&
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B
&
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ã
&
? 85 85 85 85
85
85
85 85
85
85
85
85 85 ..
..
..
..
..
..
..
..
..
..
..
..
..
87 87 87 87
87
87
87 87
87
87
87
87 87
89 89 89 89
89
89
89 89
89
89
89
89 89
87 87 87 87
87
87
87 87
87
87
87
87 87
..
..
..
..
..
..
..
..
..
..
..
..
..
Soprano
Alto
Tenor
Bass
Solo Voice
Violin
Viola
Tenor Sax (C)
Trombone
Double Bass
Drum Set
Piano
∑
∑
∑
∑
œ œ œ œ
œ œ œ œ
.œ œ œ
.œ œ
.œ œb
.œ œ
.Û Û
x x x x x x
.Û Û Û
.Û Û
Gsus 2 G-11
q = 72start in time, be "improvisatory", take apart pulse and become more rubato before entering the improvisation, horns/strings become tacet one after each other
F
F
F
F
F
F
F F
strongly
strongly
strongly
strongly
strongly
strongly
strongly
strongly (w/ violin)
∑
∑
∑
∑
œ œ œb œ œ œ
œ œ œb œ œ œ
œ .œ œ
œ .œ œb
œ .œ œb œ
œ .œ œ
Û .Û Û
x x x x x x x x
Û .Û Û
Û .Û Û
Gsus4 G-(b6)
∑
∑
∑
∑
œ œ œb œ œ œ œ œ œ
œ œ œb œ œ œ œ œ œ
œ ˙ .œ
œ ˙ b .œ
œb ˙ œ
Jœ
œ ˙ .œ
Û | .Û
x x x x x x x x x x
Û | .Û
Û | .Û
G-6 G7sus 4 C-6/G
∑
∑
∑
∑
˙ ..
˙ ..
˙ ..
..
˙
œ b .œ œ
˙ ..
Û .Û Û
x x x x x x x
Û .Û Û
| ..
G-(add9,11)
∑
∑
∑
∑
|
|
|
|
|
|
|
|
|
/G
/G
/G
/G
/G
/G
/G improvise
("G minorish"/dorian, play with harmonic colors)
improvise
improvise
improvise
improvise senza misura
improvise
improvise ca. 9-15'' ca. 9-15''
ca. 9-15''
ca. 9-15''
ca. 9-15''
ca. 9-15''
ca. 9-15''
ca. 9-15''
ca. 9-15'' ca. 9-15''
ca. 9-15''
ca. 9-15''
("G minorish"/dorian, play with harmonic colors)
("G minorish"/dorian, play with harmonic colors)
("G minorish"/dorian, play with harmonic colors)
("G minorish"/dorian, play with harmonic colors)
("G minorish"/dorian, play with harmonic colors)
("G minorish"/dorian, play with harmonic colors)
("G minorish"/dorian, play with harmonic colors)
improvise on cue 5
jœb jœ
Sto ra
p
"descriptively"-
Lyssna - VII
© Birgitta Flick 2019
Lyrics: Psalm 40, 4, 6-11 Music: Birgitta Flick
A11
&
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&
&
B
&
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ã
&
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S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
∑
∑
∑
∑
W œ œ
är de ting du har gjort, di na un der, 6
w w
6
ww
6
ww
6
ww
6
∑
6
ww
you may breath or take short breaks during the long note, reenter softly but clearly, according to the vocal's melody
you may breath or take short breaks during the long note, reenter softly but clearly, according to the vocal's melody
you may breath or take short breaks during the long note, reenter softly but clearly, according to the vocal's melody
you may breath or take short breaks during the long note, reenter softly but clearly, according to the vocal's melody
p p p
p
(g, sometimes d as pickup)
p p
(g or d) (g or d)
play small "answers" to voc melody if you feel like it
A
W œ
Her re, min Gud,
W jœ œ œb œ œ œ
och di na pla ner med oss.
∑
∑
∑
∑
W œ œ
In gen kan mä ta sig med dig.
∑
W œ
Jag vill ta la och be rät ta om dem,
W jœ jœb œ œ œ œ œ
men de är fler än jag kan räk na.
- - - - - - - - - - -
2
Lyssna - VII Score
&
&
V
?
&
&
B
&
?
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ã
&
?
