Film
Barking Dogs Never Bite (Bong Joon-ho, 2000) Colossal (Nacho Vigalondo, 2017)
Joint Security Area (JSA: Joint Security Area, Park Chan-Wook, 2000) The Host (Bong Joon-ho, 2006)
The Housemaid (Kim Ki-young, 1960) Memories of Murder (Bong Joon-ho, 2003) Mother (Bong Joon-ho, 2009)
Okja, Plan B Entertainment, Lewis Pictures och Kate Street Picture Company, Sydkorea 2013. producenter Dede Gardner, Jeremy Kleiner, Lewis Taewan m.fl. regi Bong Joon-ho, manus Bong Joon-ho, Jon Ronson, foto Darius Khondji, klipp Yang Jin-mo, musik Jung Jae-il, skådespelare Seo-hyun Ahn (Mija), Tilda Swinton (Lucy Mirando/Nancy Mirando), Jake Gyllenhaal (Johnny Wilcox), Paul Dano (Jay) m.fl. distribution Netflix (Internationell) och Next Entertainment World (Sydkorea).
Parasite, Barunson E&A Corp, Sydkorea 2019. producenter Bong Joon-ho, Kwak Sin-ae, Moon Yang-kwon och Jang Young-hwan, regi Bong Joon-ho, manus Bong Joon-ho och Han Jin-won, foto Hong Gyeong-Pyo, klipp Yang
Jin-mo, musik Jung Jae-il, skådespelare Song Kang-ho (Kim Ki-taek), Kim Lee Sun-kyun (Park Dong-ik), Cho Yeo-jeong (Choi Yeon-gyo), Choi Woo-shik (Kim Ki-woo), Park So-dam (Kim Ki-jeong), Lee Jung-eun (Gook Moon-gwang), Jang Hye-jin (Kim Chung-sook,) Park Myung-hoon (Oh Geun-sae), Jung Ji-so (Park Da-hye), Jung Hyeon-jun (Park Da-song) m.fl.
distribution CJ Entertainment.
Peppermint Candy (Lee Chang-dong, 1999) Poltergeist (Tobe Hooper, 1982)
Psycho (Alfred Hitchock, 1960)
Shiri (Shiri - Terrorns ansikte, Kan Je-gyu, 1999)
Snowpiercer, Moho Films, Opus Pictures, Stillking Films och CJ
Entertainment, Sydkorea/USA 2017. producenter Park Chan-wook, Lee Tae-hun, Jeong Tae-sung, Steven Nam, regi Bong Joon-ho, manus Bong Joon-ho och Kelly Masterson, foto Hong Kyung-pyo, klipp Steve M. Choe och Changju Kim, musik Marco Beltrami, skådespelare Chris Evans (Curtis), Song Kang-ho (Namgoong), Tilda Swinton (Mason), Jamie Bell (Edgar), Octavia Spencer (Tanya), Ewen Bremner (Andrew), Go Ah-sung (Yona), John Hurt (Gilliam), Ed Harris (Wilford) m.fl. distribution RADiUS-TWC (USA) och CJ Entertainment (Sydkorea).
Artiklar
Jin, Ju Young, "Making the Global Visible: Charting the Uneven Development of Global Monsters in Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal.", i Comparative Literature and Culture, volym 21,
utgåva 7, artikel 5, 2019, s. 1-10. https://doi.org/10.7771/1481-4374.3659, (2020-08-19).
Lee, Nikki J. Y., ”Localized Globalization and a Monster National: "The Host" and the South Korean Film Industry, i Cinema Journal, Volym, 50, Nummer 3, 2011, s. 45–61.
https://www-jstor-org.proxy.lnu.se/stable/41240713, (2020-08-19).
Schulze, Joshua, ”The Sacred Engine and the Rice Paddy: Globalization, Genre, and Local Space in the Films of Bong Joon-ho”, i Journal of Popular Film and Television, Volym 47, Utgåva 1, 2019, s. 21–29.
https://www.tandfonline.com/doi/full/10.1080/01956051.2019.1563449, (2020-08-19).
Wangsell Orander, Lisa,”Den moderna kvinnan. En studie av klass och genus i Drottningen av Pellagonen och En piga bland pigor”, Lunds
universitet, 2011, s. 1–32. http://lup.lub.lu.se/student-papers/record/1917426, (2020-08-19).
Nätresurser
Bechervaise, Jason, “Bong Joon-ho”, 2013,
http://koreanfilm.or.kr/webzine/sub/interview.jsp?pageIndex=1&wbTypeCd
=690104&adminYn=N&wbSeq=45&vol=26&mode=A_VIEW&returnUrl=, (2020-05-27).
Box office mojo, “Okja”, 2020,
https://www.boxofficemojo.com/release/rl1883669761/weekend/, (2020-05-27).
Buder, Emily, ”'Parasite' Editor Jinmo Yang Teaches Us How to Edit Without Coverage”, 2019, https://nofilmschool.com/parasite-editor-
interview?fbclid=IwAR1lYNkTw-9qVMe9dAXdYyUkSe-qOn6vkuB2x9844M7nhjvx2SE5PvXeqK8, (2020-05-27).
Chu, Li–Wei, “Interview: Dissecting the hidden motifs of ‘Parasite’ with director Bong Joon-Ho,” 2019, https://fromtheintercom.com/interview-director-bong-joon-ho/, (2020-05-27).
