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Examensarbete

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Kurs: C G1009 Examensarbete, kandidat, klassisk musik, 15 hp

2013

Kandidatexamen

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Handledare: prof. Henryk Kowalski

Agata Kawa

Examensarbete

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finns dokumenterat i det tryckta exemplaret av denna

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1(4)

Examenskonsert

23 maj 2013

kl 12.30 Stora Salen

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Program

J. Brahms (1833 ± 1897)

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Agata Kawa ± YLROLQ.DWDULQD6WU|P-Harg ± piano

J. S. Bach (1685 ± 1750)

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Agata Kawa ± violin

L. Tihanyi (1956)

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2.Dance of the Gallas

3.Attis

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Agata Kawa ± violin

H. Wieniawski (1835 ± 1880)

Faust Fantasy

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Programkommentarer

Brahms komponerade scherzot 1853. Det var en del av en sonat som komponerades tillsammans med Robert Schumann och Albert Dietrich, RFKWLOOlJQDGHVGHQEHU|PGDYLROLQLVWHQ-RVHSK-RDFKLP6FKXPDQQGHGLNHUDGH VW\FNHWPHG´)$(´VRPlUHQI|UNRUWQLQJDY)rei aber einsam" - fri men ensam RFKVRPYDU-RDFKLPVIDYRULWWDOHVlWW6FKHU]RH[LVWHUDUVRPHWWIULVWnHQGHVW\FNH RFKlUGHQHQGDVDWVHQDY)$(6RQDWDQVRPVSHODVQXI|UWLGHQ

Chaconne tillsammans med orgeltoccatan i d-PROORFK$ULD´Sn*-VWUlQJHQ´WLOOK|UGHPHVWSRSXOlUDNRPSRVLWLRQHUna av J. S. Bach. Dess utformning - WHPDRFKYDULDWLRQHUlUEDVHUDGSnVDUDEDQGU\WPHQLEDVVWlPPDQ

VRPVWlQGLJWnWHUNRPPHULJUXQGOlJJDQGHHOOHUPRGLILHUDGIRUP6W\FNHWKDUWUH KXYXGGHODUVRPJnULG-moll, D-dur respektive d-moll. Chaconnen blev

HQLQVSLUDWLRQVNlOODI|UPnQJDIUDPVWnHQGHNRPSRVLW|UHUVRPJMRUGH transkriptioner av stycket, exempelvis Mendelssohn, Busoni och Brahms. 'HQVHQDUHXWWU\FNWHVLQI|UWMXVQLQJLVW\FNHW&KDFRQQHlUI|UPLJGHWPHVW underbara RFKRYDQOLJDVW\FNHW3nHWWQRWV\VWHPRFKHWWLQVWUXPHQWDQYlQGV GMXSDVWHWDQNDURFKPHVWJULSDQGHNlQVORU /.../ -DJVHUEDUDHWWVlWWDWWEHYDUD GHWYlVHQWOLJDLVW\FNHW± VSHOD&KDFRQQHLWUDQVNULSWLRQI|UYlQVWHUKDQG´ (Ur ett brev till Clara Schumann).

/7LKDQ\LNRPSRQHUDGH$WWLVSnEHJlUDQDYYLROLQLVWHQ(V]WHU 3HUpQ\L'HQYDULQVSLUHUDGDYGHQEHU|PGDHGLNWHQDY&DWXOOXVVRPEHUlWWDU KLVWRULHQRP$WWLV+DQlUHQKMlOWHLGHQJUHNLVNDP\WRORJLQRFKDQOlQGHU till berget Ida i FrygiHQSnLQEMXGDQDYJXGLQQDQ&\EHOH+DQEOLUKHQQHVlOVNDUH ,HQGU|PMDJDUGallas, Cybeles SUlVW, honom in i en yrande dans i vilken han NDVWUHUDUVLJVMlOY3nYlJXUVLQI|UODPDQGHGU|PE|QIDOOHUKDQI|UJlYHV&\EHOH om sin manlighet och frihet, men han NRPPHUDWWI|UEOLJXGLQQDQVWMlQDUH I|UHYLJKHW6W\FNHWEHUlWWDUKLVWRULHQLI\UDVDWVHU

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'HQRHUK|UGDpopulariteten av Gounods opera OHGGHWLOODWWPnQJDIUDPVWnHQGH violinvirtuoser som H. Vieuxtemps, P. Sarasate, DJ Alard komponerade

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Stycket, PHGGHVVULNDIlUJHURFKLQQHKnOODYYLUWXRV WHNQLNlUHQYLNWLJ bidragande orsak till utvecklingen av violintekniken under senare 1800-talet.

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3(4)

Reflektioner

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Alla musiker, VNnGespelare RFKI|UHOlVDUHvLOOXQGHUIUDPWUlGDQGHWYLVDKXQGUDSURFHQW av den NRPSHWHQVNDSDFLWHWRFKP|GD PDQODJWLI|UEHUHGHOVHav konsertenI|UHVWlOOQLQJHQ HOOHUI|UHOlVQLQJHQ0\FNHWRIWDlUGRFNvisionen om dU|PNRQVHUWHQLQWHP|MOLJDWWQn. En faktor som kan EHJUlQVD lUUDPSIHEHUVRPNDQGUDEEDEnGHPRJQDDUWLVWHU

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References

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