S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
∑
∑
œ œ œ œ
Han la
œ œ œ œ
Han la
∑
7
∑
∑
7
œ œ œ œ
7
œ œ œ œ
7
œ œ œ œ
7
7
œ œ œ œ œ œ œ œ
join this melody or improvise bass notes to it
F
F
F F
F
F
accompagny by ear if you feel so!
F
rejoicing
rejoicing B
Jœ Jœ œ œ
de en ny
Jœ Jœ œ œ
de en ny
jœ jœ œ œ J œ
J œ œ œ J œ
J œ œ œ
jœ jœ œ œ Jœ Jœ œ œ
œ œb Jœ Jœ
sång i min
œ œb jœ jœ
sång i min
œ œb jœ jœ œ œb Jœ Jœ œ œb Jœ Jœ
œ œb jœ jœ œ œb jœ jœ
Jœ œ
mun,
jœ œ
mun,
jœ œ Jœ œ
Jœ œ
jœ œ jœ œ
jœb jœ jœ œ œ
en lov sång Gud.
jœb jœ jœ jœ jœ œ
en lov sång till vår Gud.
Jœb J œ Jœ Jœ Jœ œ
en lov sång till vår Gud.
jœb Jœ Jœ jœ jœ œ
en lov sång till vår Gud.
jœb jœ jœ jœ jœ œ jœb Jœ Jœ Jœ jœ œ jœb jœ jœ jœ jœ œ Jœb J œ Jœ Jœ Jœ œ Jœb J œ Jœ Jœ Jœ œ
jœb jœ jœ jœ jœ œ jœb Jœ Jœ jœ jœ œ F
F
F F
rejoicing
rejoicing
∑
œ œ jœ jœ
Mån ga skall
œ œ Jœ J œ
Mån ga skall
œ œ Jœ J œ
Mån ga skall
∑
∑ œ œ Jœ J œ œ œ jœ jœ œ œ Jœ J œ œ œ Jœ J œ
œ œ jœ jœ œ œ Jœ J œ
œ œ jœ jœ
se det och
œ œ Jœ Jœ
se det och
œ œ Jœ jœ
se det och
œ œ Jœ Jœ œ œ jœ jœ œ œ J œ
Jœ œ œ J œ
Jœ
œ œ jœ jœ œ œ Jœ jœ
œ œ œ
bä va
œ œ œ
bä va
œ œ œ
bä va
œ œ œ
œ œ œ œ œ œ
œ œ œ
œ œ œ œ œ œ
jœ œ œ jœ jœ
och sät ta sin
jœ œ œ jœ jœ
och sät ta sin
Jœ œ œ Jœ J œ
och sät ta sin
Jœ œ œ jœ Jœ
och sät ta sin
jœ œ œ jœ jœ Jœ œ œ Jœ J œ
jœ œ œ jœ jœ J œ œ œ Jœ J œ J œ œ œ Jœ J œ
jœ œ œ jœ jœ Jœ œ œ jœ Jœ
jœ œ jœ
lit
œ œ œ jœ
lit till
œ œ œ jœ
lit till
œ œ œ jœ
lit till
œ œ œ jœ œ œ œ jœ œ œ œ jœ œ œ œ
Jœ œ œ œ
Jœ
œ œ œ jœ œ œ œ jœ
œ œ
Her ren.
œ œ œ
Her ren.
œ œ œ
Her ren.
œ œ œ
Her ren.
œ œ œ œ œ œ
œ œ œ œ œ œ
œ œ œ
œ œ œ œ œ œ
∑
∑
∑
∑
∑
|
|
|
|
|
|
|
|
improvise
improvise
improvise
improvise
improvise senza misura
Land eventually on G-pedal as cue for next part. You may include counterpoint melodies 2 (materialsidan) into the improvsation.
Land eventually on G-pedal as cue for next part. You may include counterpoint melodies 2 (materialsidan) into the improvsation.
Land eventually on G-pedal as cue for next part. You may include counterpoint melodies 2 (materialsidan) into the improvsation.
Land eventually on G-pedal as cue for next part. You may include counterpoint melodies 2 (materialsidan) into the improvsation.
Land eventually on G-pedal as cue for next part. You may include counterpoint melodies 2 (materialsidan) into the improvsation.
Land eventually on G-pedal as cue for next part. You may include counterpoint melodies 2 (materialsidan) into the improvsation.
