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(1)

Ver. 010718

(2)

Electric Guitar:

The guitar-part is notated as usual, one octave higher then sounding. Quartertones are notated as they sound, they are incorporated in the tuning (see below).

Use a mild reverb.

Feel free to experiment using different sounds like overdrive or other effects etc. Gradual changes in sound/timbre can, for example, be linked to the dynamics.

Always take care to balance the volume with the violin. The two instruments should blend together as much as possible.

The part can also be played on an acoustic guitar.

General notes:

Exact rhythmic synchronization is not essential at all times. It is more important to allow the flow to develop as a natural process.

Dynamic changes should always be as gradual as possible, within the given timespan.

Violin:

Always play "senza vibrato". Always let vibrate over pauses.

Tuning:

*The b-flat is tuned 1/4 tone low (- 49 cent).

Intonation/ microtonal accidentals:

1/4 high 1/4 low flat+ 1/4 low Approx. 1/6 low

* The "7" refers to a just/natural minor seventh, slightly lower then the equally tempered.

(3)





Violin

Electric Guitar

 



ver. 010718

Sempre senza vib.

≈96 ord.

   

9 8 9 8 9 8

        

Sul pont.

sempre l.v.

Overpressure

sempre l.v.

  

   

4 4

       

4 4

I II

ord., poco S.P

 

 

Vln.

E.Gtr.

7

      

 

Vln.

E.Gtr.

12

        

 

    

4

niente

        

niente

 

6'

6'

Zacharias Ehnvall 2017

©

Score

(4)

Vln.

E.Gtr.

 

20

 



   

      

Sul pont.

Overpressure

≈

       

4 4

       

4 4

II I

ord., poco S.P

 

Vln.

E.Gtr.

26

      

 

Vln.

E.Gtr.

31

      

 

    

4

niente

   

niente

 

6'

6'

2

(5)

Vln.

E.Gtr.

rit.

39

 



   

10 8 10 8 10 8

       

≈

Sul pont.

Overpressure

   

I

Sul tasto

 

 

 

 

Sul pont. estrem.

 

ord.

 

 

      

 

A T B

Vln.

E.Gtr.

47 



          

47 9 0  8 9 8  9 8

 

 

      

≈

poco S.P

III IV

II I

           



       

       

 

Sul tasto

3

(6)









Vln.

E.Gtr.

51 



          

 

 

       

≈96

poco S.P

           



       

       

     

    

Sul tasto





Vln.

E.Gtr.

56 



          

 

      

≈72

poco S.P

           

      

       

 

Sul tasto

Vln.

E.Gtr.

61

      

        



   

niente

niente

Sul tasto estrem.

 

4'

4'  

 

ord.

   

 

Sul pont. estrem.

 

4'

4'

4

(7)

Vln.

E.Gtr.

68





sim.    

6 8 7 8 7 8

      

≈96

  

   

4 4

       

4 4

II III

poco S.P

Vln.

E.Gtr.

75

      

      

 

Vln.

E.Gtr.

80

       

4 4

   

niente

niente

G.P. 

G.P.

5

(8)

Vln.

E.Gtr.

86



 

    

      

≈

 

IV 

ord.

 

Sul pont. estrem.

      

Sul tasto estrem.

niente

Vln.

E.Gtr.

96 

      

 

< 

7

ord.

 

 

   

2 4 3 4 3 4

  5    

≈120

  

I II

  

  



5      5

1/4     5  

 









Vln.

E.Gtr.

104 5       

  5    

 

  

  



5      5

1/4   5    



5  

 

  5  

6

(9)

A T B







Vln.

E.Gtr.

110 

           

110 6  8 7 8 7 8

      

≈

poco S.P

           

      

 

Sul tasto

Vln.

E.Gtr.

115 

           

      

≈72

sim.

           

      

 

        











Vln.

E.Gtr.

122  

      

≈

II

ord.

(quasi trillo)

 

    

Sul pont. estrem.

        

      

≈96 ord.

 

7

(10)









Vln.

E.Gtr.

131

 

   

Sul pont. estrem.

niente

niente

 

4'

4'  

ord.

II

   

 

3'

3'

  

I

  

 

 

2' 2'

Vln.

E.Gtr.

141  

  

 

3 5 4 5 4 5

       

≈

   

4

     

4 4

IV III

Vln.

E.Gtr.

150

       

 

niente

        



Sul pont.



 

   

       

  

 

8

(11)

Vln.

E.Gtr.

160



       



    

  

   

0 2 1 2 1 2

  5    

≈120

4       

4 4

1/4

II I

ord.

Vln.

E.Gtr.

169 4        

4 4

  5    

A T B

Vln.

E.Gtr.

179

           

179 1 0  0 0 0  0

0

      

≈

       

      

     

Sul pont. estrem.

9

(12)

Vln.

E.Gtr.

184

           

      

sim.



      

      

     

         

A T B

Vln.

E.Gtr.

191

            

191

0 0 1  2 1  2 1

     

1/4

III

ord.

      

          

5 5

(quasi ritardando)

      

Vln.

E.Gtr.

198

        

4 4

      

      

      

    

     

     

niente

longa longa

10

(13)

A T B

Vln.

E.Gtr.

205

 

 



205

0

0    0 0

 

   

 

 



damp 

 

 

   

 

 

     

    



 

  

* stop suddenly (bow still on strings)

** damp (together with violin)

 

   

l.v.

 

non dim. *

**

11

References

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