp _p _mf pp a

loud whisper without instrument calm but intense

nat ure- is de light- -ed by

a

mf mp arco ric. mf pizz. p arco ric. mf pizz. a

(27)

° ¢ ° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob. 1 Ob.2 Bsn.1 Bsn.2 Hn. 1 Hn. 2 Hn. 3 Hn. 4 C Tpt.1 C Tpt.2 Timp. Perc. 1 Perc. 2 Perc. 3 Vln. 1 Vln. 2 Vla. Vc. Db. p ppp ord. mp I 108 mp a

nat ure- conq ures- (s) an oth- -er nat ure- nat ure

-a

nat ure- conq ures- (s) an oth- -er nat ure- nat ure

-an oth- -er nat ure- a nat ure- conq ures- (s) an oth- -er nat ure- nat ure

-pp _mf p _mf _p light candle p (Thai gongs) mf mf p anvil p as quick as possible, irregular rythm f

an oth- -er nat ure- a nat ure- conq ures- (s) an oth- -er nat ure- nat ure

-f f f (pizz.) p f & Ÿ<>~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ ∑ ∑ ∑ ∑ &Ÿ<>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ ∑ ∑ ∑ ∑ & ∑ 3 3 ∑ ∑ ∑ & ∑ 3 3 ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ ? _∑ _∑ _∑ _∑ _∑ _∑ _∑ & 3 3 3 3 ∑ ∑ ∑ & 3 3 3 3 ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & 3 3 3 3 ∑ ∑ ∑ & 3 3 3 3 ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ 3 & ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ 3 3 3 & ∑ ∑ ∑ ∑ ∑ ∑ 3 & í™™ » » » » î™™ (1) (2) & 3 3 3 3 í™™»

as quick as possible, irregular rythm

» » » _î™™ B í™™ p as quick as possible, irregular rythm (pizz.) î™™ í™™»

as quick as possible, irregular rythm » » »

î™™

? _í™™»as quick as possible, irregular rythm» » » _î™™

? _∑ _í™™

î™™ í™™»

(28)

° ¢ ° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.1 Bsn.1 Bsn.2 Hn.1 Hn.2 Hn. 3 Hn. 4 C Tpt.1 C Tpt.2 Timp. Perc. 1 Perc. 2 Perc. 3 Vln. 1 Vln. II Vla. Vc. Db. a

nat ure- is de light- -ed by an oth- - nat ureer - a nat ure- conq - ures(s) 116

a

nat ure- is de light- -ed by an oth- - nat ureer - a nat ure- conq - ures(s)

a

pp hand gliss w. tubular bell mp pp sim. mp pp hand gliss. mp mp hand gliss. pp mp hand gliss. pp mp sim. mf p mf p mp pp mp mf mp mf sim. p _mf p mp pp mp pp mf f a

a

nat ure- is de light- -ed by an oth- - nat ureer - a nat ure- conq - ures(s) arco

C.L.B. p

mf p

arco

col legno batutto (C.L.B.)

p _mf p p arco C.L.B. mf p & ∑ ∑ ∑ 3 3 3 3 3 3 & ∑ ∑ ∑ 3 3 3 3 3 3 & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 3 3 3 3 3 3 ∑ ∑ ∑ 3 3 3 3 3 3 & ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ∑ gliss.

& ∑ ∑ ∑ ∑ gliss. ∑ gliss.

(29)

° ¢ ° ¢ ° ¢ ° ¢ Fl.1 Fl.1 Ob.1 Ob.1 Cl. B. Cl. Bsn.1 Bsn.2 Hn.1 Hn.2 Hn. 3 Hn. 4 C Tpt.1 C Tpt.2 C Tpt.3 Tbn.1 Tbn.2 Perc. 1 Perc. 2 Vln. 1 Vln. 2 Vla. Vc. Db.

an - oth - er nat - ure nat - ure a nat - ure dom in- - ates an - oth-er nat - ure

124

mp _pp pp mp mp _pp mp pp mp pp pp pp mp pp slide tr. pp pp mp light candle

mf p p C.L.B. mf p p C.L.B. mf p & 3 3 3 & 3 3 3 & ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ & ∑ ∑ ∑ ∑ ∑ ? _∑ _∑ _∑ _∑ _∑ 3 3 3 3 3 3 & ∑ ∑ ∑

& gliss. ∑ gliss.

& ∑ gliss. _gliss. ∑

(30)

(31)

° ¢ ° ¢ ° ¢ Fl.1 Fl.2 Ob.1 Ob.1 Cl. B. Cl. Hn.1 Hn.2 Hn. 3 Hn. 4 C Tpt.1 C Tpt.2 C Tpt.3 Tbn.1 Tbn.2 Vln. 1 Vln. II Vla. Vc. Db. pp 133 pp pp mp pp pp _mp pp mp pp mp ppp mp pp mp ppp pp pp pp pp mp mp mp slide tr. pp _mp _pp ord. mp o pp slide tr. mp pp ord. mp o p f p p _f p mp f p f M.S.P ord. M.S.T mp ''dripping sound''

C.L.B. between bridge and fingerboard dampen strings w. left hand around the octave approximate rythms and positions on I.