Land eventually on G-pedal as cue for next part. You may include counterpoint melodies 2 (materialsidan) into the improvsation.
improvise improvise
- - - - - -
- - - - - -
- - - - -
- - -
3
Lyssna - VII
&
&
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&
&
B
&
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ã
&
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S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
∑
∑
∑
∑
W œ œ
Slakt of fer och mat of fer öns kar du in te, 9
w w
9
w
9
w
9
w
9
|
9
w p
p p
p p p
p
p
C
∑
∑
∑
∑
W œ# œ
du har lärt mig att lyss na.
Ó
Ó Ó Ó Ó
Ó
Ó Ó
w
ng
w
ng
∑
∑
w
∑
∑
∑
∑
∑
∑
∑
∑
senza vibr senza vibr
make small gliss, individually, mx. 1/2 step up or down. Stay at originally pitch now and then.
You may insert vowel transitions in "ng"- sound, individually. E.g. ngi, ngy, ngu...
make small gliss, individually, mx. 1/2 step up or down. Stay at originally pitch now and then.
You may insert vowel transitions in "ng"- sound, individually. E.g. ngi, ngy, ngu...
p
p
accel. poco a poco
accel. poco a poco
accel. poco a poco
accel. poco a poco
accel. poco a poco
accel. poco a poco
accel. poco a poco 10
∑
w
w
#
∑
∑
∑
∑
∑
∑
p ∑
∑
∑
∑
∑
∑
∑
∑
cresc. poco a poco
cresc. poco a poco
w
w
#
∑
∑
∑
∑
∑
∑
(cymbals)
∑
∑
∑
∑
wb Y
∑
wb
inside, strings (with pedal?) cresc. poco a poco
p
p
p
arco
w
#
w
∑
∑ &
∑
∑
∑
∑
cresc. poco a poco
cresc. poco a poco
∑
∑
∑
∑
wb Y
∑
wb
w
wb
w
#
∑
∑
∑
∑
∑ P
∑
∑
∑
∑
wb Y
∑
wb
cresc. poco a poco
wb
w
w
w
#
∑ P
∑
∑
∑
∑
∑
cresc. poco a poco
w
#
w
w
w
∑
∑
∑
∑
∑
w
# Y
∑
w
#
ord.
U ∑
U ∑ U ∑ U ∑
U ∑
U w
U w
w
# U U w
U w U Y
wwww N # U ww# w
F#-maj7(b13,#13)
F
F F F F F
- - - - - - -
4
Lyssna - VII Score
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B
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A
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B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
∑
∑
∑
∑
W
# œ# œ
Bränn of fer och synd of fer be gär du in te,
11
w
w
11
w
11
w ˙#
11
w
11
Y
11
N wwww w F
(you are free to improvise more sounds, but stay in chord)
more intensely D
D
Ó.
Ó.
Ó.
Ó.
œ# œ œn œ œ
där för sä ger jag:
Œ Œ Œ
Ó Ó
œ# œ œn œ œ Ó
Ó
‰ j œ# œ
˙#
meno mosso
(w/ tb)
∑
∑
∑
∑
U Ó
œ œ œ
Jag är här.
∑
∑
∑
∑
∑
∑
∑
∑
clearly
p
∑
∑
∑
∑
w
w
w
#
∑
∑
∑
∑
∑
∑ π
π
senza vibr3x
senza vibr 3x sul pont.
sul pont.
13
make small slow gliss, max. 1/2 step up or down
U ∑
U ∑ wb
w
1x
1x
U ∑
U ∑
Ó. ‰ jœ
I
w
wb
2x
2x
"improvisatory"
œ œb œ W
bok rul len står vad jag skall
œ œ Œ œ œ
gö ra. Gär na
- - - - - - - - - - - -
5
Lyssna - VII
&
&
V
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&
&
B
&
&
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ã
&
?
44
44
44
44
44
44
44 44 44 44 44
44 44
42
42
42
42
42
42
42 42 42 42 42
42 42
43
43
43
43
43
43
43 43 43 43 43
43 43
42
42
42
42
42
42
42 42 42 42 42
42 42
44
44
44
44
44
44
44 44 44 44 44
44 44
42
42
42
42
42
42
42 42 42 42 42
42 42
S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
W jœœ jœ œ
gör jag din vil ja, min Gud,
w
# U Œ
w U Œ
∑
œ .˙
w
W
w
# w
jag har din lag i mitt hjärta.
