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Medverkande i detta nummer
Erik Hedling (b. 1955) is Professor of Comparative Literature and Film Studies at Lund University, Sweden. He is the author and editor of many books, among others Lindsay Anderson: Maverick Film-Maker (1998). Adress: Filmstudies, Center for Languages and Litterature, Lund University, Box 201, 221 00 Lund, Sweden; e-mail: erik.hedling@litt.lu.se.
Mats Jönsson (b. 1960) is an Associate Professor in Film Studies at Lund University. He is particularly interested in the function of film as historical source material. Recently, he finished a Research Fellowship project on the role of images in Sweden during World War Two. Right now, he is mid-way into a one-year research project on Swedish advertising film. Between August 2010 and July 2012, Jönsson is employed (50 percent as one of four Swedish representatives within the newly initiated Centre for Scandinavian Studies Copenhagen–Lund. Apart from several articles in Swedish and English, Jönsson is the author of Film och historia: Historisk hollywoodfilm 1960–2000,
Självbilder: Filmer från Västmanland (with Cecilia Mörner) and Visuell fostran i Sverige 1939–1945 (spring 2011). He has also co-edited four
interdiscipli-nary anthologies Medier och politik: Om arbetarrörelsens mediestrategier under
1900-talet (2007), Välfärdbilder: Svensk film utanför biografen (2008), Media and Monarchy in Sweden, and Regional Aesthetics: Locating Swedish Media
(2010). Adress: Filmstudies, Center for Languages and Litterature, Lund University, Box 201, 221 00 Lund, Sweden; e-mail: mats.jonsson@litt.lu.se. Janet Staiger (b. 1946) is the William P. Hobby Centennial Professor in Communication, teaching courses in Radio-Television-Film and Women’s and Gender Studies, at the University of Texas at Austin. Author and editor of twelve books and 50-plus essays, her book publications include Media
Re-ception Studies (2005), Perverse Spectators (2000), Blockbuster TV (2000), Bad
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Women (1995), Interpreting Films (1992) and The Classical Hollywood Cinema,
co-authored with David Bordwell and Kristin Thompson (1985). Adress: Department of Radio-Television-Film, The University of Texas at Austin, Uneversity Station A 0800, Austin, TX 78712-014; e-mail: jstaiger@uts. cc.utexas.edu.
Duncan Petrie (b. 1963) is Professor of Film and Television in the Department of Theatre, Film and Television at the University of York in the UK. He has previously worked at the University of Auckland, where he was head of the Department of Film, Television and Media Studies; the Uni-versity of Exeter, where he was Director of the Bill Douglas Centre for the History of Cinema and Popular Culture; and at the British Film Institute, where he was Research Officer. Duncan is the author of six books – Creativity
and Constraint in the British Film Industry (1991), The British Cinematographer
(1996), Screening Scotland (2000), Contemporary Scottish Fictions (2004), Shot
in New Zealand: The Art and Craft of the Kiwi Cinematographer (2007) and A Coming of Age: 30 Years of New Zealand Film (2008) – and has edited or
co-edited a further ten, including most recently The Cinema of Small Nations (2007) with Mette Hjort. He is currently developing a major study of inter-national film schools. Adress: Department of Theatre, Film and Television, University of York, Heslington, York, Yo105DD, UK; e-mail: dp547@york. ac.uk.
Tommy Gustafsson (b. 1969) has a PhD in History and is currently a Re-search Fellow in History at Linnaeus University, Sweden. He has published articles on Oscar Michaeux in Cinema Journal, and on the function of Biopics as mediators of the past in Film International. Adress: School of Cultural Sci-ences, Linnaeus University, Pelarplatsen 7, SE-35195 Växjö, Sweden; e-mail: tommy.gustafsson@lnu.se
Vinzenz Hediger (b. 1969) is professor of film and media at Ruhr-Uni-versity Bochum, Germany. He is one of the founding members of NECS, the European Network of Cinema and Media Studies (www.necs-initiative. org). Institute of Media Studies, Rhur-University Bochum, 44780 Bochum, Germany; e-mail: vinzenz.hediger@ruhr-uni-bochum.de.
Maria Ågren (f. 1959) är professor i historia vid Uppsala universitet. Hennes forskning rör skärningsfältet mellan socialhistoria, rättshistoria och ekonomisk historia under tidigmodern tid, där hon särskilt intresserat sig för frågor om krediter och äganderättens olika aspekter. Hon har bland annat skrivit Att hävda sin rätt. Synen på jordägandet i 1600-talets Sverige speglad i
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stitutet urminnes hävd (1997); Domestic Secrets. Women and property in Sweden 1600 to 1857 (2009) och tillsammans med Amy L. Erickson utgivit The Marital Economy in Scandinavia and Britain 1400 to 1900 (2005). Hon erhöll år 2009
utmärkelsen Wallenberg Scholar och driver i den egenskapen projektet ”Gen-der and Work in early mo”Gen-dern Sweden”. Hon representerade historieämnet i ämnesrådet för humaniora och samhällsvetenskap inom Vetenskaprådet åren 2004–2009. Adress: Historiska institutionen, Uppsala universitet, Box 628, 751 26 Uppsala; e-post: maria.edgren@hist.uu.se.
Simon Larsson (f 1976) är fil.dr. i historia och vikarierande universitets-lektor vid Stockholms universitet. Hans forskning har i huvudsak rört histo-riografi och intellectual history. Adress: Historiska institutionen, Stockholms universitet, 106 91 Stockholm; e-post: karlsimonlarsson@hotmail.com. Kim Salomon (f. 1948) är professor vid Historiska institutionen, Lunds universitet. Hans forskningsintressen är kulturorienterad samtidshistoria, svensk såväl som internationell. I flera av hans arbeten står sambandet mellan politik och kultur i fokus. Salomon har bland annat skrivit En
femtiotalsberät-telse. Populärkulturens kalla krig i folkhemssverige (2007) och Rebeller i takt med tiden. FNL-rörelsen och 60-talets politiska ritualer (1996). Adress: Historiska
Institutionen, Lunds universitet, Box 2074, 220 02 Lund; e-post: kim.salo-mon@ hist.lu.se.
Recensenter
Dick Harrison, professor, Lunds universitet Johan Östling, FD, Lunds universitet
Yvonne Maria Werner, professor, Lunds universitet Martin Ericsson, FM, Lunds universitet
Tommy Gustafsson, FD, Linnéuniversitet Lisa Hellman, FM, Stockholms universitet