(32)

° ¢ ° ¢ { ° ¢ ° ¢ Grid. Bsn.1 Vln.1b Vln. 2a Vln. 2b Vla. a Vla. b Vc.

1

6''

2

18'' _7'' 137

free and espressive senza misura mf solo fp mf o mp bisbigliando (bisb.) M.S.P ord. M.S.T mp M.S.P ord. M.S.T 9'' Vln. 1b ''dripping sound''

C.L.B. between bridge and fingerboard, dampen strings w. left hand around the octave, approximate rythms and positions on II.

mp M.S.P ord. M.S.T 13'' vln. 2a mp 6'' vln. 2b ''dripping sound''

mp M.S.P ord. M.S.T vla. a mp ''dripping sound''

M.S.P ord. M.S.T

18''

''dripping sound''

C.L.B. between bridge and fingerboard dampen strings w. left hand around the octave approximate rythms and positions I. mp vla. b Grid. Fl.1 Fl.2 Ob.1 Ob.1 Cl. Bsn.1 Hp. Vln.1a Vln.1b Vln.2a Vln.2b Vla.a Vla. b

4

10''

5

14'' ''f''

keyclicks - irregular rythm, as loud as possible

''f''

p mf

bisb. _bisb.

mf

bisb.

Rapid, irregular rythm. Very high notes.

mp p.d.l.t

(poco)

p col legno tratto

quick tempo, approximate rythms

3'' col legno tratto

p

6'' col legno tratto

quick tempo, approximate rythms

p

/

3

? Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~ Ÿ~~~~~ Ÿ~~~ Ÿ~~~~ Ÿ~~~~

Vln. 1a Vln. 1a

C.L.B. between bridge and fingerboard, dampen strings w. left hand around the octave, approximate rythms and positions on I ''dripping sound'' î™™ í™™ 5 î™™ í™™ î™™ 5 5 M.S.P ord. M.S.T í™™ î™™ í™™ 5 3 3 î™™ 3 5 í™™ 5 3 î™™ / & í™™ î™™ & í™™ î™™ & í™™ î™™ & í™™ î™™ & í™™ î™™ ? Ÿ~~~ Ÿ~~~~~~~ Ÿ~~~~ Ÿ~~~~ & í™™ î™™ Violin 1a &í™™ î™™ Violin 2a í™™ & î™™ 3 3 3 3 3 Viola b B í™™ î™™ 5 5 5 œ >j w _{e> e#} _Œ œ > j ˙n w e w eb Œ>jœœ _œnj# œ œ œœ _{e e} eb_˙ _eŒ Œ _e>e˙ eb e.b e. _{e.b e.} e e˙ en Œ ebeeen ˙ e ˙ ¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿¿ ¿ ¿ ¿ ¿¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿¿ ¿ ¿> ¿> > > > > ¿> ¿> > > > > ¿> ¿> > > > > ¿> ¿> > > > > ¿> ¿> > _> > _> œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.

(33)

° ¢ ° ¢ ° ¢ ° ¢ ° ¢ °¢ Grid. Fl.1 Fl.2 Ob.1 Ob.2 Cl Bsn.1 Vln.1a Vln.1b Vln.2 Vln.2b Vla. a Vla. b Vc. Db.

6

4''

₇

15'' o o (keyclicks + harp) o o o o p

as quick as possible (breathe if necessary)

f f o

as quick as possible (breathe if necessary)

p

as quick as possible

7''

S.T.

individual tempo, approximate rythms

p

4''

p S.T.

4'' S.T._{individual tempo, approximate rythms}

p

as quick as possible, individual tempo

Grid. B. Cl. Cbsn. Hn. 1 Hn. 2 Hn. 3 Hn. 4 Tpt.1 Tpt.2 Tpt.3 Perc.3 Vln.1a Vln.2 Vla Vc. Db.

8

_7''

9

6'' _6" o o p p p p pp

Crescendo on each cycle

individual tempo, breathe if neccesary

mp pp

pp mp pp

pp mp pp 6'' o 6'' o / Fl. 1 Fl. 2 Ob. 1 Ob. 2 Hp. Cl. Bass Clarinet ?í™™ î™™ ? Contrabassoon ?í™™ p î™™ Marimba ?í™™ î™™ &

Violin 1, tutti unis.

í™™ 5 5 5 î™™

&

Violin II, tutti

í™™ unis. î™™ Viola, tutti Bunis.í™™ î™™ Violoncello ?_í™™ _î™™ 3 3 3 3 Double Bass ?í™™ î™™ /

10

∑ ?_í™™ stopped

small crescendo on each note individual tempo, breathe if neccesary

î™™

?_í™™

individual tempo, breathe if neccesary small crescendo on each note

î™™

Hn. 1-4

?_í™™

î™™

?_í™™stopped

(34)

° ¢ ° ¢ ° ¢ ° ¢ Grid. Hn.1-4 Tpt.1-3 Tbnl 1 Tbn. 2 Vln.1a Vln.1b Vln.2a Vln.2b Vla. a Vla. b Vc.