U ∑
U ∑ w w
U ∑
U ∑ w
# w
U ∑
U ∑ wb w
#
w
w w
w
U ∑
U ∑ U ∑ U ∑ U ∑ U ∑
U ∑ U ∑
slow gliss. as before (max 1/2 step up or down, stay every now and then on original pitch)
π
π
π
π
slow gliss. as before (max 1/2 step up or down, stay every now and then on original pitch)
slow gliss. as before (max 1/2 step up or down, stay every now and then on original pitch)
slow gliss. as before (max 1/2 step up or down, stay every now and then on original pitch) ng (you can again vary to ngy, ngu etc., individually)
ng (you can again vary to ngy, ngu etc., individually)
ng (you can again vary to ngy, ngu etc., individually)
ng (you can again vary to ngy, ngu etc., individually)
∑
w
wb w
w
∑
’’’’
∑
∑
a tempo q = 76
ord.
ord.
p
p
p
p
p
softly and clear time clearly
clearly
clearly clearly E
brushes
∑
∑
∑
∑
∑
∑
’ ’
∑
∑
∑
.˙
b
.˙
.˙
b
.˙
#
∑
’’’
∑
∑
∑
∑
∑
∑
∑
∑
’ ’
∑
∑
U ∑
U w
U w U w
U w
∑
U |
∑
∑
-
6
Lyssna - VII Score
&
&
V
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&
&
B
&
&
?
ã
&
? 42 42 42
42
42
42
42 42 42 42 42
42 42
44 44 44
44
44
44
44 44 44 44 44
44 44
43 43 43
43
43
43
43 43 43 43 43
43 43
S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
√
21
∑
21
∑
∑
21
∑
21
∑
21
∑
21
’’
21
∑
∑
∑
˙
˙#
˙
˙#
∑
’’
∑
∑
∑
∑
∑
∑
∑
˙b
’’
∑
˙b
clearly
P
∑
˙
˙#
˙
˙
∑
’’
∑
∑
∑
∑
∑
∑
∑
˙b
’’
∑
˙b
w w w w
∑
w
#
w w
w w
’’’’
www w
#
w F
w w w w
Ó œ œ#
Jag bär
w N
w
˙ ˙
˙ Œ Œ œ#
3w
#
’’’ ’
∑
∑ F
F F
F F F F
dolce
dolce
dolce dolce
dolce
dolce
F
F F F
F
∑
∑ Ó ˙
om
Ó ˙
om
˙ œ œ
bud om din
w Ó ˙
˙ Ó
œ œ ˙ w N
’ ’ ’ ’
∑
∑ F
F
dolcedolce
∑
∑
œ œ# œ œ
din tro fas
w
œ œ œ œ œ# Œ
3 3tro fas ta hjälp
w w
Œ œ# œn œ#
œ œb œn œ w
’ ’ ’ ’ Œ œ# œn œ#
∑ F
dolce
Ó ˙b
sto
Ó ˙b œ œ# ˙b
stota hjälp,
wb
hjälp,
Ó œ# œ
till den
wb wb
˙b Œ œ#
œ œ# ˙b w
’ ’ ’ ’
˙b Œ œ#
∑ F
F
dolcedolce
w
w œ
N œ ˙#
sto
wb
sto
œ# œ œ# œ œ œ
sto ra tem pel ska ran.
Œ ˙b œ
wb
˙ Œ œb
œ
N œ ˙#
wb
’ ’ ’ ’
˙ Œ œb
∑
œ œ# œ# œ#
œ œ# œ# œ#
w
#
ra,
œb .˙ N
ra,
Ó. œ#
Jag
˙# ˙#
w
#
œ# œ œ œ#
∑ w
’ ’ ’ ’
œ# œ œ œ#
∑
œ # .˙
ra,
œ œ# œ# œ
ra, du
Ó œ# œ
du
Ó œ# œ
du
œ# œ œ œ œ œ œ œ œ
hål ler in te till ba ka mi na3
w
# w
w
#
Œ œ# œ# œ#
w
#
’ ’ ’ ’
œ# œ# œ# œ#
∑
œ œ œb œb
det vet, du.
w w
˙b N ˙
œ# Œ Œ œ#
ord, det
œ œ œb œb
˙ ˙
˙ ˙
œ ˙ œ#
˙ N ˙
’ ’ ’ ’ œ œ N œb œb
∑
œ ˙n U œ
.˙ œ
U
œ ˙ U œ .˙ U œ
œ# œ œ œ U
vet Du, Her re.