Cogley, Bridget, “Parasite house designed from "simple floor plan" sketched by Bong Joon-Ho”, 2020, https://www.dezeen.com/2020/04/16/parasite-film-set-design-interview-lee-ha-jun-bong-joon-ho/, (2020-05-27).
Desowitz, Bill, “‘Parasite’: Shooting Bong Joon Ho’s Social Thriller Through the Lens of Class Divide”, 2019,
https://www.indiewire.com/2019/11/parasite-cinematographer-hong-kyung-pyo-1202189824/, (2020-05-27).
Editors of Britannica, “South Korea Cultural instituions”, 2020,
https://www.britannica.com/place/South-Korea/Cultural-institutions, (2020-05-27).
Gaiman, Neil, “Writing 101: What Is a Motif?”,
https://www.masterclass.com/articles/writing-101-what-is-a-motif#how-to-use-motifs-in-your-own-writing, (2020-05-27).
Garside, Juliette, “Child labour uncovered in Apple's supply chain”, 2013, https://www.theguardian.com/technology/2013/jan/25/apple-child-labour-supply, (2020-05-27).
Imdb, ”Parasite”, 2019, https://www.imdb.com/title/tt6751668/, (2020-05-27).
Imdb, “Snowpiercer”, 2013, https://www.imdb.com/title/tt1706620/, (2020-05-27)
Jenkins, David, “Bong Joon-ho: ‘Okja is about what’s happening to us in real life”, 2017, https://lwlies.com/interviews/bong-joon-ho-okja/, (2020-05-27).
Jung, E. Alex, “The House That Parasite Built (From Scratch)”, 2020, https://www.vulture.com/2020/02/how-bong-joon-ho-built-the-houses-in-parasite.html, (2020-05-27).
Kil, Sonja, “Netflix’s ‘Okja’ Shut Out of Hundreds More Screens in South Korea”, 2017, https://variety.com/2017/film/asia/korea-cinemas-deny-screens-to-netflix-okja-bong-joon-ho-1202456655/, (2020-05-27).
NG, Natalie, “Okja: How It Capitalises On Costume Design For
Commentary”, 2020, https://www.filmedinether.com/features/okja-costume-design-social-commentary/, (2020-08-19).
officialSBIFF, “SBIFF 2020 - Bong Joon Ho Discusses "Okja"”, 2020, https://www.youtube.com/watch?v=oUTdavcpWro, (2020-05-27).
Peter, “Matching Frames: Okja and the Killing of Osama Bin Laden”, 2017, https://medium.com/@nemodally/matching-frames-okja-and-the-killing-of-osama-bin-laden-f9f026a96a42, (2020-05-27).
Remy, Melina, “Why Is the Color Purple Associated With Royalty?”, 2011, https://www.livescience.com/33324-purple-royal-color.html, (2020-05-27).
The Radical Revolution, “Slavoj Zizek on Bong Joon-ho's 'Parasite'”, 2020, https://www.youtube.com/watch?v=FR5RgxTBPxk, (2020-05-27).
Sharf, Zack, “After Historic ‘Parasite’ Run, South Korea Vows to Improve Semi-Basement Apartments”, https://www.indiewire.com/2020/02/parasite-south-korea-improve-semi-basement-apartments-1202213182/, (2020-05-27).
Sharf, Zack, “‘Parasite’ Exclusive: Check Out Bong Joon Ho’s Storyboards from the Graphic Novel”, 2020,
https://www.indiewire.com/2020/05/parasite-bong-joon-ho-storyboards-graphic-novel-1202232085/, (2020-05-27).
Vanity Fair, ”'Parasite' Director Bong Joon-ho Breaks Down the Opening Scene | Vanity Fair”, 2020, https://www.youtube.com/watch?v=bP-eqx2X9AY&t=22s, (2020-05-27).
Litteratur
Austin, Guy, New Uses of Bourdieu in Film and Media Studies, New York:
Berghahn 2016.
Benshoff, Harry och Griffin, Sean, America on Film: Representing Race, Class, Gender and Sexuality at the Movies, Malden: Wiley Blackwell 2009.
Bignell, Jonathan, Media Semiotics: An introduction, Manchester:
Manchester University Press 2002.
Bordwell, David och Thompson, Kristin, Film Art: An introduction, New York: McGraw Hill Education 2008.
Braudy, Leo och Cohen, Marshall, Film Theory and Criticism. 7th ed. New York: Oxford University Press, 2009.
Caughie, John, Theories of Authorship, New York och London: Routledge 1981.
Choi, Jinhee, The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs, Middletown:Wesleyan University Press 2010.
Gripsrud, Jostein, Mediekultur Mediesamhälle, Göteborg: Daidalos AB 2011.
Holgersson, Ulrika, Klass – feministiska och kulturanalytiska perspektiv, Lund: Studentlitteratur AB 2011.
James, David E. och Berg, Rick, The Hidden Foundation: Cinema and the Question of Class, Minneapolis: University of Minnesota Press 1996.
Ji-youn, Jung, Korean film director series, Bong Joon-ho, Seoul: Seoul Selection 2008.
Paquet, Darcy, New Korean Cinema: Breaking the Waves (Short Cuts), New York och London: Columbia University Press, Wallflower 2009.
Yecies, Brian och Shim, Aegyung, The Changing Face of Korean Cinema 1960 to 2015, New York och London: Routledge 2016.