B

10''

1

8''

legato, poco dim./cresc. during each cyclemf 4''

legato, poco dim./cresc. during each cycle mf

S.P., individual tempo

f

ord., individual tempo

f

f S.P., individual tempo f Grid. Hn.1-4 Tpt.1-3 Trb.1 Trb.2 Vln.1 Vln.2 Vla Vc.

2

5'' 4'' 10''

5

4''

6

4'' Hn. 1-4 o Tpt. 1- 3 o

continuous gliss, breathe when/if neccesary small cresc/dim. on each cycle

mp o

continuous gliss, breathe when/if neccesary small dim./cresc. on each cycle

mp o

pp

I unis.

f mpgliss around an M2 interval

speed/tempo free

I

f mp

highest harmonic possible

gliss around an M2 interval speed/tempo free

unis. f

I

mp gliss around an M2 interval speed/tempo free

f I

mp

gliss around an M2 interval speed/tempo free

44

/ ? Trombone 1 í™™ cup mute î™™ ? Trombone 2 í™™ cup mute î™™ & Violin 1a í™™ î™™ & Violin 1b í™™ î™™ & Violin 2a í™™ î™™ & Violin 2b í™™ î™™ B Viola a í™™ î™™ B Viola b í™™ î™™ ? Violoncello í™™ î™™ /

3

4

∑ ∑ í™™ ? _î™™ _∑ ?_í™™ _î™™ _∑ ?Timpani & Violin 1 í™™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ highest harmonic possible

î™™ & Violin 2 unis. í™™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~î™™ B Viola with Vln. 1, Vla., Vlc. í™™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

î™™ Violoncello ? _í™™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~_î™™ ˙ b _e ˙ _e _˙ _e b˙ e ˙ _e b˙ eb ˙ e n˙ e Oœ-b b _Oœ-n œO-# b_œO-b œO-b b _œO-n œO- _œO-b

œO- _œO- _œO-

œO-œO- bœO-b Oœ-b œO-œO-b

b œO-# œO- bOœ-b

œO-b

b _œO- œO- Oœ-b

œO-b œO- Oœ- bOœ-b

(35)

° ¢ ° ¢ ° ¢ ° ¢ Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. B. Cl. Bsn. 1 Cbsn. Hn.1 Hn.2 Hn.3 Hn.4 Tpt. 1-3 Tbn.1 Tbn.2 B. Tbn. Tba. Timp. Perc. 1 Perc. 2 Perc. 3 Vln. 1 Vln. 2 Vla. Vc. Db. q = 60 p growl f pp ord. p flz. f pp ord. p growl pp flz. f pp p growl f pp ord. p flz. f pp ord. mp

hand gliss _sim.

hand gliss

mp

sim.

mp

hand gliss _sim.

mp

hand gliss sim.

pour water into trb.

p f p f

p f p f p mf

p f p f p

mf

blow out candle

mf

lion's roar

o _f _f _p p f

blow out candle blow out candle

o The

loud whisper individual rythm

matter is crushed. The water is entirely transformed into earth and this latter, through a process of dessication

q = 60

L

o The

low speaking voice individual rythm

o The

low speaking voice individual rythm

o 2 soli M.S.T. p _f _p ordinary tone p _f O.P. sim. p M.S.T. 2 soli p f p ordinary tone M.S.T. p O.P. f sim. p ord.

44

& ∑ ∑ ∑ 138 & ∑ ∑ ∑ & ∑ ∑ ∑ & ∑ ∑ ∑ & ? ? _∑ _∑ _∑ ? _∑ _∑ _∑ & 3 3 & ∑ ? ? _∑ 3 ₃ & ? 3 ∑ & ∑ ∑ ∑ ? ? ? _∑ _∑ _∑ ? _∑ _∑ _∑ / / ∑ ∑ ∑ / ∑ ∑ ∑ approx. 15 seconds approx. 15 seconds approx. 15 seconds ?

Overpressure - noisy with distorted pitch (O.P.) With lion's roar

?

Overpressure - noisy with distorted pitch (O.P.) With lion's roar

Ó ÓU Ó ÓU Ó ÓU Ó ÓU Ó ÓU Ó œ 6 6 œj ‰ Œ bœ7 œ™7 œj Œ œ 6 Ó ÓU _˙7 _œ7 _{œj ‰}7 _Œ _œ _{6 6™} _œj _Œ _{‰ œj 7œ} ₇ œ™ œ Ó ÓU Ó ÓU Ó ÓU Ó Œ _{‰ œ}o _{# j}_œ+ ‰ ‰ _œoj _œ+ ≈ Œ Ó Œ _{‰ œ}_bo

Ó ÓU _b_œo _œ+r ‰™ ‰ œob _œ+r ≈ Ó Œ œob