œ ˙n U œ
.˙ U œ
œ ˙ U œ
˙ œ œ U
˙ Œ Œ U Û Û Û Û U œ ˙n œ
∑
change to sticks if you feel like it
- - - - - - - - - - - -
-
- -
- - - - -
- - - - -
-
7
Lyssna - VII
&
&
V
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&
&
B
&
&
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ã
&
? 43 43 43 43
43
43
43 43 43 43 43
43 43 ..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
(√) .˙
.˙
.˙
.˙
.˙
36
.˙
.˙
.˙
36
.˙
36
˙
36
.œ
b .œ
36
’ ’ ’
36
.˙
...˙˙˙
b
C.œ
maj7(#5)/Ab.œ
pizz.
q = 124
1st x only
improvise
(chords 1st x tacet) 1st x tacet
open, on cue let time fall apart and develop a collective free improvisation
open, on cue let time fall apart and develop a collective free improvisation
open, on cue let time fall apart and develop a collective free improvisation
open, on cue let time fall apart and develop a collective free improvisation
open, on cue let time fall apart and develop a collective free improvisation
open, on cue let time fall apart and develop a collective free improvisation
open, on cue let time fall apart and develop a collective free improvisation 1st x only
1st x only
1st x only
1st x only
1st x only G
1st x only
sticks?
1st x only 1st x only
∑
∑
∑
∑
∑
b .˙
.˙
.˙
.œ b .œ
’ ’ ’ ...˙˙˙Nb
.œ b .œ
Eb7(b9)/G 1st x tacet 1st x tacet
∑
∑
∑
∑
∑
∑
∑
∑
∑
’ ’ ’
∑
∑
∑
∑
∑
∑
∑
.˙
#
.˙
# .˙
# .œ .œ
’ ’ ’ ...˙˙˙#
#
.œ
#
B-(add9)/F#.œ
∑
∑
∑
∑
∑
.˙
.˙
b
N .˙
N .œ b .œ
’ ’ ’ ...˙˙˙b
.œ
N
Db7/Fb .œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
’ ’ ’
∑
∑
∑
∑
∑
∑
∑
Œ ˙
Œ ˙
Œ ˙
Œ ˙
’ ’ ’ Œ ˙˙ ˙ Œ ˙
A-/C
∑
∑
∑
∑
∑
.˙
b
.˙
.˙
.˙
’ ’ ’ .. .
˙˙ ˙ b
.˙
E-(addb5)
∑
∑
∑
∑
∑
∑
∑
∑
∑
’ ’ ’
∑
∑
∑
∑
∑
∑
∑
Œ ˙
Œ ˙#
Œ ˙
Œ ˙
’ ’ ’ Œ ˙˙˙#
Œ ˙
8
Lyssna - VII Score
&
&
V
?
&
&
B
&
&
?
ã
&
?
S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
46
∑
∑
∑
∑
46
|
|
46
|
46
|
46
|
46
|
46
|
|
on cue
improvise
improvise improvise improvise improvise improvise improvise
improvise with these words senza misura
Jag tiger inte om din hjälp, att du är trofast och räddar förkunnar jag.
Jag döljer inte din godhet och trohet för den stora tempelskaran.
(give improvisation the lenghts it needs, it may vary from per- formance to performance)
œ
enter when you hear the words
"jag döljer inte..."
dolce
.˙ œb
∑
∑
∑
∑
œ œ Ó œ
continue improvising with some or all of these words 47
œb œ Ó œ œb œ œb œ œb œ œbœ
3N .˙ œ œb
.˙ œb
dolce
∑
∑
∑
∑
.˙ œn
.˙
œn48
Join improvisation again or continue playing in unison the violin's melody and join afterwards.
œ œ Ó œb
œ œ Ó œb
œ œ Ó
œ œ Ó
?
œb œ œb œ
œ# œn œb œ
œ# œ œ œ œ
3
œ# œ œœ œ
3
.˙
b œn
b .˙ œn
.˙ œ
.˙ œ
œb
.˙ œb
.˙
Œ &
dolce
9
Lyssna - VII
&
&
V
?
&
&
B
&
&
?
ã
&
?
44 44 44 44
44
44
44 44 44
44 44
44 44
S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
∑
∑
∑
∑ œ œn œ Œ
49
œ œn œ Œ
49
49
49
wb
49
49 arco
49
Œ œb œ œ
Œ .˙ b
Ó œb œ Ó ˙b
œb œ œ# Œ
˙ œb Œ
Œ Œ Œ œb
Œ .˙ b
œ œ Œ œb
˙ Œ œb
F
dearlyF
dearly∑
∑
∑
∑ œ œn œ Œ
˙ ˙
wb
wb wb wb
’ ’ ’ ’
∑
∑ F
F F
q = 76
dearly
dearly
dearly
dearly
dearly
F F
(or conitnue improvisation, responding to the others) H
∑
∑
∑
∑
Œ œb œ œ
Œ .˙ b .˙
N Œ
.˙
b Œ
.˙
N Œ
.˙
b Œ
’ ’ ’ ’
∑
∑
∑
∑
∑
∑
Ó œb œ
Ó ˙b
˙b ˙n
˙b ˙b
˙b ˙
˙b ˙
’ ’ ’ ’
∑
∑
∑
∑
∑
∑ œb œ œ# Œ
˙ œb Œ
œ Œ ˙b
œ Œ ˙b œ Œ ˙b œ Œ ˙b
’ ’ ’ ’
∑
∑
∑
∑
∑
∑
Œ Œ Œ œb
Œ .˙ b
˙ ˙b
˙ N ˙
˙ N ˙
˙ ˙b
’ ’ ’ ’
∑
∑
∑
∑
∑
∑
œ œ Œ œb
˙ Œ œb
˙ œ œb
˙b ˙n
˙b ˙n
˙ ˙
’ ’ ’ ’
Ó. œb
œb
H H
H blossom out
blossom out blossom out
10
Lyssna - VII Score
&
&
V
?
&
&
B
&
&
?
ã
&
?
45
45 45 45
45
45
45 45 45 45 45
45 45
44
44 44 44
44
44
44 44 44 44 44
44 44
44
44 44 44
44
S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
56
wb
o
wb
o
wb
o
wb
o
œ œn œ Œ
56
œ œn œ Œ
œ œn œ Œ
56
˙ ˙b
56
˙ ˙b
56
wb
56
’ ’ ’ ’
56
œ œn œ Œ ˙ ˙˙bb wb
blossom out
blossom out
blossom out senza vibr
senza vibr
F F
marcato
marcato
F
senza vibrmarcatosenza vibr
F
marcatob .˙ Œ
(d)u
.˙
N Œ
(d)u
.˙
N Œ
(d)u
.˙
b Œ
(d)u
Œ œb œ œ
Œ œb œ œ
Œ œb œ œ .˙
N Œ
.˙
N Œ
.˙
b Œ
’ ’ ’ ’ Œ œb œ œ ..˙˙
N N Œ
b .˙ Œ
wb œ
o
wb œ
o
wb œ
o
wb œ
o
Œ œb œ œ œ œb œ œ#
33
Œ œb œ œ œ œb œ œ#
33
Œ œb œ œ œ œb œ œ#
33
wb œ
wb œ
wb œ
’ ’ ’ ’ ’
Œ œb œ œn œ œb œ œ#
33
wwb
b œœ
wb œ
wb
(d)u
˙
N ˙b
(d)u
˙b ˙
(d)u
wb
(d)u
Œ œ œ œ œ
3
Œ œ œ œ œ
3
Œ œ œ œ œ
3˙
N ˙#
˙b ˙
wb
’ ’ ’ ’ Œ œn œ œ œ
3
˙˙N
b ˙˙#
wb
wb
o
˙ ˙
˙
N ˙b
wb
o
.˙
b œn
.˙
b œn
.˙
b œn
˙ ˙n
˙
N ˙b
w
’ ’ ’ ’ .˙
b ˙˙ œn
N ˙˙nb
wb
w
wb
(d)u
˙ N ˙
(d)u
wb
(d)u
œ .˙
œ .˙
œ .˙
wb
˙ N ˙ w
’ ’ ’ ’ œ .˙
˙ w N ˙ b
wb
∑
œb œn œ
∑
∑
œb œn œ œb œn œ
∑
∑
∑ w
∑
∑
∑
(2 singers) make small slow gliss., individually, staggered breathing
join other singers when noted improvise with
these notes
choose from:
y-i-u-e
improvise with these notes
choose from:
y-i-u-e
make small slow gliss., individually, staggered breathing
join other singers when noted improvise with
these notes senza misura
make small slow gliss, when choir enters dissolve into an airy improvisation:
light, airy "fills"
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
whole section: 10-20''
∑
w
∑
∑
w
w
w
∑
∑
∑
∑
∑
∑
- - - - - - - - - - -
- - - - - - - - - - -
- - - - - - - - - - -
- - - - - - - - - -
11
Lyssna - VII
&
&
V
?
&
&
B
&
&
?
ã
&
? 44
44
44
44
44
S
A
T
B
Voc.
Vln.
Vla.
T. Sx.
Tbn.
D.B.
D. S.
Pno.
wb
o
wb
o
wb
o
wb
o
63
63
63
63
63
63
63
distantly...
p
(all others)
p
distantly...p
p
distantly...
distantly...
softly play "core melody" 1 (sax, tb, b, p), do not coordinate totally
softly play "core melody" 1 (sax, tb, b, p), do not coordinate totally
softly play "core melody" 1 (sax, tb, b, p), do not coordinate totally
softly play "core melody" 1 (sax, tb, b, p), do not coordinate totally
improvise, airy sounds rubato
I
b .˙ Œ
(du)
.˙
N Œ
(d)u
.˙
N Œ
(d)u
.˙
b Œ
(d)u
wb
o
wb
o
wb
o
wb
o
wb
(du)
˙
N ˙b
(d)u
˙b ˙
(d)u
wb
(d)u
wb
o
˙ ˙ N
˙
N ˙b
wb
o
(2 singers: join your group at any point from here on)
˙ Ó
wb
(d)u
˙ N N ˙
(d)u
wb
(d)u
wb
o
wb
o
wb
o
wb
o
wb
a
p
(solistic, on top of choir)dolce(or sounds of your choice) 69
b .˙ Œ
(d)u
.˙
N Œ
(d)u
.˙
N Œ
(d)u
.˙
b Œ
(d)u
.˙
b Œ
(d)a
˙b ˙
o (d)u
˙b ˙b
o (d)u
˙ ˙b
o (d)u
˙b ˙
o (d)u
˙ ˙b
a (d)a
Ó ˙b
o
Ó ˙b
o
Ó ˙b
o
Ó ˙b
o
Ó N ˙
a
˙ ˙b
(d)u
˙ ˙N
(d)u
˙ ˙b
(d)u
˙ ˙b
(d)u
˙ ˙b
(d)a
˙ ˙
˙b ˙n
˙ ˙
˙ ˙
˙ ˙
∑
w
w
∑
∑
|
wb
wb
|
slow gliss. as before (max 1/2 step up or down, stay every now and then on original pitch)
slow gliss. as before (max 1/2 step up or down, stay every now and then on original pitch)
improvise small "spots", airy, high?
no vib?, strings (piano)? END on pitch eb1
improvise small "spots", airy, high?
no vib?, strings (piano)? END on pitch eb1
improvise small "spots", airy, high?
no vib?, strings (piano)? END on pitch eb1
improvise small "spots", airy, high?
no vib?, strings (piano)? END on pitch eb1 15-25''
15-25''
15-25''
15-25''
15-25''
15-25''
improvise small "spots", airy, high?
no vib?, strings (piano)? END on pitch eb1
15-25''
improvise small "spots", airy, high?
no vib?, strings (piano)? END on pitch eb1
15-25''
improvise small "spots", airy, high?
no vib?, strings (piano)? END on pitch eb1
15-25''
improvise small "spots", airy, high?
no vib?, strings (piano)? END on pitch eb1 15-25''
15-25''
whisper - improvise with "lyssna"
or sounds derived from that whisper - improvise with "lyssna"
or sounds derived from that
ng (you can again vary to ngy, ngu etc., individually) ng (you can again vary to ngy, ngu etc., individually)
15-25''
al niente
al niente
al niente
al niente
al niente
al niente
al niente
al niente
al niente
al niente
al niente
al niente
- - - - - -
- - - - - - - -
- - - - - - - -
- - - - - -
- - -